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The supernatural lore of Ancient Greece and Rome is vividly brought to life in these pages.The literature of Classical antiquity bristles with horrible witches, mysterious wizards, terrifying ghosts, magic books, curses, voodoo-dolls, even werewolves, vampires and Frankenstein's monsters. Many of these tales have directly shaped our own culture's lore of magic and ghosts, and consequently, these tales speak to us today with great immediacy.This book covers a period of over a thousand years that witnessed some massive historical and cultural changes, including the advent of Christianity. Ancient culture was generally conservative and this is particularly true of its notions of ghosts and witches, which are strongly bound up with traditional tales and folklore of various kinds. Such tales preserve and conserve ideas about ghosts and witchcraft, and they survive to achieve this effect precisely because they are wonderfully engaging.
In the chaos that followed the death of Alexander the Great his distinguished marshal Seleucus was reduced to a fugitive, with only a horse to his name. But by the time of his own death, Seceucus had reconstructed the bulk of Alexander's empire, built Antioch, and become a king in his turn, one respected for justness in an age of cruelty. The dynasty he founded was to endure for three centuries. Such achievements richly deserved to be projected into legend, and so they were. This legend told of Seleucus' divine siring by Apollo, his escape from Babylon with an enchanted talisman, his foundations of cities along a dragon-river with the help of Zeus' eagles, his surrender of his new wife to his besotted son, and his revenge, as a ghost, upon his assassin. This is the first book in any language devoted to the reconstruction of this fascinating tradition.
The careers of Philip II and his son Alexander the Great (III) were interlocked in innumerable ways: Philip II centralized ancient Macedonia, created an army of unprecedented skill and flexibility, came to dominate the Greek peninsula, and planned the invasion of the Persian Empire with a combined Graeco-Macedonian force, but it was Alexander who actually led the invading forces, defeated the great Persian Empire, took his army to the borders of modern India, and created a monarchy and empire that, despite its fragmentation, shaped the political, cultural, and religious world of the Hellenistic era. Alexander drove the engine his father had built, but had he not done so, Philip's achievements might have proved as ephemeral as had those of so many earlier Macedonian rulers. On the other hand, some scholars believe that Alexander played a role, direct or indirect, in the murder of his father, so that he could lead the expedition to Asia that his father had organized. In short, it is difficult to understand or assess one without considering the other. This collection of previously unpublished articles looks at the careers and impact of father and son together. Some of the articles consider only one of the Macedonian rulers although most deal with both, and with the relationship, actual or imagined, between the two. The volume will contain articles on military and political history but also articles that look at the self-generated public images of Philip and Alexander, the counter images created by their enemies, and a number that look at how later periods understood them, concluding with the Hollywood depiction of the relationship. Despite the plethora of collected works that deal with Philip and Alexander, this volume promises to make a genuine contribution to the field by focusing specifically on their relationship to one another.
By comparing traditional narratives concerning archaic colonists and tyrants, Ogden shows that monarchic rulers in archaic Greece were often paradoxically conceptualized as deformed scapegoats or as evil malformed babies of sinister birth. This way of thinking helped to explain their extraordinary power, for they embodied in their twisted limbs a terrible pollution that enabled them to overthrow their communities. The author considers a diverse range of related themes, including the myth of Oedipus, the fables of Aesop, the meanings attached to monkeys, pigs and mice, demonic cooks, the characters of early farce, Spartan hairstyles, and the beginnings of Greek democracy and ostracism at Athens.
An exploration of how the image and idea of the dragon has evolved through history How did the dragon get its wings? Everyone in the modern West has a clear idea of what a dragon looks like and of the sorts of stories it inhabits, not least devotees of the fantasies of J. R. R. Tolkien, J. K. Rowling, and George R. R. Martin. A cross between a snake and some fearsome mammal, often sporting colossal wings, they live in caves, lie on treasure, maraud, and breathe fire. They are extraordinarily powerful, but even so, ultimately defeated in their battles with humans. What is the origin of this creature? The Dragon in the West is the first serious and substantial account in any language of the evolution of the modern dragon from its ancient forebears. Daniel Ogden's detailed exploration begins with the drakon of Greek myth and the draco of the dragon-loving Romans, and a look at the ancient world's female dragons. It brings the story forwards though Christian writings, medieval illustrated manuscripts, and the lives of dragon-duelling saints, before concluding with a study of dragons found in the medieval Germanic world, including those of the Anglo-Saxon Beowulf and the Norse sagas.
What are ancient texts saying to us when they describe Alexander the Great's romantic relationship with his wife Barsine, or comment on his homosexual relationship with Hephaestion? What did it mean when the ancient writers told that Alexander had been sired by a thunderbolt or by a gigantic snake? What did it mean when they represented his mother Olympias as a witch? These questions and others are addressed in Alexander the Great: Myth and Sexuality. In this book, Daniel Ogden discusses the mythologizing of procreation and sex in the ancient traditions surrounding Alexander. From the author's Introduction: 'A quick review of [...] chapter titles will suggest that the first half [...] answers the title's promise of 'myth' and the second half that of 'sexuality', but in fact the entire volume is devoted to what may be termed 'myth' of one sort or another. Its central and unifying subject is the mythologizing of procreation and sex in the traditions surrounding the figure of Alexander the Great: accordingly, it comprises both treatments of the narratives spun around his own siring and birth on the one hand, and treatments of the narratives spun around the king's own procreative and sexual career on the other. A significant amount of this mythologizing [...] took root in Alexander's own age. The remainder of it is the product of subsequent tradition, a tradition that was evidently in vigorous development already within a few years of Alexander's death.'
Sperm and machismo in Sparta, the belief that it is possible to have two biological fathers, and "womb strife" between half-siblings - these are among the fascinating insights about Greek attitudes towards sex and society revealed in this first full length study of illegitimacy in the Greek world. Disciples of Foucault, and a wide range of social historians - from scholars of Athenian law to women in antiquity - should all find this of prime interest and importance.
In a moonlit graveyard somewhere in southern Italy, a soldier removes his clothes in readiness to transform himself into a wolf. He depends upon the clothes to recover his human shape, and so he magically turns them to stone, but his secret is revealed when, back in human form, he is seen to carry a wound identical to that recently dealt to a marauding wolf. In Arcadia a man named Damarchus accidentally tastes the flesh of a human sacrifice and is transformed into a wolf for nine years. At Temesa Polites is stoned to death for raping a local girl, only to return to terrorize the people of the city in the form of a demon in a wolfskin. Tales of the werewolf are by now well established as a rich sub-strand of the popular horror genre; less widely known is just how far back in time their provenance lies. These are just some of the werewolf tales that survive from the Graeco-Roman world, and this is the first book in any language to be devoted to their study. It shows how in antiquity werewolves thrived in a story-world shared by witches, ghosts, demons, and soul-flyers, and argues for the primary role of story-telling-as opposed to rites of passage-in the ancient world's general conceptualization of the werewolf. It also seeks to demonstrate how the comparison of equally intriguing medieval tales can be used to fill in gaps in our knowledge of werewolf stories in the ancient world, thereby shedding new light on the origins of the modern phenomenon. All ancient texts bearing upon the subject have been integrated into the discussion in new English translations, so that the book provides not only an accessible overview for a broad readership of all levels of familiarity with ancient languages, but also a comprehensive sourcebook for the ancient werewolf for the purposes of research and study.
Stories about dragons, serpents, and their slayers make up a rich and varied tradition within ancient mythology and folklore. In this sourcebook, Daniel Ogden presents a comprehensive and easily accessible collection of dragon myths from Greek, Roman, and early Christian sources. Some of the dragons featured are well known: the Hydra, slain by Heracles; the Dragon of Colchis, the guardian of the golden fleece overcome by Jason and Medea; and the great sea-serpent from which Perseus rescues Andromeda. But the less well known dragons are often equally enthralling, like the Dragon of Thespiae, which Menestratus slays by feeding himself to it in armor covered in fish-hooks, or the lamias of Libya, who entice young men into their striking-range by wiggling their tails, shaped like beautiful women, at them. The texts are arranged in such a way as to allow readers to witness the continuity of and evolution in dragon stories between the Classical and Christian worlds, and to understand the genesis of saintly dragon-slaying stories of the sort now characteristically associated with St George, whose earliest dragon-fight concludes the volume. All texts, a considerable number of which have not previously been available in English, are offered in new translations and accompanied by lucid commentaries that place the source-passages into their mythical, folkloric, literary, and cultural contexts. A sampling of the ancient iconography of dragons and an appendix on dragon slaying myths from the ancient Near East and India, particularly those with a bearing upon the Greco-Roman material, are also included. This volume promises to be the most authoritative sourcebook on this perennially fascinating and influential body of ancient myth.
The son of Zeus, Perseus belongs in the first rank of Greek
heroes. Indeed to some he was a greater hero even than Heracles.
With the help of Hermes and Athena he slew the Gorgon Medusa,
conquered a mighty sea monster and won the hand of the beautiful
princess Andromeda. This volume tells of his enduring myth, it's
rendering in art and literature, and its reception through the
Roman period and up to the modern day.
In a culture where the supernatural possessed an immediacy now
strange to us, magic was of great importance both in the literary
and mythic tradition and in ritual practice. Recently, ancient
magic has hit a high in popularity, both as an area of scholarly
inquiry and as one of general, popular interest. In Magic,
Witchcraft, and Ghosts in the Greek and Roman Worlds Daniel Ogden
presents three hundred texts in new translations, along with brief
but explicit commentaries. This is the first book in the field to
unite extensive selections from both literary and documentary
sources. Alongside descriptions of sorcerers, witches, and ghosts
in the works of ancient writers, it reproduces curse tablets,
spells from ancient magical recipe books, and inscriptions from
magical amulets. Each translation is followed by a commentary that
puts it in context within ancient culture and connects the passage
to related passages in this volume. Authors include the well known
(Sophocles, Herodotus, Plato, Aristotle, Virgil, Pliny) and the
less familiar, and extend across the whole of Greco-Roman
antiquity.
The Hellenistic World assembles fourteen new papers, by an international group of contributors, on the pivotal age between the death of Alexander the Great and Cleopatra VII. Subjects range from settlement patterns, non-Greek populations and marginal peoples, the personnel, rivalries and religious ideologies of the royal courts, and on to the wider question of the political structure of the Hellenistic world. Considerable attention is paid to the revolutionary art of the period and to the reception of its culture in more recent times, including images of Cleopatra on film.
In classical antiquity, there was much interest in necromancy--the consultation of the dead for divination. People could seek knowledge from the dead by sleeping on tombs, visiting oracles, and attempting to reanimate corpses and skulls. Ranging over many of the lands in which Greek and Roman civilizations flourished, including Egypt, from the Greek archaic period through the late Roman empire, this book is the first comprehensive survey of the subject ever published in any language. Daniel Ogden surveys the places, performers, and techniques of necromancy as well as the reasons for turning to it. He investigates the cave-based sites of oracles of the dead at Heracleia Pontica and Tainaron, as well as the oracles at the Acheron and Avernus, which probably consisted of lakeside precincts. He argues that the Acheron oracle has been long misidentified, and considers in detail the traditions attached to each site. Readers meet the personnel--real or imagined--of ancient necromancy: ghosts, zombies, the earliest vampires, evocators, sorcerers, shamans, Persian magi, Chaldaeans, Egyptians, Roman emperors, and witches from Circe to Medea. Ogden explains the technologies used to evocate or reanimate the dead and to compel them to disgorge their secrets. He concludes by examining ancient beliefs about ghosts and their wisdom--beliefs that underpinned and justified the practice of necromancy. The first of its kind and filled with information, this volume will be of central importance to those interested in the rapidly expanding, inherently fascinating, and intellectually exciting subjects of ghosts and magic in antiquity.
Stories about dragons, serpents, and their slayers make up a rich and varied tradition within ancient mythology and folklore. In this sourcebook, Daniel Ogden presents a comprehensive and easily accessible collection of dragon myths from Greek, Roman, and early Christian sources. Some of the dragons featured are well known: the Hydra, slain by Heracles; the Dragon of Colchis, the guardian of the golden fleece overcome by Jason and Medea; and the great sea-serpent from which Perseus rescues Andromeda. But the less well known dragons are often equally enthralling, like the Dragon of Thespiae, which Menestratus slays by feeding himself to it in armor covered in fish-hooks, or the lamias of Libya, who entice young men into their striking-range by wiggling their tails, shaped like beautiful women, at them. The texts are arranged in such a way as to allow readers to witness the continuity of and evolution in dragon stories between the Classical and Christian worlds, and to understand the genesis of saintly dragon-slaying stories of the sort now characteristically associated with St George, whose earliest dragon-fight concludes the volume. All texts, a considerable number of which have not previously been available in English, are offered in new translations and accompanied by lucid commentaries that place the source-passages into their mythical, folkloric, literary, and cultural contexts. A sampling of the ancient iconography of dragons and an appendix on dragon slaying myths from the ancient Near East and India, particularly those with a bearing upon the Greco-Roman material, are also included. This volume promises to be the most authoritative sourcebook on this perennially fascinating and influential body of ancient myth.
Heracles is the quintessential ancient Greek hero. The rich and massive tradition associated with him encompasses myths of all kinds: quest myths, monster-fights, world-foundational myths, aetiological myths, philosophical myths, allegorical myths, and more. It informs and is informed by every genre and variety of Classical literature. The figure of Heracles opens windows onto numerous aspects of ancient religion, including those of cult, syncretism, Christian reception, the relationship between gods and heroes, and the intersection of religion with politics. The Oxford Handbook of Heracles is the first large-scale guide to Heracles, his myth-cycle the Twelve Labors, and, to the pervasive impact of the hero upon Greek and Roman culture. The first half of the volume is devoted to the lucid exposition and analysis of the ancient evidence, literary and iconographic, for Heracles' life and deeds. In the second half, the Heracles tradition is analyzed from a range of thematic perspectives, including the contrasting projections of the figure across the major literary genres and in art; the ways in which Greek communities and even Roman emperors exploited the figure in the fashioning of their own identities and for political advantage; his cult in Greece and Rome and its syncretism with that of the Phoenician Melqart; and Heracles' reception in later Western tradition. Presenting, in 39 chapters, the authoritative work of international experts in a clear and well-structured format, this volume provides a convenient reference tool for scholars and offers an accessible starting-point for students.
The hellenistic royal families, from Alexander the Great to the last Cleopatra, took part in dynastic in-fighting that was vicious, colourful and instructive. In this they anticipated by centuries the better-known excesses under Roman potentates such as Claudius and Nero. This new enhanced and revised edition of a major study explores the intricate quarrels and violence within the ruling hellenistic families. A main theme is the role of 'amphimetric' disputes, competition between a ruler's offspring from different women, and especially between the women themselves. The book also includes a full exploration of the role of courtesans in the political and sexual intrigues of the hellenistic courts.
In "Search of the Sorcerer's Apprentice" is the first book in English to be devoted to Lucian's "Philopseudes or Lover of Lies" (ca. 170s AD). It comprises an extensive discussion, with full translation, on this engaging and satirical Greek text with its ten tales of magic and ghosts. One of these is the famous story of "The Sorcerer's Apprentice", and this conveys the flavour of the rest. In other tales a plague of snakes is blasted with a miraculous scorching breath, a woman is drawn to her admirer by an animated cupid doll, and a haunted house is cleansed of its monstrous ghost. The Philopseudes stands at the intersection of three of the liveliest fields in the study of antiquity: magic, traditional narratives, and the Lucianic oeuvre itself. Ogden's cross-fertilising expertise in all three of these fields enables him to build sophisticated analyses for each of the tales and to place them sensitively in their historical, cultural and literary contexts. Among the themes of the work are Lucian's methods of adapting motifs from traditional narratives, and the text's overlooked Cynic voice.
Drakon: Dragon Myth and Serpent Cult in the Greek and Roman Worlds is the first substantial survey to be focally devoted to the 'dragon' or the supernatural serpent, the drakon or draco, in Greek and Roman myth and religion. Almost every major myth cycle of the Greek and Roman worlds featured a dragon-fight at its heart, including the sagas of Heracles, Jason, Perseus, Cadmus, and Odysseus. Asclepius, the single most beloved and influential of the pagan gods from the late Classical period until Late Antiquity, was often manifest as a giant serpent and even in his humanoid aspect carried a serpent on his staff. Detailed and authoritative, but lucidly presented, this volume incorporates analyses of all of antiquity's major dragon-slaying myths, and offers comprehensive accounts of the rich sources, literary and iconographic. Ogden also explores matters of cult and the initially paradoxical association of dragons and serpents with the most benign of deities, not only those of health and healing, like Asclepius and Hygieia, but also those of wealth and good luck, such as Zeus Meilichios and Agathos Daimon. The concluding chapter considers the roles of both pagan dragon-slaying narratives and pagan serpent cults in shaping the beginnings of the tradition of the saintly dragon- and serpent-slaying tales we cherish still, the tradition that culminates in our own stories of Saints George and Patrick.
The substantial legend of Aristomenes, hero of the Messenian resistance to Sparta, is by turns thrilling, mysterious and humorous, and yet it remains almost unknown even to specialist ancient historians. This book, the first monograph to be devoted to Aristomenes, redirects attention to his adventures, which in parts resemble those of King Arthur, Robin Hood and even Sinbad the Sailor, and which may afford us some access to the imagination of a people otherwise muted in the record--the non Spartan population of Messenia. The book goes beyond the question of the historicity of Aristomenes, and examines the story's significance and symbolism in their own right. Of special interest are the ideas surrounding Aristomenes' talismanic shield, which disappears in mid battle, and which miraculously saves him as he is thrown by the Spartans to his death. It is contended in particular that the legend is threaded with a vein of underworld imagery and that this associates Aristomenes with the Andanian mysteries in a significant way. The study will be welcomed by those with an interest in the history of Messenia, in the history of Sparta, in Pausanias (the principal source--among many--for the Aristomenes legend), in Greek traditional narrative, in the history of slavery, or in the ancient underworld.
Has any ancient figure captivated the imagination of people over the centuries so much as Alexander the Great? In less than a decade he created an empire stretching across much of the Near East as far as India, which led to Greek culture becoming dominant in much of this region for a millennium. Here, an international team of experts clearly explains the life and career of one of the most significant figures in world history. They introduce key themes of his campaign as well as describing aspects of his court and government and exploring the very different natures of his engagements with the various peoples he encountered and their responses to him. The reader is also introduced to the key sources, including the more important fragmentary historians, especially Ptolemy, Aristobulus and Clitarchus, with their different perspectives. The book closes by considering how Alexander's image was manipulated in antiquity itself.
The strix was a persistent feature of the folklore of the Roman world and subsequently that of the Latin West and the Greek East. She was a woman that flew by night, either in an owl-like form or in the form of a projected soul, in order to penetrate homes by surreptitious means and thereby devour, blight or steal the new-born babies within them. The motif-set of the ideal narrative of a strix attack - the 'strix-paradigm' - is reconstructed from Ovid, Petronius, John Damascene and other sources, and the paradigm's impact is traced upon the typically gruesome representation of witches in Latin literature. The concept of the strix is contextualised against the longue-duree notion of the child-killing demon, which is found already in the ancient Near East, and shown to retain a currency still as informing the projection of the vampire in Victorian fiction.
In the chaos that followed the death of Alexander the Great his distinguished marshal Seleucus was reduced to a fugitive, with only a horse to his name. But by the time of his own death, Seceucus had reconstructed the bulk of Alexander's empire, built Antioch, and become a king in his turn, one respected for justness in an age of cruelty. The dynasty he founded was to endure for three centuries. Such achievements richly deserved to be projected into legend, and so they were. This legend told of Seleucus' divine siring by Apollo, his escape from Babylon with an enchanted talisman, his foundations of cities along a dragon-river with the help of Zeus' eagles, his surrender of his new wife to his besotted son, and his revenge, as a ghost, upon his assassin. This is the first book in any language devoted to the reconstruction of this fascinating tradition.
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