Praise For The Cure

"The Cure is valuable. . . a great read and an insightful depiction of the journey involved in executing the management principles of successful companies in this decade."
–Bob Bond, President, Automation Group, Parker-Hannifin

"Using Enterprise Medicine, Coleman went from dead stop to warp speed in eight months. Reading The Cure provides great insight into the journey required to accomplish this kind of turnaround. It’s a must-read for any president who needs to rapidly change the business he’s leading."
–Bill Phillips, CEO & President, The Coleman Company, Inc.

"The Cure works. I’ve used the process to dramatically change the culture of two companies. By breaking down silos and building company-wide strategy ownership, you will be surprised by the amount of creativity and commitment that can be rapidly produced."
–Randy Larrimore, President & CEO, United Stationers

"Having lived through the ‘common cold’ of organizational dysfunction, The Cure artfully describes the prescription that helped heal and create a team that focused on results, leadership, and winning."
–James Raskin, Vice President Business Development
Black & Decker Inc.

"The Cure unwinds the complexities of the dysfunctional patterns within our organizations and proves that change is possible. The sensitive issues needn’t remain unspoken. Success, both corporate and personal, is truly possible."
–Debbra Johnson, Market Development Manager
DuPont Safety & Protection

The Rabbit and the Dragon is an epic love story about two individuals who are very outwardly different yet identical at their core. It's a Chinese fable-meets-romantic comedy that shows us how only love can allow us to truly fulfill our potential. Dan Paul Roberts' combination of expressive illustrations and tongue-in-cheek storytelling allow the story to be both silly and poignant at the same time. Let your inner child enjoy this kids book that's appropriate for any age. You'll be glad you did.

Teresa Nasty isn't like regular New Yorkers. She's a whip-toting, spell-casting fashionista in search of a secret door, and, with her best friend Dan Paul, she's bound to find it. This children's-book-for-adults (PG-13 at most, though you might have to explain to kids the term 'dominatrix') is full of surprises and laughs, as well as a good dose of magick. Dan Paul Roberts begins a whole new series of adventure with Miss Nasty's unforgettable biography.

This beautifully illustrated story introduces Elton the Elf, a loner working in the subways of New Elf City, and Xanthal the Dragon, a mystical creature who has lost his sense of purpose. The Dragon and the Elf follows Elton and Xanthal's unlikely friendship and reveals how together they discover a doorway to another world! Dan Paul Roberts begins a magickal tale full of wonder and self-discovery in the full-color first volume of this series. 100% Kid Friendly (but fun for adults too).

The beautifully illustrated second installment of The Dragon and the Elf finds Elton and Xanthal in New Elf City one year later, contemplating their next trip to the mystical land of Tereth-Macvena. It also introduces a few new characters, some of them friendly-but-creepy, and others beautiful-but-dangerous. In Ghost Brother, Elton learns the importance of family as well as friendship. Dan Paul Roberts continues his magickal tale of wonder and self-discovery in the second full-color volume of this imaginative series.

A Time to Come is one story in two parts. TIME I concerns itself with finding a reason to perform a play. An old man, Tell, works with a young poet, Bart, to envision a theatre. However, Bart's diary involuntarily ends up in Tell's possession. Tell, in turn, finds different characters to explore the conflicting facets of the young poet's identity, his writings. That is, the diary becomes the play. And the final act is the play within a play - the interpretation of the diary. This question surfaces: is life theater, or, is theatre life? The second question is: does the play work? Has the play within the play been true to the thoughts/writings of the poet? This is not so much a question for the audience to answer. This is a question for the protagonist, Bart, to consider. The audience has but one question: was I entertained?
TIME II, from the outset, has a story, a plot in mind. It begs the question: can we maintain cultural and religious diversity in close proximity with one another without creating serious conflict? A renaissance can only be achieved if and when these antagonistic cultures want to change their ways, not when they are forced? Bart is stuck with his own question: is a belief alone equally as potent as its action? And in the end, an old man, Tell, is awoken to the world. Will his dreams now become real? Are dreams real?