The inaugural novel in the Well-Read Black Girl Books series, The Catch is a darkly whimsical tale of women daring to live and create with impunity.

Twin sisters Clara and Dempsey have always struggled to relate, their familial bond severed after their mother vanished into the Thames. As infants they were adopted into different families, Clara sent to live with a successful, upper-class couple, and Dempsey with a sullen, unaffectionate city councilor. In adulthood, they are content to be all but estranged, until Clara sees a woman who looks exactly like their mother on the streets of London. The catch: this version of Serene, aged not a day, has enjoyed a childless life―the very life, it seems, she might have had if the girls had never been born.

As with most things, Clara and Dempsey cannot see eye to eye on the confounding appearance of this woman. Clara, a celebrity author with a penchant for excessive drinking and one-night stands, is all too willing to welcome the confident and temperamental Serene into her home. But cloistered Dempsey, who makes a modest living doing menial data entry work from the confines of her apartment, is dubious of the whole situation, believing this all to be the insidious ruse of a con woman. Clashing over this stranger who burrows deeper and deeper into their lives, the sisters hurtle toward an altercation that threatens their very existence, forcing them to finally confront their pasts―together.

In her riveting first foray into fiction, Yrsa Daley-Ward conjures a kaleidoscopic multiverse of daughterhood and mother-want, exploring the sacrifices that women must make for self-actualization. The result is a marvel of a debut novel that boldly asks, “How can it ever, ever be a crime to choose yourself?”

Classic comedy starring George Formby as a man who heads to London in search of fame only to find himself accused of murder. George Trotter (Formby) is convinced he will make it on stage and duly checks in at Ma Tubbs (Hilda Mundy)'s theatrical boarding house. Unfortunately for George, when the performer in the next room, acrobat Tom Driscoll (Dennis Wyndham), is found murdered, George is Chief Inspector Twyning (Ian Fleming)'s prime suspect. Can George find out the true identity of the killer, or will his attempts to solve the case only provide further evidence for the police to use against him?

It is surely true that 'reclaimed' spiritual wisdom from the pre-Vatican II era can enrich the faith lives of Catholics today. The American Catholic community prior to the Second Vatican Council can be numbered among the most vital expressions of Catholicism in the history of the church. The contributors are a who's-who of the top theologians and spiritual writers today. other essays cover devotional practices, such as prayer to the saints, devotion to Mary, the Rosary, the Eucharistic Fast, and the Angelus, as well as profiles of figures such as Thomas Merton, Theodore Hesburth, Teilhard de Chardin, and Dorothy Day.

From the acclaimed poet behind bone, an exploration of how we can meet our truest selves, the ones we've always been meant to become Yrsa Daley-Ward's words have resonated with hundreds of thousands of readers--through her books of poetry and memoir, bone and The Terrible; through her writing for Beyonce on Black Is King; and through her always illuminating Instagram posts. Now, in The How, Yrsa encourages readers to begin, as she puts it, the great work of meeting ourselves. This isn't the self we've built up in response to our surroundings, or the self we manufacture to please the people around us, but instead, our most intimate self, the one we visit in dreams, the one that calls to us from a glimmering future. With a mix of short lyrical musings and her signature stunning poetry, Yrsa gently takes readers by the hand, encouraging them to join her as she explores how we can remove our filters, and see and feel more of who we really are behind the preconceived notions of propriety and manners we've accumulated with age. With a beautiful design and intriguing meditations, The How can be used to start conversations, to prompt writing, to delve deeper--whether you're solo, or with friends, on your feet or writing from the solace of home.

Khaled Anatolios, a noted expert on the development of Nicene theology, offers a historically informed theological study of the development of the doctrine of the Trinity, showing its relevance to Christian life and thought today. According to Anatolios, the development of trinitarian doctrine involved a global interpretation of Christian faith as a whole. Consequently, the meaning of trinitarian doctrine is to be found in a reappropriation of the process of this development, such that the entirety of Christian existence is interpreted in a trinitarian manner. The book provides essential resources for this reappropriation by identifying the network of theological issues that comprise the "systematic scope" of Nicene theology, focusing especially on the trinitarian perspectives of three major theologians: Athanasius, Gregory of Nyssa, and Augustine. It includes a foreword by Brian E. Daley.

Women and Empire, 1750-1939: Primary Sources on Gender and Anglo-Imperialism functions to extend significantly the range of the History of Feminism series (co-published by Routledge and Edition Synapse), bringing together the histories of British and American women's emancipation, represented in earlier sets, into juxtaposition with histories produced by different kinds of imperial and colonial governments. The alignment of writings from a range of Anglo-imperial contexts reveals the overlapping histories and problems, while foregrounding cultural specificities and contextual inflections of imperialism. The volumes focus on countries, regions, or continents formerly colonized (in part) by Britain: Volume I: Australia Volume II: New Zealand Volume III: Africa Volume IV: India Volume V: Canada Perhaps the most novel aspect of this collection is its capacity to highlight the common aspects of the functions of empire in their impact on women and their production of gender, and conversely, to demonstrate the actual specificity of particular regional manifestations. Concerning questions of power, gender, class and race, this new Routledge-Edition Synapse Major Work will be of particular interest to scholars and students of imperialism, colonization, women's history, and women's writing.