An African fantasy-adventure graphic novel inspired by the mythology of the Zambezi River and the history of the Kariba Dam, one of the largest dams ever constructed.

Siku has always called the Zambezi River her home. She understands the water – and strangely enough, it seems to understand her, too, bending to her will and coming to her aid in times of need. But things are changing on the river – a great dam is being built, displacing thousands of Shonga people – and things are changing in Siku, too, as her ability to manipulate water grows out of control, and visions of a great serpent pull her further from reality and her loving father, Tongai.

When Tongai ventures to the Kariba Dam to find a cure for Siku and never returns, she sets off to find him with the help of Amedeo, the young son of Kariba’s chief engineer. Together, they traverse elephant graveyards, rugged jungles, and ancient ruins, outrunning pirates, bootleggers, and shape-shifting prophets ready to use Siku to their own advantage. But she soon discovers that her father has been shielding a terrible secret: Siku is actually the daughter of Nyaminyami, the Great River Spirit, and the only way to bring about the necessary rumuko – a ritual which has brought balance to the Zambezi for centuries – is for Siku to give up the only life she’s ever known.

With the future of the Shonga resting on her shoulders, Siku must journey to the source of the river to understand the ancient power hidden within her.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.