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Across more than twenty chapters, Future Horizons explores the
past, present, and future of digital humanities research, teaching,
and experimentation in Canada. Bringing together work by
established and emerging scholars, this collection presents
contemporary initiatives in digital humanities alongside a
reassessment of the field’s legacy to date and conversations
about its future potential. It also offers a historical view of the
important, yet largely unknown, digital projects in Canada. Future
Horizons offers deep dives into projects that enlist a diverse
range of approaches—from digital games to makerspaces, sound
archives to born-digital poetry, visual arts to digital textual
analysis—and that work with both historical and contemporary
Canadian materials. The essays demonstrate how these diverse
approaches challenge disciplinary knowledge by enabling humanities
researchers to ask new questions. The collection challenges the
idea that there is either a single definition of digital humanities
or a collective national identity. By looking to digital
engagements with race, Indigeneity, gender, and sexuality—not to
mention history, poetry, and nationhood—this volume expands what
it means to work at the intersection of digital humanities and
humanities in Canada today. Available formats: trade paperback,
accessible PDF, and accessible ePub
Dani Spinosa takes up anarchism's power as a cultural and artistic
ideology, rather than as a political philosophy, with a persistent
emphasis on the common. She demonstrates how postanarchism offers a
useful theoretical context for poetry that is not explicitly
political-specifically for the contemporary experimental poem with
its characteristic challenges to subjectivity, representation,
authorial power, and conventional constructions of the reader-text
relationship. Her case studies of sixteen texts make a bold move
toward politicizing readers and imbuing literary theory with an
activist praxis-a sharp hope. This is a provocative volume for
those interested in contemporary poetics, experimental literatures,
and the digital humanities. Case Studies Jim Andrews Christian Boek
Mez Breeze John Cage Andy Campbell Robert Duncan Kenneth Goldsmith
Susan Howe Jackson Mac Low Erin Moure [Erin Moure] Harryette Mullen
bpNichol Vanessa Place Juliana Spahr Brian Kim Stefans W. Mark
Sutherland Darren Wershler
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