A revealing collection of quotations from world-renowned artist Damien Hirst Hirst-isms is a collection of quotations-bold, surprising, often humorous, and always insightful-from celebrated artist Damien Hirst, whose controversial work explores the connections between art, religion, science, life, and death. Emerging in the 1990s as a leading member of the Young British Artists (YBAs), Hirst first became famous and gained a reputation as a provocateur with a series of artworks featuring dead and sometimes dissected animals (including a shark, sheep, and cow) preserved in glass tanks filled with formaldehyde. Gathered from interviews and other primary sources and organized by subject, these quotations explore Hirst's early years, family life, and the beginnings of his fascination with art; the major themes of his work; his influences and heroes; his motivation; his process and the boundary-pushing production of his work; and his thoughts on the art world, fame, and money. The result is a comprehensive and nuanced book that sheds new light on a fascinating and important contemporary artist. Select quotations from the book: "The less I feel like an artist, the better I feel." "I like it when people love my art. I like it when people hate my art. I just don't want them to ignore my art." "Painting's like the most fabulous illusion, because there's nothing at stake. Except yourself." "I'm interested in the confusion between art and life, I like it when the world gets in the way." "Sometimes you have to step over the edge to know where it is."

Paul Fryer's first collection of poems is illustrated with keen insight by Damien Hirst. Together they have produced a beautiful diatribe against current complacencies that, remarkably, also show a precious tolerance and love for their fellow men and women. They have concocted an acute distillation of manners, cultures and prejudices, a polemic, even, that reflects a light suffused with a powerful disinterest, a disturbing sine qua non.

Published in 2006 following Damien Hirst's first major print exhibition at the Paul Stolper Gallery in London in 2005, New Religion explores Hirst's central themes: "I was thinking that there are four important things in life: religion, love, art and science... Of them all, science seems to be the right one now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end." With full colour reproductions of this entire series of Hirst silkscreen prints produced for the 'New Religion' exhibition, such as 'The Apostles', 'The Wound of Christ', 'The Last Supper' and 'The Stations of the Cross', as well as editioned sculptures and multiples such as 'The Fate of Man' and the 'box/cabinet' called 'New Religion', this hardback publication is a modern day biblical picture-book exploring combinations between science and religion. And the ideas about Hirst's science/religion dichotomy are further explored through an intriguing interview with Sean O'Hagan that moves effortlessly from the macro to the micro, and back again, "I just can't help thinking that science is the new religion for many people. It's as simple and as complicated as that really." Hardback with 6 gatefolds.

Damien Hirst grew up in Leeds and studied at Goldsmiths College, London. Most notable amongst the exhibitions he curated whilst at college was Freeze, in 1988, in which he exhibited his work and that of his contemporaries. This book was produced for an exhibition held at Gagosian Gallery, Hong Kong, in 2011.

This details all the Damien Hirst works in the Pinchuk Art Centre exhibition, Kyiv in April 2009. The book features over ninety works including iconic early pieces from the 1990's, sculptures, and paintings from recent years, together with the new, previously unseen skull paintings.
Born in Bristol in 1965, Damien Hirst studied Goldsmith's College. In 1988 he curated the now renowned exhibition, Freeze, help in London. In 1991, he had his first solo exhibition in London entitled In and Out of Love and the following year he was a major part of the groundbreaking Young British Artists exhibition at the Saatchi Gallery. He was awarded the prestigious Tate Gallery Turner Prize in 1995. Hirst's work has been shown in many important group and solo shows throughout the world and his is now one of Britain's most celebrated living artists. He lives and works in Devon and London.

This catalogue was produced to accompany Damien Hirst's 2003 exhibition at White Cube, London. The show dissected and recast the story of Jesus and his disciples through paintings and sculptural work while revealing the uncertainty at the heart of human experience. The exhibited works included The Apostles, a series of 13 clinical steel and glass cabinets filled with medical instruments, weapons, ornaments, blood, and life's detrius: a dozen canvases encrusted with flies suspended in resin, each given a fatal disease for a title: skinned cows'/bulls' heads in individual tanks punctured/lacerated/stabbed with knives and glass fragments; and huge canvases embedded with butterfly wings arranged in extraordinary grid systems. This book contains 43 colour illustrations, including many details of the exhibited works and four gatefolds. An introductory essay by Annushka Shani examines each work more closely, drawing out the themes of love, life and death explored by Hirst through this exhibition. Softback with dust jacket 4 x gatefolds.

Published on the occasion of Damien Hirst's exhibition at the Wallace Collection, London, in October 2009, this small volume presents 30 colorplates showcasing a selection of blue skull and flower paintings from that show, and three gatefolds. An interview also featured in the larger Wallace Collection catalogue is also included here.

This details all the previously unseen skull paintings in the Requiem exhibition at the Pinchuk Art Centre, Kyiv, in April 2009. The book features a series of over 40 works, created between 2006 and 2008. Painting is a totally different way of working, but Hirst as an artist always remains himself. We are witnesses of an artistic balancing act between emotionally driven approaches to reality and a carefully calculated breakdown into color, form, composition, and abstraction.
Born in Bristol in 1965, Damien Hirst studied Goldsmith's College. In 1988 he curated the now renowned exhibition, Freeze, help in London. In 1991, he had his first solo exhibition in London entitled In and Out of Love and the following year he was a major part of the groundbreaking Young British Artists exhibition at the Saatchi Gallery. He was awarded the prestigious Tate Gallery Turner Prize in 1995. Hirst's work has been shown in many important group and solo shows throughout the world and his is now one of Britain's most celebrated living artists. He lives and works in Devon and London.

Charles Darwin's seminal formulation of the theory of Evolution, On the Origin of Species continues to be as controversial today as when it was first published. This Penguin Classics edition contains an introduction and notes by William Bynum, and features a cover designed by Damien Hirst. Written for a general readership, On the Origin of Species sold out on the day of its publication and has remained in print ever since. Instantly and persistently controversial, the concept of natural selection transformed scientific analysis about all life on Earth. Before the Origin of Species, accepted thinking held that life was the static and perfect creation of God. By a single, systematic argument Darwin called this view into question. His ideas have affected public perception of everything from religion to economics. William Bynum's introduction discusses Darwin's life, the publication and reception of the themes of On the Origin of Species, and the subsequent development of its major themes. The new edition also includes brief biographies of some of the most important scientific thinkers leading up to and surrounding the Origin of Species, suggested further reading, notes and a chronology. Charles Darwin (1809-82), a Victorian scientist and naturalist, has become one of the most famous figures of science to date. The advent of On the Origin of Species by Means of Natural Selection in 1859 challenged and contradicted all contemporary biological and religious beliefs. If you enjoyed On the Origin of Species, you might like Darwin's The Descent of Man, also available in Penguin Classics.

This details all the previously unseen skull paintings in the Requiem exhibition at the Pinchuk Art Centre, Kyiv, in April 2009. The book features a series of over 40 works, created between 2006 and 2008. Painting is a totally different way of working, but Hirst as an artist always remains himself. We are witnesses of an artistic balancing act between emotionally driven approaches to reality and a carefully calculated breakdown into color, form, composition, and abstraction.
Born in Bristol in 1965, Damien Hirst studied Goldsmith's College. In 1988 he curated the now renowned exhibition, Freeze, help in London. In 1991, he had his first solo exhibition in London entitled In and Out of Love and the following year he was a major part of the groundbreaking Young British Artists exhibition at the Saatchi Gallery. He was awarded the prestigious Tate Gallery Turner Prize in 1995. Hirst's work has been shown in many important group and solo shows throughout the world and his is now one of Britain's most celebrated living artists. He lives and works in Devon and London.

Martin Eder's new body of work is inhabited by ghostly hybrid creatures. Blurring the transition between humans, animals, and supernatural beings, Eder explores the motif of the boundary and its transgression in his oil paintings. His subjects allude to an encounter with the underworld and recall Dante's Inferno. A symbolism that both reflects a (post-)pandemic unease and hints at the encounter of reality and illusion. Eerie and fascinating at the same time, the paintings outline a space marked by the collapse of a shared perception. In addition to studio insights and paintings, the volume includes an elucidating text by art historian Thomas Elsen as well as a conversation between Eder, Damien Hirst and Tim Marlow, director of London's Design Museum.

The premise of this book couldn't be simpler: 130 photographs of Damien Hirst taken by David Bailey during a single shoot lasting eight minutes. Each pose is spontaneous and determined not by Bailey but by Hirst, who mocks the camera with his tongue poked out, mouth open wide and hands pulling at his cheeks. These photos are humble and unrehearsed, and so continue the sprit of Bailey's Democracy in which Bailey photographed a cross-section of naked subjects, shunning issues of composition, lighting and digital manipulation. Renouncing text and even a title page, 8 Minutes resists formulaic over-designed coffee-table publications. Bailey's roguish message: what you see is what you get. David Bailey, born in London in 1938, is one of the most successful photographers of his generation. By the 1960s his work, especially for Vogue, had already made him a cult figure. His numerous books include Trouble and Strife, Nudes, If We Shadows, The Lady Is a Tramp and David Bailey's Rock 'n' Roll Heroes. Steidl has published Birth of the Cool, Chasing Rainbows, Locations, Bailey's Democracy, Havana, NY JS DB 62, Pictures That Mark Can Do and Is That So Kid.

Hirst began his collection in the late 1980s by exchanging his own works with those of his contemporaries and artist friends. It has grown to include mnay works by many international artists of earlier generations: not only postwar masters like Bacon and Giacometti, but also pivotal figures of the history of 20th century art, such as Richard Hamilton, Mario Merz, Bruce Nauman, Richard Prince and Kurt Schwitters. This book examines his collection.

Published on the occasion of the exhibition, 'Dark Trees', at Hilario Galguera in April 2010, thic catalogue features a number of previously unseen blue paintings from Hirst's 2006-2008 series.