It is now Spring, a few months after the end of Season 9, when our group of survivors dared to cross into Whisperer territory during the harsh winter.

The collected communities are still dealing with the after effects of Alpha’s horrific display of power, reluctantly respecting the new borderlines being imposed on them, all while organising themselves into a militia-style fighting force, preparing for a battle that may be unavoidable.

But the Whisperers are a threat unlike any they have ever faced. Backed by a massive horde of the dead it is seemingly a fight they cannot win. The question of what to do and the fear it breeds will infect the communities and give rise to paranoia, propaganda, secret agendas, and infighting that will test them as individuals and as a society.

The very idea of whether civilisation can survive in a world filled with the dead hangs in the balance.

Queen Ramonda, Shuri, M’Baku, Okoye and the mighty Dora Milaje fight to protect their nation from intervening world powers after the death of beloved King T'Challa, as well as battling an underwater nation rising out of the depths of the oceans.

As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia and Everett Ross and forge a new path for the kingdom of Wakanda.

Academy Award Winner for Best Costume Design, 4 additional nominations for Best Supporting Actress, Best Visual Effects, Best Makeup and Hairstyling, Best Original Song.

All 35 episodes from the first three seasons of the US zombie adventure drama based on the comic books by Robert Kirkman. In the first season, when police officer Rick Grimes (Andrew Lincoln) wakes from a coma to find the world in the grip of a zombie epidemic, he joins a small encampment on the outskirts of Atlanta, where a band of human survivors struggle to withstand the terrifying advances of the walking dead. The episodes are: 'Days Gone Bye', 'Guts', 'Tell It to the Frogs', 'Vatos', 'Wildfire' and 'TS-19'. In the second season, Carl (Chandler Riggs) fights for his life after being shot, and the group continue their search for Sophia (Madison Lintz). The episodes are: 'What Lies Ahead', 'Bloodletting', 'Save the Last One', 'Cherokee Rose', 'Chupacabra', 'Secrets', 'Pretty Much Dead Already', 'Nebraska', 'Triggerfinger', '18 Miles Out', 'Judge, Jury, Executioner', 'Better Angels' and 'Beside the Dying Fire'. In the third season, Andrea (Laurie Holden) and newcomer Michonne (Danai Gurira) are taken to a nearby settlement run by the seemingly benevolent Governor (David Morrissey) and Rick and the rest of the group move into a prison where they believe they should have enough supplies to last them a while but soon realise they have enemies amongst the living as well as the dead. The episodes are: 'Seed', 'Sick', 'Walk With Me', 'Killer Within', 'Say the Word', 'Hounded', 'When the Dead Come Knocking', 'Made to Suffer', 'The Suicide King', 'Home', 'I Ain't a Judas', 'Clear', 'Arrow On the Doorpost', 'Prey', 'This Sorrowful Life' and 'Welcome to the Tombs'.

Marvelous and Donald, Zimbabwean emigrants in Minnesota, are preparing for the marriage of their eldest daughter, Tendi. They have gracefully blended Zimbabwean culture alongside their American culture, but their house is turned upside down when Marvelous' sister comes from Zimbabwe to perform a very traditional wedding ceremony in which the groom barters for the bride. Tensions flare and identites clash as the family's fabric slowly unweaves and they are forced to take a hard look at who they truly are.

In the Continuum puts a human face on the devastating impact of AIDS in Africa and America through the lives of two unforgettably courageous women. Living worlds apart, one in South Central LA and the other in Zimbabwe, each experiences a kaleidoscopic weekend of life-changing revelations in this story of parallel denials and self-discoveries.

A young Shona girl escapes an arranged marriage by converting to Christianity, becoming a servant and student to an African Evangelical. As anti-European sentiments spread throughout the native population, she is forced to choose between her family's traditions and her newfound faith.

'Post-black' refers to an emerging trend within black arts to find new and multiple expressions of blackness, unburdened by the social and cultural expectations of blackness of the past and moving beyond the conventional binary of black and white. Reflecting this multiplicity of perspectives, the plays in this collection explode the traditional ways of representing black families on the American stage, and create new means to consider the interplay of race, with questions of class, gender, and sexuality. They engage and critique current definitions of black and African-American identity, as well as previous limitations placed on what constitutes blackness and black theatre. Written by the emerging stars of American theatre such as Eisa Davis and Marcus Gardley, the plays explore themes as varied as family and individuality, alienation and gentrification, and reconciliation and belonging. They demonstrate a wide-range of formal and structural innovations for the American theatre, and reflect the important ways in which contemporary playwrights are expanding the American dramatic canon with new and diverse means of representation. Edited by two leading US scholars in black drama, Harry J. Elam Jr (Stanford) and Douglas A. Jones Jr (Princeton), this cutting edge anthology gathers together some of the most exciting new American plays, selected by a rigorous academic backbone and explored in depth by supporting critical material.