The Samarites by Petrus Papeus offers an effective blending of gospel narrative and ancient Roman comedy, combining manner of Plautus and Terence with the didacticism of medieval allegory and morality plays and the poetic diction of Renaissance humanism. In the Samarites they are the ingredients that present both moral and doctrinal teachings related to the gospel parables of the Prodigal Son and Good Samaritan. Papeus' work is an excellent example not only of the early modern school play, but also of the shifting conceptions of drama in Europe at that time. Daniel Nodes presents a critical edition and translation of the play together with a humanist commentary produced in Toledo by Alexius Vanegas three years after the play's first printing in Antwerp.

The commentary of John Colet (1467-1519) on Dionysius the Areopagite's Ecclesiastical Hierarchy adapts a work widely neglected by medieval theologians to the early sixteenth century. Dionysius's "apostolic" model allowed Colet to set ecclesiastical corruption against the ideas for re-forming the mind as well as the church. The commentary reveals Colet's fascination with the Kabbalah and re-emergent Galenism, but it subordinates all to harmonizing Dionysius and his supposed teacher, Paul. This first new edition in almost 150 years and first edition of the complete manuscript is edited critically, translated expertly, and provided with an apparatus that advances historical, theological, and rhetorical contexts. It resituates study of Colet by identifying a coherent center for his theology and agenda for reform in Tudor England.