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Daniel Canogar's photographs and photographic installations have
long dwelt on issues of immersion and realism, of corporeal images
and sensations, of light instrumentalized to reveal figments and
traces of visual matter. His consistent use of photography
undermines and transcends simple questions of photographic realism
through play and variable scales, obsessive pseudo-repetition, and
disconcerting projection procedures and surfaces. The Zero Gravity
opus contains Departure, a forest of manipulable fiber optic cables
that obliges spectators to blaze their own image trails; Pulse of
Darkness projects an endless wall-to-wall loop of photographed
bones; and Leap of Faith adopts a panoramic cylindrical structure
as an ethereal white surface charged with dozens of floating
bodies. Daniel Canogar was born in 1964 in Madrid, where he
continues to live and work. He studied visual communications and
received a Master's in photography from New York University and the
International Center for Photography.
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