The Ultimate Tool for MINDSTORMS(r) Maniacs
The new MINDSTORMS kit has been updated to include a programming brick, USB cable, RJ11-like cables, motors, and sensors. This book updates the robotics information to be compatible with the new set and to show how sound, sight, touch, and distance issues are now dealt with.
The LEGO MINDSTORMS NXT and its predecessor, the LEGO MINDSTORMS Robotics Invention System (RIS), have been called "the most creative play system ever developed." This book unleashes the full power and potential of the tools, sensors, and components that make up LEGO MINDSTORMS NXT. It also provides a unique insight on newer studless building techniques as well as interfacing with the traditional studded beams. Some of the world's leading LEGO MINDSTORMS inventors share their knowledge and development secrets. You will discover an incredible range of ideas to inspire your next invention. This is the ultimate insider's look at LEGO MINDSTORMS NXT system and is the perfect book whether you build world-class competitive robots or just like to mess around for the fun of it.
Featuring an introduction by astronaut Dan Barry and written by Dave Astolfo, Invited Member of the MINDSTORMS Developer Program and MINDSTORMS Community Partners (MCP) groups, and Mario and Guilio Ferrari, authors of the bestselling Building Robots with LEGO Mindstorms, this book covers:
Understanding LEGO Geometry
Playing with Gears
Controlling Motors
Reading Sensors
What's New with the NXT?
Building Strategies
Programming the NXT
Playing Sounds and Music
Becoming Mobile
Getting Pumped: Pneumatics
Finding and Grabbing Objects
Doing the Math
Knowing Where You Are
Classic Projects
Building Robots That Walk
Robotic Animals
Solving a Maze
Drawing and Writing
Racing Against Time
Hand-to-Hand Combat
Searching for Precision
*Complete coverage of the new Mindstorms NXT kit
*Brought to you by the DaVinci's of LEGO
*Updated edition of a bestseller

Following the death of Mac Raboy in 1968, Dan Barry took over production of the Sunday Flash Gordon strip. This collection, the first ever, features the first three years of a run that would last for nearly 50 years from The Return of Chameleon 1/14/68, which he completed after Raboy's death, to Radiation Giants in 12/26/71.

In his inimitable prose, master storyteller Peter Quinn chronicles his odyssey from the Irish Catholic precincts of the Bronx to the arena of big-league politics and corporate hardball. Cross Bronx is Peter Quinn’s one-of-a-kind account of his adventures as ad man, archivist, teacher, Wall Street messenger, court officer, political speechwriter, corporate scribe, and award-winning novelist. Like Pete Hamill, Quinn is a New Yorker through and through. His evolution from a childhood in a now-vanished Bronx, to his exploits in the halls of Albany and swish corporate offices, to then walking away from it all, is evocative and entertaining and enlightening from first page to last. Cross Bronx is bursting with witty, captivating stories. Quinn is best known for his novels (all recently reissued by Fordham University Press under its New York ReLit imprint), most notably his American Book Award–winning novel Banished Children of Eve. Colum McCann has summed up Quinn’s trilogy of historical detective novels as “generous and agile and profound.” Quinn has now seized the time and inspiration afforded by “the strange interlude of the pandemic” to give his up-close-and-personal accounts of working as a speechwriter in political backrooms and corporate boardrooms: “In a moment of upended expectations and fear-prone uncertainty, the tolling of John Donne’s bells becomes perhaps not as faint as it once seemed. Before judgment is pronounced and sentence carried out, I want my chance to speak from the dock. Let no man write my epitaph. In the end, this is the best I could do.” (from the Prologue) From 1979 to 1985 Quinn worked as chief speechwriter for New York Governors Hugh Carey and Mario Cuomo, helping craft Cuomo’s landmark speech at the 1984 Democratic Convention and his address on religion and politics at Notre Dame University. Quinn then joined Time Inc. as chief speechwriter and retired as corporate editorial director for Time Warner at the end of 2007. As eyewitness and participant, he survived elections, mega-mergers, and urban ruin. In Cross Bronx he provides his insider’s view of high-powered politics and high-stakes corporate intrigue. Incapable of writing a dull sentence, the award-winning author grabs our attention and keeps us enthralled from start to finish. Never have his skills as a storyteller been on better display than in this revealing, gripping memoir.

A landmark collection by New York Times journalist Dan Barry, selected from a decade of his distinctive "This Land" columns and presenting a powerful but rarely seen portrait of America. In the wake of Hurricane Katrina and on the eve of a national recession, New York Times writer Dan Barry launched a column about America: not the one populated only by cable-news pundits, but the America defined and redefined by those who clean the hotel rooms, tend the beet fields, endure disasters both natural and manmade. As the name of the president changed from Bush to Obama to Trump, Barry was crisscrossing the country, filing deeply moving stories from the tiniest dot on the American map to the city that calls itself the Capital of the World. Complemented by the select images of award-winning Times photographers, these narrative and visual snapshots of American life create a majestic tapestry of our shared experience, capturing how our nation is at once flawed and exceptional, paralyzed and ascendant, as cruel and violent as it can be gentle and benevolent

Servitude and Salvation in the Heartland

On April 18, 1981, a ball game sprang eternal. What began as a modestly attended minor league game between the Pawtucket Red Sox and the Rochester Red Wings became not only the longest ever played in baseball history, but something else entirely.

With "Bottom of the 33rd," celebrated "New York Times" journalist Dan Barry has written a lyrical meditation on small-town lives, minor league dreams, and the elements of time and community that conspired one fateful night to produce a baseball game seemingly without end. This genre-bending book, a reportorial triumph, portrays the myriad lives held by the night's unrelenting grip.

An unforgettable portrait of ambition and endurance, "Bottom of the 33rd" is the rare sports book, one that changes the way we perceive America's pastime, and America's past.

With a poet's clear eye and a journalist's curiosity about how a city works, Dan Barry shows us New York as no other writer has seen it.
Evocative, intimate, piercing, and often funny, the essays in "City Lights" capture everyday life in the city at its most ordinary and extraordinary. Wandering the city as a columnist for "The New York Times," Barry visits the denizens of the Fulton Fish Market on the eve of its closing; journeys with an obsessed guide through the secret underground of abandoned subway stops, tunnels, and aqueducts; touches down in bars, hospitals, churches, diners, pools, zoos, memorabilia-stuffed apartments, at births and funerals, the places where people gather, are welcomed, or depart; talks to the ex-athlete who caught the falling baby, the performance artist who works as a mermaid, the octogenarian dancers who find quiet joy in their partnership, and the guy who waves flags over the Cross-Bronx Expressway to wish drivers safe passage.
Along the way, Barry offers glimpses of New York's distant and recent past. He explains why the dust-coated wishbones hanging above the bar at McSorley's Old Ale House belong to the doughboy ghosts of World War I. He recalls a century of grandeur at the Plaza Hotel throught the tales of longtime doormen who will soon be out of a job. He finds that an old man's quiet death opens back into a past that the man had spent his life denying. And, from the vantage of the Circle Line cruise around Manhattan, he joins tourists as they try to make sense of still-smoldering ruins in Lower Manhattan three weeks after September 11, 2001.
Each story in "City Lights" illuminates New York, as it was and as it is: always changing, always losing and renewing parts of itself, every street corner an opportunity for surprise and revelation.

A generational memoir of the American suburbs, "Pull Me Up" is a deeply affecting book. With prose that to Frank McCourt "flashes with poetry," "New York Times" columnist Dan Barry tells the story of an unforgettable American family. He writes so crisply that we not only feel his emotions but also recall our own: the joy of Little League, the thrill of small-town reporting, the pain of losing a parent, and the fear of facing a life-threatening illness. Barry's writing has its own stalwart beauty, a single melody teased out of the American symphony. Here is the voice of an authentic American writer.