Travel, and the exhilarating experiences it offers us, is the shared concern of these stories, which have been chosen from among the hundreds that have appeared in the prestigious Flannery O'Connor Award for Short Fiction series. More than seventy volumes, which include approximately eight hundred stories, have won the Flannery O'Connor Award. This stunning trove of always engaging, often groundbreaking short fiction is the common source for this anthology on childhood-and for planned anthologies on such topics as family, gender and sexuality, animals, and more. Travel can whisk us away to craggy mountainsides and sunny coastlines or bustling cities and mysterious jungles. Travel can excite and rejuvenate or intimidate and overwhelm. These sixteen stories reflect upon our immense, intriguing world and our explorations of it, whether you choose to follow the beaten path or abandon it.

In Daniel Curley's stories, passionate rage and cool, clear hatred alter the terms of even the most basic human relationships, etching odd patterns on the surface of the natural world--a man applies the methods of Mata-Hari to the task of keeping track of his ex-wife; the victim of a pickpocket plots psychological revenge on the criminal population of a Mexico City bus line; a spurned lover summons all his strength and courage to liberate a roomful of snakes held captive by his rival.

For the most part, the figures in the landscape of these stories are men and women performing the rituals that lead to and away from marriage. In "The First Baseman," a man in the process of getting a divorce falls in love with a player on a woman's softball team, but their conversation never goes far beyond the subject of her batting average. In "Trinity," an estranged couple brought together again by the death of their daughter finds that they cannot recreate either their love or their child. And in "Wild Geese," a man's dream about his childhood, when flocks of geese patterned the sky, is interrupted and finally shot-through by fevered images of a tedious dinner party.

Nature exists as a refuge in these stories, but it is a refuge mostly to be found in the shadow of the fear of death; in the recesses of memory; beyond the bars that isolate zoo animals from an unruly world. Demonically honest and sometimes violently funny, "Living with Snakes" tells of a world where love is at best a touch-and-go sort of thing, where sometimes men and women are bound together not so much by affection as by mutual loss, mutual pain.

Ovid is today best known for his grand epic, Metamorphoses, and elegiac works like the Ars Amatoria and Heroides. Yet he also wrote a Medea, now unfortunately lost. This play kindled in him a lifelong interest in the genre of tragedy, which informed his later poetry and enabled him to continue his career as a tragedian if only on the page instead of the stage. This book surveys tragic characters, motifs and modalities in the Heroides and the Metamorphoses. In writing love letters, Ovid's heroines and heroes display their suffering in an epistolary theater. In telling transformation stories, Ovid offers an exploded view of the traditional theater, although his characters never stray too far from their dramatic origins. Both works constitute an intratextual network of tragic stories that anticipate the theatrical excesses of Seneca and reflect the all-encompassing spirit of Roman imperium.