Asle is an ageing painter and widower who lives alone on the southwest coast of Norway. His only friends are his neighbour, Asleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjorgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgangers - two versions of the same person, two versions of the same life, both grappling with existential questions. In this second instalment of Jon Fosse’s Septology, ‘a major work of Scandinavian fiction’ (Hari Kunzru), the two Asles meet for the first time in their youth. They look strangely alike, dress identically, and both want to be painters. At art school in Bjorgvin, Asle meets and falls in love with his future wife, Ales. Written in ‘melodious and hypnotic slow prose’, I is Another: Septology III-V is an exquisite metaphysical novel about love, art, God, friendship, and the passage of time.

When Wim and Marie, a young Dutch couple, agree to hide a Jewish man in their home during the Nazi occupation, they think they are fulfilling their patriotic duty. Tension and awkwardness reign in the house as they try to adapt to this forbidden guest, whom they know as Nico. Small accidents and unexpected encounters ensue as the dynamic unsettles all three - until Nico dies, and Wim and Marie must face the risky endeavour of disposing of his body. Taut, penetrating and rich with dark irony, Comedy in a Minor Key is a masterful study of human relationships under extreme circumstances.

What makes us who we are? And why do we lead one life and not another? The year is coming to a close and Asle, an ageing painter and widower who lives alone on the southwest coast of Norway, is reminiscing about his life. His only friends are his neighbour, Asleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjorgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgangers - two versions of the same person, two versions of the same life, both grappling with existential questions about life, death, love, light and shadow, faith and hopelessness. Written in melodious and hypnotic 'slow prose', The Other Name: Septology I-II is an indelible and poignant exploration of the human condition by Jon Fosse, 'a major European writer' (Karl Ove Knausgaard), in which everything is always there, and past and present flow together.

Asle is an ageing painter and widower who lives alone on the southwest coast of Norway. In nearby Bjørgvin another Asle, also a painter, is lying in the hospital, consumed by alcoholism. Asle and Asle are doppelgängers – two versions of the same person, two versions of the same life, both grappling with existential questions. In this final instalment of Jon Fosse’s Septology, the major prose work by ‘the Beckett of the twenty-first century’ (Le Monde), we follow the lives of the two Asles as younger adults in flashbacks: the narrator meets his lifelong love, Ales; joins the Catholic Church; and makes a living by trying to paint away all the pictures stuck in his mind. A New Name: Septology VI-VII is a transcendent exploration of the human condition, and a radically other reading experience – incantatory, hypnotic, and utterly unique.

Ananke’s death rips a huge hole in the lives of their friends. A member of the group reflects on their shared mourning, remembering times past: childhood holidays and idyllic summers, as well as tensions and arguments. Ananke is a constant, enigmatic presence, yet remains mysterious and out of reach. When the numbness of trauma becomes too much to bear, the group impulsively takes a road trip to dig up Ananke’s ashes and bring them back to the sea by the hut where Ananke used to live. Stern’s contemplative, ethereal yet vivid prose brings heightened sensibility to the present moment and the obliquity of memory. Flouting gender pronouns and written entirely in minuscule, all this here, now is a vision of a more collectively grounded fiction where ‘we’ is stronger than ‘I’. The effect is as meditative as it is compulsively engaging, delivered in Damion Searls’ distinctive translation.

A spellbinding, darkly poetic literary novel that plunges us into the inner life of America's first female serial killer Seventeen-year-old Brynhild is in a fever - she can't quiet the screaming world inside her. Following the brutal end of an intense affair, she flees Norway for America to begin a new life as Bella. She tries to settle first with her sister and then with a husband, but the restless pulse of her desire and fear won't let her keep still. As Bella seeks refuge in a series of men, her yearning for an all-consuming love ruptures into violence. In this breathtaking novel, Victoria Kielland writes her way into the tumultuous inner life of Brynhild Størset, the Norwegian woman who would become Belle Gunness - one of America's most notorious female serial killers. Written in prose of wild, visceral beauty, My Men dares to imagine one woman's capacity for ecstatic love and gruesome cruelty.

What makes us who we are? And why do we lead one life and not another? Asle, an ageing painter and widower who lives alone on the southwest coast of Norway, is reminiscing about his life. His only friends are his neighbour, Asleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjorgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgangers - two versions of the same person, two versions of the same life, both grappling with existential questions about death, love, light and shadow, faith and hopelessness. Jon Fosse's Septology is a transcendent exploration of the human condition, and a radically other reading experience - incantatory, hypnotic, and utterly unique.

An isolated woman clashes with an enigmatic visitor in this funny, jagged parable about integration, difference and hospitality An isolated young woman living in a small Swiss town decides to take in a mysterious stranger, known only as 'the visitor'. His arrival introduces disturbance into the narrator's carefully sealed life, and the longer he stays, the more opaque he appears. As the woman's projections onto her guest grow ever wilder, she increasingly entertains fantasies of power and control over her persistent, unknowable visitor. Sly, wilful and full of slanted humour, Overstaying is a surreal and profound exploration of hospitality, integration and otherness.

“Philosophy,” Ludwig Wittgenstein once wrote, “should actually be written only as poetry.” That Tractatus Logico-Philosophicus—Wittgenstein’s masterwork, and the only book he published during his lifetime—endures as the definitive modern text on the limits of logic, inspiring artists and philosophers alike, comes as no surprise. Consisting of 525 hierarchically numbered declarative statements, each one “self-evident,” Tractatus Logico-Philosophicus is imbued, as translator Damion Searls writes, with the kind of “cryptic grandeur” and “awe-inspiring opacity” we might expect—might want—from such an iconic philosopher. Yet previous translations, in their eagerness to replicate German phrasing and syntax, have a stilted, even redolently Victorian air. With this new translation and an important introduction on the language of the book, prefaced by eminent scholar Marjorie Perloff, Searls finally does justice to Wittgenstein’s enigmatic masterpiece, capturing the fluid and forceful language of the original without sacrificing its philosophical rigor—indeed, making Wittgenstein’s philosophy clearer than ever before in English.

These letters from the poet and mystic Rainer Maria Rilke to a nineteen-year-old cadet and aspiring poet have inspired millions of readers since they were first published in English in 1934. The first and most popular translator of this work was Mary Dows Herter Norton—a polymath extraordinaire who played a crucial role in elevating Rilke’s global reputation. The Norton Centenary Edition commemorates this extraordinary woman, known as “Polly” to friends and colleagues, and celebrates the 100th anniversary of the publishing company she co-founded. With a foreword by Damion Searls and an afterword by Norton’s current president, Julia Reidhead, this handsome new edition brings Rilke’s enduring wisdom about life, love and art to a new generation.

For more than ninety years, eager writers and young poets, even those simply looking for a purpose in life, have embraced the wisdom of Rainer Maria Rilke's Letters to a Young Poet, first published in 1929. Most readers and scholars assumed that the letters from young poet were forever lost to posterity. Yet, shockingly, the letters were recently discovered by Erich Unglaub, a Rilke scholar, and published in German in 2019. The acclaimed translator Damion Searls has now not only retranslated Rilke's original letters but also translated the letters by Franz Xaver Kappus, an Austrian military cadet and aspiring poet. This timeless edition, in addition to joining the two sets of letters together for the first time in English, provides a new window into the workings of Rilke's visionary poetic and philosophical mind, allowing us to re-experience the literary genius of one of the most inspiring works of twentieth-century literature.

Scenes from a Childhood is the latest collection of stories by Jon Fosse, one of Norway's most celebrated authors and playwrights, famed for the minimalist and unsettling quality of his writing. In the title work, a loosely autobiographical narrative covers infancy to awkward adolescence, unearthing the moments of childhood that linger longest in the imagination. In 'And Then My Dog Will Come Back To Me', a haunting and dream-like novella, a dispute between neighbours escalates to an inexorable climax. Taken from various sources, the texts gathered here together for the first time demonstrate that the short story is one of the recurrent modes of Fosse's imagination, and occasions some of his greatest works.

A powerful new translation of Nobel Prize winner Hermann Hesse's masterpiece of youthful rebellion--with a foreword and cover art by James Franco A Penguin Classic A young man awakens to selfhood and to a world of possibilities beyond the conventions of his upbringing in Nobel Prize winner Hermann Hesse's beloved novel Demian. Emil Sinclair is a quiet boy drawn into a forbidden yet seductive realm of petty crime and defiance. His guide is his precocious, mysterious classmate Max Demian, who provokes in Emil a search for self-discovery and spiritual fulfillment. A brilliant psychological portrait, Demian is given new life in this translation, which together with James Franco's personal and inspiring foreword will bring a new generation to Hesse's widely influential coming-of-age novel. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

From one of Germany's leading young historians, the first comprehensive biography of Eva Braun, Hitler's devoted mistress, finally wife, and the hidden First Lady of the Third Reich.
In this groundbreaking biography of Eva Braun, German historian Heike Gortemaker reveals Hitler's mistress as more than just a vapid blonde whose concerns never extended beyond her vanity table. Twenty-three years his junior, Braun first met Hitler when she took a position as an assistant to his personal photographer. Capricious, but uncompromising and fiercely loyal--she married Hitler two days before committing suicide with him in Berlin in 1945--her identity was kept secret by the Third Reich until the final days of the war. Through exhaustive research, newly discovered documentation, and anecdotal accounts, Gortemaker turns preconceptions about Eva Braun and Hitler on their head, and builds a portrait of the little-known Hitler far from the public eye.