This book is written for those who suffer from severe and persistant mental illness. It is about the trials of a man with the illness and how he reached from poverty and despair to the heights of obtaining an MSW and LCSW. It is also written for Literary students with a specific style of writing. Students of Counseling, Social Work, Psychology, and Psychiatry will get a realistic view of what the illness is like and can do. It is an autobiographical, educational, and inspirational experience that needs told

..".I know the risks, and moderate them when I can, but still I press on, even into adversity. There are very few things I fear, and even this situation was not one of them.

But still...every now and then...just once and a while...

I wonder...I question...I seek to understand why...

Beaten to the edge of rationality, stunned beyond the capability of comprehension, between racking sobs and painful gasps for breath I screamed into the chaos,

'What in the bloody hell am I doing out here?'

I was not really expecting an answer..."

Through a series of adventures told with humor and passion, "Life is a Road, Get on it and Ride" captures the essence of the motorcycling experience and carries the reader where few have ventured before. Take a wild ride into the magical worlds along the highways of America and a passionate tour through the mysterious soul of an avid motorcycle rider. Experience what one reader calls, "A little bit of Jung, a little bit of Freud, and a little bit of rock and roll." (Doc D)

Series Information:
Routledge Who's Who

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

The Bluegrass State of Kentucky has a macabre assortment of hotels and inns, restaurants, parks, roads and highways, cemeteries, and historic locales that are haunted by ghosts that linger and grow. Examine more than 40 locations providing visitor information-including places to go, things to do, and tasty morsels to eat-as you explore the history, legends, and ghosts of haunted Kentucky. Read about Abraham Lincoln, who dreamed of his own assassination, and a well-wishing female specter at Mark's Feed Store. Visit the Shandies Restaurant where chairs move by themselves, or meet the ghost bride of Cumberland Falls, who rises out of the water on nights of the full moon. Be careful at Child's Branch Bridge where an unfriendly ghost causes drivers to crash, and listen to the murderer at Pioneer Cemetery who screeches in pain before his hanging. A detailed listing of locations will start your ghostly journey of Kentucky. Happy haunting!

For centuries the theater has been one of the major forms of art. How did acting, and its institutionalization in the theater, begin in the first place? In some cultures complex stories relate the origin of acting and the theater. And over time, approaches to acting have changed considerably. In the West, until the end of the 19th century, those changes occurred within the realm of acting itself, focusing on the question of whether acting should be 'natural' or 'formal.' Approaches to acting were closely related to the trends in culture at large. Acting became more and more professional and sophisticated as philosophical theories developed and knowledge in the human sciences increased. In the 20th century, the director was established as the most important force in the theater--able to lead actors to pinnacles of their art which they could not have achieved on their own. Approaches to acting in non-Western cultures follow quite different patterns. This book provides a clear overview of different approaches to acting, both historical and contemporary, Western and non-Western, and concludes with a challenge to the future of the art.

For the last ten to fifteen years, many disciplines of scholarship have been involved in the study of consciousness, often on an interdisciplinary basis. They include philosophy, neurosciences, psychology, physics and biology, and approaches focusing on human experience. The Centre for Consciousness Studies at the University of Arizona in Tucson spearheaded this development with its bi-annual conferences since 1994, and a wide range of associations, journals and book publications bear witness to its importance. Over the same number of years, scholarly interest in the relationship of consciousness to theatre has equally grown. The book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background. Those questions include:
- What inspires the dramatist to write a play? This question addresses the nature of the creative process.
- How do different plays reflect human consciousness?
- What kinds of new ideas did major directors or theatre makers, such as Artaud, Grotowski, Barba, and Brook introduce?
- Should actors be personally involved with the emotions they have to portray?
- Are puppets or marionettes superior to actors?
- How to account for the designer's combination of creativity and practical skill? What part does mental imagination play in the design process? How do designers get their own spatial awareness across to their spectators?
- How does theatre affect the spectator? Why do spectators react as they do? How do distance and suspension of disbelief 'work'?
An improved and expanded understanding of theatre, resulting from answering the questions above in the context of consciousnessstudies, should inspire new developments in theatre practice.

Numerous plays have professionals as major characters, but academia has ignored them to a large extent.
The Professions in Contemporary British Drama fills this extraordinary gap with a series of nine papers discussing the educational professions (Bennett, Mangan), the medical profession (Shields, Buse, ), priests (Kurdi), archaeologists (Forsyth) and artists (Di Benedetto, Meyer-Dinkgrafe, Edwards).
The book is of relevance to theatre academics and students at both undergraduate and postgraduate levels. It is based on a conference organised in conjunction with the Centre for English Studies, School of Advanced Studies, University of London, 6 March 1998.

Leadership is essential. Maybe you've shied away from leadership because you don't know what it will involve, or you feel too unsure of your own abilities. But your leadership is needed In every sector of society, from families to businesses to churches, leadership roles remain empty, waiting for people willing and able to step up and make wise decisions that bring positive change. And, in a world with priorities vastly different from Christ's, Christian leaders are especially needed to point people to him. Preparation is essential. As essential as the leadership itself is the preparation beforehand, which is why Greg Ogden, a seasoned leader himself, has created this interactive guide that will give you the tools you need to lead well, using your unique gifts and experience. Divided into four sections, this workbook will help you develop character, postures, vision and skills as you participate in the following elements in each chapter: a memory verse a Bible study a reading a leadership exercise By working through these multiple channels of learning you'll be equipped not just with head knowledge about leadership but with true character formation and awareness of your own abilities that will prepare you for the challenges and choices of leadership. Designed to work well on your own, with a partner or with a group, Leadership Essentials by Greg Ogden and Daniel Meyer is the essential preparation tool for those who would be led and shaped by Christ to lead others with strength and wisdom.

Im Hinblick auf seine Rezeption ist Oswald Spengler nicht nur ein deutsches oder gar ein europaisches, sondern auch geradezu ein Weltphanomen. Spenglers Werk dient vielen als Bezugsgroesse fur die Analyse der heutigen geistigen und politischen Situation in Europa und in der Welt. Die Beitrage dieses Bandes versuchen, verschiedene Aspekte dieser raumlich und zeitlich unbegrenzten Rezeption zu beleuchten. Sie hangt selbstverstandlich von der Krisenhaftigkeit der Zeiten ab. Das in dieser vielseitigen Rezeption dominierende Motiv vom Untergang des Abendlands wird aber von den aussereuropaischen Rezipienten nicht selten als Verheissung des Aufstiegs ihres eigenen Kulturkreises gedeutet. So zeigt sich nicht nur das kulturkritische, sondern auch das politische bzw. geopolitische Potential von Spenglers Werk.

Twenty major German cities have a total of twenty-four theatres specializing, at a high level of sophistication, in presenting light comedy. They have their own typical ambience, principles of artistic management and casting. There are playwrights, actors, directors and designers who work almost exclusively in the genre, called boulevard comedy, developing highly specialised approaches to their work. In almost all cases, the predominantly privately run boulevard comedy theatres in Germany have been able to attract larger audiences than municipal or state theatres in the same cities. The book provides a description and an analysis of this phenomenon, which is unique to Germany. Chapters focus on an analysis of ambience, artistic managers, artistic policies and artistic structures, on major characteristics of the plays presented on the stages of German boulevard comedy theatres, on aspects of translation and the cultural transfer of comedy and laughter and on aspects of production and reception, dealing in turn with actors, directors, media coverage and audiences.

This book is about a real life therapy dog, Kyra. Therapy dogs are trained to offer comfort and/or assistance to people of all ages. In Kyra's case, she loves children and enjoys listening to them while they read to her. The author realized that many people do not know about the great work of therapy dogs. Thus, she wrote this children's story to help get the word out to the world.

This book is written for those who suffer from severe and persistant mental illness. It is about the trials of a man with the illness and how he reached from poverty and despair to the heights of obtaining an MSW and LCSW. It is also written for Literary students with a specific style of writing. Students of Counseling, Social Work, Psychology, and Psychiatry will get a realistic view of what the illness is like and can do. It is an autobiographical, educational, and inspirational experience that needs told

(softcover) From a summer run across the almost mythical Route 66, to tragedy and trials in the cold, forbidding winter mountains of the west, to high-speed jaunts though the storm-swept canyons of a city commute, ride with the author as he narrates a series of fantastic adventures with passion and humor. Find out why, It's About the Ride. Life is a road. Live. Ride. See. Fly. Are you ready?

..".I know the risks, and moderate them when I can, but still I press on, even into adversity. There are very few things I fear, and even this situation was not one of them.

But still...every now and then...just once and a while...

I wonder...I question...I seek to understand why...

Beaten to the edge of rationality, stunned beyond the capability of comprehension, between racking sobs and painful gasps for breath I screamed into the chaos,

'What in the bloody hell am I doing out here?'

I was not really expecting an answer..."

Through a series of adventures told with humor and passion, "Life is a Road, Get on it and Ride" captures the essence of the motorcycling experience and carries the reader where few have ventured before. Take a wild ride into the magical worlds along the highways of America and a passionate tour through the mysterious soul of an avid motorcycle rider. Experience what one reader calls, "A little bit of Jung, a little bit of Freud, and a little bit of rock and roll." (Doc D)