Baseball Beyond Our Borders celebrates the globalization of the game while highlighting the different histories and cultures of the nations in which the sport is played. This collection of essays tells the story of America’s national pastime as it has spread across the world and undergone instructive, entertaining, and sometimes quirky changes in the process. Covering nineteen countries and a U.S. territory, the contributors show how each country imported baseball, how baseball took hold and developed, how it is organized, played, and followed, and what local and regional traits tell us about the sport’s place in each culture.  But what lies in store as baseball’s passport fills up with far-flung stamps? Will the international migration of players homogenize baseball? What role will the World Baseball Classic play? These are just a few of the questions the authors pose.

Rooting for the Home Team examines how various American communities create and maintain a sense of collective identity through sports. Looking at large cities such as Chicago, Baltimore, and Los Angeles as well as small rural towns, suburbs, and college towns, the contributors consider the idea that rooting for local athletes and home teams often symbolizes a community's preferred understanding of itself, and that doing so is an expression of connectedness, public pride and pleasure, and personal identity. Some of the wide-ranging essays point out that financial interests also play a significant role in encouraging fan bases, and modern media have made every seasonal sport into yearlong obsessions. Celebrities show up for big games, politicians throw out first pitches, and taxpayers pay plenty for new stadiums and arenas. The essays in Rooting for the Home Team cover a range of professional and amateur athletics, including teams in basketball, football, baseball, and even the phenomenon of no-glove softball. Contributors are Amy Bass, Susan Cahn, Mark Dyreson, Michael Ezra, Elliott J. Gorn, Christopher Lamberti, Allison Lauterbach, Catherine M. Lewis, Shelley Lucas, Daniel A. Nathan, Michael Oriard, Carlo Rotella, Jaime Schultz, Mike Tanier, David K. Wiggins, and David W. Zang.

The story of "Shoeless" Joe Jackson and his teammates purportedly conspiring with gamblers to throw the World Series to the Cincinnati Reds has lingered in our collective consciousness for more than eighty years. With baseball so closely linked to American values and ideals, the Black Sox Scandal of 1919 disenchanted baseball fans, changed the way Americans felt about the national pastime, and fostered changes in the game.

Daniel A. Nathan's wide-ranging, interdisciplinary cultural history is less concerned with the details of the scandal than with how it has been represented and remembered by journalists, historians, novelists, filmmakers, and baseball fans. Offering insights into what different cultural narratives reveal about their creators and the eras in which they were produced, Saying It's So is a complex study of cultural values, memory, and the ways people make meaning.

Addressing the relationship between cultural narratives and social reality, Nathan considers the media's coverage of scandal -- from front-page attention to scathing commentaries and cartoons -- when the story broke in 1920 and in the following years. He also examines how oral tradition reiterated the scandal before new narratives began to appear at midcentury.

In a series of astute reflections on Bernard Malamud's novel The Natural, Eliot Asinof's popular history Eight Men Out, and the work of the historians David Voigt and Harold Seymour, Nathan sheds light on the ways cultural and historical meaning is produced. Also considered are representations of the scandal in popular fiction and film during the Reagan era, the popular tourist destination and baseball field in Dyersville, Iowa, created for the filmField of Dreams, Ken Burns's television documentary Baseball, and the country's reactions to the 1994-95 Major League Baseball strike.