Known to his contemporaries primarily as an art critic, but ambitious to secure a more lasting literary legacy, Parisian bohemian Charles Baudelaire, spent much of the 1840s composing gritty, often perverse, poems that expressed his disgust with the banality of modern city life. First published in 1857, the book that collected these poems together, Les Fleurs du mal, was an instant sensation-earning Baudelaire plaudits and, simultaneously, disrepute. Only a year after Gustave Flaubert had endured his own public trial for published indecency (for Madame Bovary), a French court declared Les Fleurs du mal an offense against public morals and six poems within it were immediately suppressed (a ruling that would not be reversed until 1949, nearly a century after Baudelaire's untimely death). Subsequent editions expanded on the original, including new poems that have since been recognised as Baudelaire's masterpieces, producing a body of work that stands as the most consequential, controversial and influential book of poetry from the nineteenth century. Acclaimed translator and poet Aaron Poochigian tackles this revolutionary text with an ear attuned to Baudelaire's lyrical innovations-rendering them in "an assertive blend of full and slant rhymes and fluent iambs" (A.E. Stallings)-and an intuitive feel for the work's dark and brooding mood. Poochigian's version captures the incantatory, almost magical, effect of the original-reanimating for today's reader Baudelaire's "unfailing vision" that "trumpeted the space and light of the future" (Patti Smith). An introduction by Dana Gioia offers a probing reassessment of the supreme artistry of Baudelaire's masterpiece, and an afterword by Daniel Handler explores its continued relevance and appeal. Featuring the poems in English and French, this deluxe dual-language edition allows readers to commune both with the original poems and with these electric, revelatory translations.

Known to his contemporaries primarily as an art critic, but ambitious to secure a more lasting literary legacy, Charles Baudelaire, a Parisian bohemian, spent much of the 1840s composing gritty, often perverse, poems that expressed his disgust with the banality of modern city life. First published in 1857, the book that collected these poems together, Les Fleurs du mal, was an instant sensation—earning Baudelaire plaudits and, simultaneously, disrepute. Only a year after Gustave Flaubert had endured his own public trial for published indecency (for Madame Bovary), a French court declared Les Fleurs du mal an offense against public morals and six poems within it were immediately suppressed (a ruling that would not be reversed until 1949, nearly a century after Baudelaire’s untimely death). Subsequent editions expanded on the original, including new poems that have since been recognized as Baudelaire’s masterpieces, producing a body of work that stands as the most consequential, controversial and influential book of poetry from the nineteenth century. Acclaimed translator and poet Aaron Poochigian tackles this revolutionary text with an ear attuned to Baudelaire’s lyrical innovations—rendering them in “an assertive blend of full and slant rhymes and fluent iambs” (A. E. Stallings)—and an intuitive feel for the work’s dark and brooding mood. Poochigian’s version captures the incantatory, almost magical, effect of the original—reanimating for today’s reader Baudelaire’s “unfailing vision” that “trumpeted the space and light of the future” (Patti Smith). An introduction by Dana Gioia offers a probing reassessment of the supreme artistry of Baudelaire’s masterpiece, and an afterword by Daniel Handler explores its continued relevance and appeal. Featuring the poems in English and French, this deluxe dual-language edition allows readers to commune both with the original poems and with these electric, revelatory translations.

This affordably-priced collection presents masterpieces of short fiction from 52 of the greatest story writers of all time. From Sherwood Anderson to Virginia Woolf, this anthology encompasses a rich global and historical mix of the very best works of short fiction and presents them in a way students will find accessible, engaging, and relevant. The book's unique integration of biographical and critical background gives students a more intimate understanding of the works and their authors.

How did a Catholic priest who died a failure become one of the world’s greatest poets? Discover in his own words the struggle for faith that gave birth to some of the best spiritual poetry of all time. Gerard Manley Hopkins deserves his place among the greatest poets in the English language. He ranks seventh among the most frequently reprinted English-language poets, surpassed only by Shakespeare, Donne, Blake, Dickinson, Yeats, and Wordsworth. Yet when the English Jesuit priest died of typhoid fever at age forty-four, he considered his life a failure. He never would have suspected that his poems, which would not be published for another twenty-nine years, would eventually change the course of modern poetry and influence such poets as W. H. Auden, Dylan Thomas, Robert Lowell, John Berryman, Geoffrey Hill, and Seamus Heaney. Like his contemporaries Walt Whitman and Emily Dickinson, Hopkins revolutionized poetic language. And yet we love Hopkins not only for his literary genius but for the hard-won faith that finds expression in his verse. Who else has captured the thunderous voice of God and the grandeur of his creation on the written page as Hopkins has? Seamlessly weaving together selections from Hopkins’s poems, letters, journals, and sermons, Peggy Ellsberg lets the poet tell the story of a life-long struggle with faith that gave birth to some of the best poetry of all time. Even readers who spurn religious language will find in Hopkins a refreshing, liberating way to see God’s hand at work in the world.

This is a newly restored vision of World War I in verse from a talented - and largely unknown - American soldier-poet.First published in 1928, ""This Man's Army: A War in Fifty-Odd Sonnets"" is a gripping collection of narrative verse that represents the beginning and end of the promising literary career of John Allan Wyeth, a Princeton-educated French interpreter in the American Expeditionary Force's Thirty-third Division. Though it received strong reviews and enough sales to warrant a trade edition in 1929, the volume faced the insurmountable adversary of the Great Depression, and its author soon vanished from the literary scene.This new edition of ""This Man's Army"" restores to print a lost vantage point on the American experience in the Great War as valuable for its high literary merits as for its historical accuracy. The new introduction by Dana Gioia, chairman of the National Endowment for the Arts, chronicles the life of the elusive author and maps the book's critical reception and place in World War I poetry, while new annotations by military historian B. J. Omanson establish the historical context of individual poems.Wyeth (1894-1981), the son of a prominent New York medical family, had just completed a master's degree in French at Princeton when the United States entered World War I in 1917 and he was motivated into service. His fluency in French garnered him a position in the Interpreters Corps as a second lieutenant in the Thirty-third Division deployed to France and Belgium, and he served in this capacity until his discharge in October 1919. ""This Man's Army"" is an autobiographical account of Wyeth's service years, detailing his duties as interpreter, messenger, and occasionally sentry while traveling town by town toward the German Hindenburg line. With an unwavering eye for singular details, Wyeth recounts the devastating effects of modern warfare, the cultural interactions of American and French forces, and the lighthearted camaraderie of soldiers on leave. Although he is keenly aware of the brutality of combat, Wyeth's narrator never doubts the eventual American victory.The term fifty-odd in the subtitle describes the sonnets both quantitatively - in that there are fifty-five in total - and qualitatively - as Wyeth stretched the traditional form through incorporation of American and British military jargon and Jazz Age slang as well as a new rhyme scheme unprecedented in the seven-century history of the form.The republication of ""This Man's Army"" restores to American historical literature an authentically detailed and imaginatively idiosyncratic vision of the Great War from a remarkable soldier-poet who shares universal truths about warfare as relevant and provocative today as when they were written.

By the age of thirty, Weldon Kees (1914-55) was a poet, journalist, musician, painter, photographer, and short story writer living in New York City. Despite a contract for a forthcoming novel, however, he stopped writing fiction, moved to San Francisco, and worked as an artist and filmmaker. On July 18, 1955, his car was found on the Golden Gate Bridge, and he has not been seen since.

These stories by Kees, predominantly set in Depression-era mid-America, feature bleak, realistic settings and characters resigned to their meager lives. The owner of an auto parts store occasionally "sells" his sister Betty Lou to interested patrons; a cryptic message in library books indicates the yearnings of a silenced patron; a young woman taking tickets at the Roseland Gardens futilely dreams of escape from the future she sees for herself; and an old man carefully saves his money to fulfill the requirements of a chain letter only to be disappointed by a spiteful daughter-in-law. Many of these stories are set in the Nebraska of Kees's youth, and they are written from a Midwestern sensibility: keenly observant, darkly humorous, and absurdly fantastic.

In this new edition, Dana Gioia has added three stories to the fourteen gathered in the first edition, "The Ceremony and Other Stories," "The New York Times" named that first edition, published in 1984, a notable book of the year.

The Founders of this nation believed that the government they were creating required a civically educated populace. Such an education aimed to cultivate enlightened, informed, and vigilant citizens who could perpetuate and improve the nation. Unfortunately, America's contemporary youth seem to lack adequate opportunities, if not also the ability or will, to critically examine the foundations of this nation. An even larger problem is an increasing ambivalence toward education in general. Stepping into this void is a diverse group of educators, intellectuals, and businesspeople, brought together in Civic Education and the Future of American Citizenship to grapple with the issue of civic illiteracy and its consequences. The essays, edited by Elizabeth Kaufer Busch and Jonathan W. White, force us to not only reexamine the goals of civic education in America but also those of liberal education more broadly.

The Founders of this nation believed that the government they were creating required a civically educated populace. Such an education aimed to cultivate enlightened, informed, and vigilant citizens who could perpetuate and improve the nation. Unfortunately, America's contemporary youth seem to lack adequate opportunities, if not also the ability or will, to critically examine the foundations of this nation. An even larger problem is an increasing ambivalence toward education in general. Stepping into this void is a diverse group of educators, intellectuals, and businesspeople, brought together in Civic Education and the Future of American Citizenship to grapple with the issue of civic illiteracy and its consequences. The essays, edited by Elizabeth Kaufer Busch and Jonathan W. White, force us to not only reexamine the goals of civic education in America but also those of liberal education more broadly.

His keen grasp of human nature and a unique style of verse made Ogden Nash, in the mid-twentieth century, the most widely read and frequently quoted poet of his time. For years, readers have longed for a biography to match Nash's charm, wit, and good nature; now we have it in Douglas Parker's absorbing and delightful life of the poet. Intelligent, informative, and engaging.... There is no comparable study not only of Nash's life but also of the role that poetry, especially comic verse, played in modern American literary culture.... A story long overdue in the telling. -Dana Gioia