Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

'Fiercely independent, all of Evans's characters struggle for a place in a world intent of fencing them out.' - New York Times Book Review A college student's unplanned pregnancy forces her to confront her feelings of resentment toward her more privileged classmates. A father's misguided attempt to rescue a gift for his adult daughter magnifies all he doesn't know about her. And two teenage girls' flirt with adulthood leads to disastrous consequences. Based in a world where inequality is reality, but where the shifting terrain of adolescence and family are the most complicating forces, Evans' characters are wry, wise and utterly original. Striking in their emotional immediacy, the electrifying, prize-winning stories in Before You Suffocate Your Own Fool Self offer a fresh perspective on race and class in contemporary America. 'Danielle Evans is funny as hell' - Victor LaValle, author of Big Machine 'Knife-sharp wit and tender but unflinching eye' - V.V. Ganeshananthan, author of Love Marriage

'Brilliant . . . These stories are sly and prescient, a nuanced reflection of the world we are living in.' - Roxane Gay 'Evans is blessed with perfect pitch.' - Tayari Jones 'Sublime short stories of race, grief, and belonging . . . an extraordinary new collection.' New Yorker Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters' lives in a way that allows them to speak to larger issues of race, culture, and history. We meet Black and multi-racial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively. Ultimately, she provokes us to think about the truths of American history - about who gets to tell them, and the cost of setting the record straight. In 'Boys Go to Jupiter' a white college student tries to reinvent herself after a photo of her in a Confederate-flag bikini goes viral. In 'Richard of York Gave Battle in Vain' a photojournalist is forced to confront her own losses while attending an old friend's unexpectedly dramatic wedding. And in the eye-opening title novella, a Black scholar from Washington DC is drawn into a complex historical mystery that spans generations and puts her job, her love life, and her oldest friendship at risk.

Winner of the 2021 Mary McCarthy Prize in Short Fiction "The stories in A New Race of Men from Heaven move elegantly between the ache of loneliness and the grace of connection, however fleeting." -Danielle Evans, author of The Office of Historical Corrections A New Race of Men from Heaven is a collection of stories about characters who wander but are never truly lost. A lonely man on a business trip finds himself in the middle of a search party for a missing boy; a grieving widow leaves India to join family in the United States; a writer finds renewed success when an unknown imposter begins publishing under his identity. In these quiet yet deeply knowing stories of migration, power, and longing, A New Race of Men from Heaven offers us, above all else, stories of enduring love and hope.

Introducing a new star of her generation, an electric debut story collection about mixed-race and African-American teenagers, women, and men struggling to find a place in their families and communities.
When Danielle Evans's short story "Virgins" was published in "The Paris Review" in late 2007, it announced the arrival of a major new American short story writer. Written when she was only twenty-three, Evans's story of two black, blue-collar fifteen-year-old girls' flirtation with adulthood for one night was startling in its pitch-perfect examination of race, class, and the shifting terrain of adolescence.
Now this debut short story collection delivers on the promise of that early story. In "Harvest," a college student's unplanned pregnancy forces her to confront her own feelings of inadequacy in comparison to her white classmates. In "Jellyfish," a father's misguided attempt to rescue a gift for his grown daughter from an apartment collapse magnifies all he doesn't know about her. And in "Snakes," the mixed-race daughter of intellectuals recounts the disastrous summer she spent with her white grandmother and cousin, a summer that has unforeseen repercussions in the present.
Striking in their emotional immediacy, the stories in "Before You Suffocate Your Own Fool Self" are based in a world where inequality is reality but where the insecurities of adolescence and young adulthood, and the tensions within family and the community, are sometimes the biggest complicating forces in one's sense of identity and the choices one makes.

In a closed room a group of people trapped by their surroundings accept their predicament. The Eyre, a naive young stranger, poses the question of life outside the room and the claustrophobic existence of this strange group is challenged. This is a delightfully funny absurdist play that explores the nature of humanity and our fear of the unknown (1 act, 2 male; 5 female).

Neoliberalism has firmly taken hold in Wales. The 'clear red water' is darkening. The wounds of poverty, inequality, and disengagement, far from being healed, have worsened. Child poverty has reached epidemic levels: the worst in the UK. Educational attainment remains stubbornly low, particularly in deprived communities. Prison population rates are among the highest in Europe. Unemployment remains stubbornly high. House prices are rising, with the private rented sector lining the pockets of an ever-increasing number of private landlords. Minority groups are consistently marginalised. All this is not to mention the devastatingly disproportionate impact of the coronavirus pandemic on working class communities. The Welsh Way interrogates neoliberalism's grasp on Welsh life. It challenges the lazy claims about the 'successes' of devolution, fabricated by Welsh politicians and regurgitated within a tepid, attenuated public sphere. These wide-ranging essays examine the manifold ways in which neoliberalism now permeates all areas of Welsh culture, politics and society. They also look to a wider world, to the global trends and tendencies that have given shape to Welsh life today. Together, they encourage us to imagine, and demand, another Welsh future.

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