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The groundbreaking Audio Culture: Readings in Modern Music
(Continuum; September 2004; paperback original) maps the aural and
discursive terrain of vanguard music today. Rather than offering a
history of contemporary music, Audio Culture traces the genealogy
of current musical practices and theoretical concerns, drawing
lines of connection between recent musical production and earlier
moments of sonic experimentation. It aims to foreground the various
rewirings of musical composition and performance that have taken
place in the past few decades and to provide a critical and
theoretical language for this new audio culture. This new and
expanded edition of the Audio Culture contains twenty-five
additional essays, including four newly-commissioned pieces. Taken
as a whole, the book explores the interconnections among such forms
as minimalism, indeterminacy, musique concrete, free improvisation,
experimental music, avant-rock, dub reggae, ambient music, hip hop,
and techno via writings by philosophers, cultural theorists, and
composers. Instead of focusing on some "crossover" between "high
art" and "popular culture," Audio Culture takes all these musics as
experimental practices on par with, and linked to, one another.
While cultural studies has tended to look at music (primarily
popular music) from a sociological perspective, the concern here is
philosophical, musical, and historical. Audio Culture includes
writing by some of the most important musical thinkers of the past
half-century, among them John Cage, Brian Eno, Ornette Coleman,
Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco,
Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John
Zorn, Karlheinz Stockhausen, and many others. Each essay has its
own short introduction, helping the reader to place the essay
within musical, historical, and conceptual contexts, and the volume
concludes with a glossary, a timeline, and an extensive
discography.
The groundbreaking Audio Culture: Readings in Modern Music
(Continuum; September 2004; paperback original) maps the aural and
discursive terrain of vanguard music today. Rather than offering a
history of contemporary music, Audio Culture traces the genealogy
of current musical practices and theoretical concerns, drawing
lines of connection between recent musical production and earlier
moments of sonic experimentation. It aims to foreground the various
rewirings of musical composition and performance that have taken
place in the past few decades and to provide a critical and
theoretical language for this new audio culture. This new and
expanded edition of the Audio Culture contains twenty-five
additional essays, including four newly-commissioned pieces. Taken
as a whole, the book explores the interconnections among such forms
as minimalism, indeterminacy, musique concrete, free improvisation,
experimental music, avant-rock, dub reggae, ambient music, hip hop,
and techno via writings by philosophers, cultural theorists, and
composers. Instead of focusing on some "crossover" between "high
art" and "popular culture," Audio Culture takes all these musics as
experimental practices on par with, and linked to, one another.
While cultural studies has tended to look at music (primarily
popular music) from a sociological perspective, the concern here is
philosophical, musical, and historical. Audio Culture includes
writing by some of the most important musical thinkers of the past
half-century, among them John Cage, Brian Eno, Ornette Coleman,
Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco,
Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John
Zorn, Karlheinz Stockhausen, and many others. Each essay has its
own short introduction, helping the reader to place the essay
within musical, historical, and conceptual contexts, and the volume
concludes with a glossary, a timeline, and an extensive
discography.
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Shadow Work - Poems (Paperback)
Daniel Warner; Edited by Chris West; Illustrated by Nicolas Delort
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R282
R237
Discovery Miles 2 370
Save R45 (16%)
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Ships in 10 - 15 working days
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What is a Hidden Mickey? A Hidden Mickey is an image of Mickey
Mouse concealed in the design of a Disney attraction, resort, or
movie. Traditionally, it takes the shape of Mickey's head and ears
in silhouette (one large circle with two smaller circles on top),
but Hidden Mickeys can also take on many forms. Now you can find
Hidden Mickeys in Disneyland and Disney's California Adventure
BONUS - HIDDEN MICKEY CHECKLIST INCLUDED Follow the adventures of
Joey, an adventurous little mouse, on an expedition throughout
Disneyland and Disney's California Adventure as he discovers Hidden
Mickeys in every land and on each theme park attraction. The
excitement and the thrill of the hunt is what Joey lives for, as he
believes that each Hidden Mickey is not only an amazing part of the
hidden magic at Disneyland, but also a tribute to mice all over the
world. This tenacious little mouse will leave no stone unturned and
will not rest until he finds each Hidden Mickey. Joey also makes
sure that everyone who hears his tale will be able to discover the
park's hidden treasures for themselves and be able to enjoy the
thrill of the hunt. Embark on a journey to remember, as together
you will explore the secrets that lie within the park walls. Or,
simply choose a ride and see where they hide on this fascinating
and magical quest to find Hidden Mickeys.
What is a Hidden Mickey? A Hidden Mickey is an image of Mickey
Mouse concealed in the design of a Disney attraction, resort, or
movie. Traditionally, it takes the shape of Mickey's head and ears
in silhouette (one large circle with two smaller circles on top),
but Hidden Mickeys can also take on many forms. Now you can find
hidden Mickeys in Walt Disney World's Magic Kingdom Follow the
adventures of Joey, an adventurous little mouse, on an expedition
throughout the Magic Kingdom at Disney World as he discovers Hidden
Mickeys in every land and on each theme park attraction. The
excitement and the thrill of the hunt is what Joey lives for, as he
believes that each Hidden Mickey is not only an amazing part of the
Hidden magic at the Magic Kingdom, but also a tribute to mice all
over the world. This tenacious little mouse will leave no stone
unturned and will not rest until he finds each Hidden Mickey. Joey
also makes sure that everyone who hears his tale will be able to
discover the park's Hidden treasures for themselves and be able to
enjoy the thrill of the hunt. Embark on a journey to remember, as
together you will explore the secrets that lie within the park
walls. Or, simply choose a ride and see where they hide on this
fascinating and magical quest to find Hidden Mickeys.
We live in an electronic world. Electronic sounds and electronic
music have long permeated our sonic landscape. What began as the
otherworldly sounds of the film score for the 1956 film Forbidden
Planet and the rarefied, new timbres of Stockhausen's Kontakte a
few years later, is now a common soundscape in technology, media
and an array of musical genres and subgenres. More people than ever
before can produce and listen to electronic music, from isolated
experimenters, classical and jazz musicians, to rock musicians,
sound recordists and the newer generations of electronic musicians
making hip-hop, house, techno and ambient music. Increasingly we
are listening to electronic sounds, finding new meanings in them,
experimenting with them and rehearing them as listeners and makers.
Live Wires explores how the five key electronic technologies - the
tape recorder, circuit, computer, microphone and turntable -
revolutionized musical thought. Featuring the work of major figures
from Schaeffer, Varese, Xenakis, Babbitt and Oliveros to Eno, Keith
Emerson, Grandmaster Flash, Juan Atkins and Holly Herndon, Live
Wires presents many of the powerful musical ideas that are being
recycled, rethought and remixed by some of the most electrifying
composers and musicians today.
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