The story of Culpeper County, Virginia, is a unique one in Civil War history. Nestled in one of the South's most strategically important locations, it was occupied by the Northern army, recaptured by the Confederacy, and finally ceded to the North. Told largely through diaries, papers, and correspondence of residents, common infantrymen, and such eminent personalities as Robert E. Lee, Walt Whitman, Ulysses S. Grant, Clara Barton, and Stonewall Jackson, all of whom spent time in Culpeper, this story wonderfully captures both the intimacy and grandeur of war. "Seasons of War "moves from the primitive squalor of filled hospitals and the daily indignities of a soldier's life to the editorials of a local newspaperman and the struggles of women and children left to the mercy of an occupying and hostile army. While famous Culpeper visitors like Lee and Whitman compose dispatches and lyric poetry, private citizens mourn their dead and defend their homes. Here are the very personal aspirations, losses, and sometimes gruesome banalities of an unforgettable American war.
Sutherland's account of the war is unlike any other. Both a military and a social history, it details the life of a single Confederate community without losing sight of the titanic struggle of a nation divided. It allows readers to join the councils of Lee and Grant while sharing the letters of young couples separated by war. We frolic with the fun-loving Jeb Stuart, experience the confused terror of men in battle, feel the anguish of civilians surrounded by contending armies, observe the tensions between neighbors with different loyalties, and sense the joy of liberated slaves.
Written in a daring style that thrusts readers into the vortex of war, "Seasons of War "tells the story of a place and a nation. It is a tale by turns heroic and mean, hopeful and bleak, humorous and grave. It is a story of the American people--Northern and Southern, white and black, free and unfree--at the defining hour of their history.

All too often, histories of Civil War battles concentrate on the events of the battle, ignoring the larger campaign and undervaluing the battle's impact on subsequent events. This work reveals and explains the vital connection between two epic battles: Fredericksburg and Chancellorsville.

The staggering Confederate victories at Fredericksburg and Chancellorsville are seldom treated as part of a coherent strategy, and they have never been presented as a single campaign. Yet, analyzed as a whole, the two battles go far to explain Lee's military success. At the same time, the failures and bungling that characterized Federal efforts are more intelligible when seen in the light of the political and military circumstances that thrust unprepared and inadequate Union commanders into predicaments they little understood. The eastern theater in the winter of 1862 and spring of 1863 witnessed sudden shifts in northern command and strategy and increasing political intervention. Lincoln despaired of McClellan and sought a general more willing to fight; whatever the ultimate result of this search, it provided opportunities the canny Lee was willing and able to exploit.

The American Civil War is famous for epic battles involving massive armies outfitted in blue and gray uniforms, details that characterize conventional warfare. A Savage Conflict is the first work to treat guerrilla warfare as critical to understanding the course and outcome of the Civil War. Daniel Sutherland argues that irregular warfare took a large toll on the Confederate war effort by weakening support for state and national governments and diminishing the trust citizens had in their officials to protect them.

A major new biography of James McNeill Whistler, one of most complex, intriguing, and important of America's artists This engaging personal history dispels the popular notion of James McNeill Whistler (1834-1903) as merely a combative, eccentric, and unrelenting publicity seeker. The Whistler revealed in these beautifully illustrated pages is an intense, introspective, and complex man, plagued by self-doubt and haunted by an endless pursuit of perfection in his painting and drawing. "[Sutherland] seeks to get behind the public Whistler . . . never judging or condescending to his subject. . . . The portrait of Whistler that emerges is complex and mysterious . . . a measured and scholarly account of an extraordinary life."-Ruth Scurr, Wall Street Journal "The first comprehensive biography of Whistler in at least a generation. . . . Sutherland skillfully captures Whistler's ambition, tenacity, and insecurity and presents his life in a narrative that does justice to both his triumphs and his failures."-Eleanor Jones Harvey, American Scholar

Focusing on a little-known yet critical aspect of the American Civil War, this must-read history illustrates how guerrilla warfare shaped the course of the war and, to a surprisingly large extent, determined its outcome. The Civil War is generally regarded as a contest of pitched battles waged by large armies on battlefields such as Gettysburg. However, as American Civil War Guerrillas: Changing the Rules of Warfare makes clear, that is far from the whole story. Both the Union and Confederate armies waged extensive guerrilla campaigns-against each other and against civilian noncombatants. Exposing an aspect of the War Between the States many readers will find unfamiliar, this book demonstrates how the unbridled and unexpectedly brutal nature of guerrilla fighting profoundly affected the tactics and strategies of the larger, conventional war. The reasons for the rise and popularity of guerrilla warfare, particularly in the South and lower Midwest, are examined, as is the way each side dealt with its consequences. Guerrilla warfare's impact on the outcome of the conflict is analyzed as well. Finally, the role of memory in shaping history is touched on in an epilogue that explores how veteran Civil War guerrillas recalled their role in the war. An epilogue that shares the recollections of Civil War guerrillas, showing how the memory of historical events may be shaped by the passage of time A dozen black and white illustrations provide glimpses into history

While the Civil War is famous for epic battles involving massive armies engaged in conventional warfare, A Savage Conflict is the first work to treat guerrilla warfare as critical to understanding the course and outcome of the Civil War. Daniel Sutherland argues that irregular warfare took a large toll on the Confederate war effort by weakening support for state and national governments and diminishing the trust citizens had in their officials to protect them.

This work presents an engaging account of a young Union soldier. In 1884, when Albert O. Marshall published ""Army Life"", a memoir of his service as a private in the Thirty-Third Illinois Regiment, twenty years had passed since his 1861 discharge. At publication, Marshall left the journal untouched, and today it is a journal that is rare in what it is not. This memoir is not a complete story of the Thirty-Third (known as the 'Normal Regiment' because many of its soldiers were from Illinois State Normal University), nor is it a complete roster of regiment members, nor a list of killed and wounded. ""Army Life"" is not, even, a purely military account written from an officer's point of view. It is the story of a twenty-year-old private whose engaging writing belies his age but also allows his youth to shine through. Marshall tells of the battles he fought and the games he played, of his friends, fellow soldiers, and officers, and of the regiment's activities in Missouri and Arkansas, at Vicksburg, and in Louisiana and on the Texas Gulf Coast. Enhanced with careful editing and thorough annotations, this journal Marshall carried faithfully to every mustering out is a rich and important Civil War memoir.

Originally published in 1907 and now reprinted for the first time, this is the only account published by a Union guerrilla in the border region of the central Ozarks, where political and civil violence lasted from the Civil War well into the 1880s. There were probably many people who wanted to shoot Billy Monks. He was a Union patriot and skilled guerrilla fighter to some, but others called him a bushwhacker, a murderer, and a thief. His was a very personal combat: he commanded, rallied, arrested, killed, quarreled with, and sued people he knew. His life provides a striking example of the cliche that the war did not end in 1865, but continued fiercely on several fronts for another decade as partisan factions settled old scores and battled for local political control. This memoir was Monks' last salvo at his old foes, by turns self-defense and an uncompromising affirmation of the Radical Union cause in the Ozarks. The editors include a new biographical sketch of the author, fill in gaps in his narrative, identify all the people and places to which he refers, and offer a detailed index. Monks himself illustrated the volume with staged photographs of key events re-created by aged comrades who appear to have been just barely able to hoist the muskets they hold as props.

Reminiscences of a Private is William Bevens's personal chronicle of his participation in such famous Civil War battles as Shiloh, Chickamauga, Atlanta, and Nashville. There is no supernal heroism here, no pretension, no grandiose analysis. Bevens is neither introspective nor philosophical, and he rarely dwells on the larger issues of the war. He concerns himself with what mattered to him as a common foot soldier. There are longer and fuller accounts of the war; however, few are as honest or as direct as this frank and forthright journal. By confining his contributions as editor to filling gaps in Bevens's narrative, to correcting some misspellings, and to providing dates and explanatory notes, Daniel Sutherland allows Bevens to tell his story of a young Arkansan at war. His unassuming voice will speak to all readers with compelling candor.

Summer 1862. The Confederacy has suffered several important defeats in the Western Theater and faces a serious threat to Richmond in the East. Federal politicians and citizenry, perplexed that fighting has continued into a second year, want an end to the war. Abraham Lincoln asks his battlefield commanders to develop a winning strategy in the East, a strategy that will not spare resources, terrain, nor the well being of private citizens--a strategy that would come to be known as "total war."
The plan, implemented in 1862, proves a failure, mostly because of the man charged with carrying it out: Gen. John Pope. Pope's defeat is the story of the Second Manassas campaign. While Pope's demise gives new life to the Confederacy and emboldens Robert E. Lee to invade Maryland, Lincoln remains convinced that a strategy of total war represents the North's best chance for victory. In 1864-1865, Generals Ulysses S. Grant and William T. Sherman will prove him right. A vivid account of how Civil War campaigns foreshadowed total war.