This brief guidebook assists you in mastering the difficult concept of pushing electrons that is vital to your success in Organic Chemistry. With an investment of only 12 to 16 hours of self-study you can have a better understanding of how to write resonance structures and will become comfortable with bond-making and bond-breaking steps in organic mechanisms. A paper-on-pencil approach uses active involvement and repetition to teach you to properly push electrons to generate resonance structures and write organic mechanisms with a minimum of memorization. Compatible with any organic chemistry textbook.

The essays from the pen of Daniel Weeks in A More Prosaic Light range from social and political commentary to literary criticism and reminiscences about the literary and cultural scene on the Jersey Shore. Weeks tackles topics as diverse as Hollywood movies, middle school jitters, Thanksgiving, the dying fishing industry in New Jersey, Edison's phonograph, heat waves, the great Englishtown Auction, Romantic poetry, and the elusive American Dream. Weeks's literary essays also range widely from the poets of the British canon-Coleridge, Keats, and Yeats-to American moderns and contemporaries-Amiri Baraka, Charles Olson, Robert Pinsky, and Louise Gluck. The essays and reviews here are interspersed with Weeks's reminiscences of his encounters with various writers, which provide an entertaining inside view of the literary scene on the Jersey Shore during the late twentieth and early twenty-first centuries.

For Now: New and Collected Poems, 1979-2017 represents more than forty years of the work of the poet Daniel Weeks. Although many of the poems have been drawn from his seven published books and chapbooks, others have previously appeared only in literary journals or have never before appeared in print. "My goal has always been to write poems that cannot be mistaken for prose," Weeks has said, and readers have remarked on the lyricism, rhythmic flow, and musical prosody of his work as well as its vivid, hard-edged imagery and wide cultural and historical resonances.

This Broken Shore is a literary journal featuring poetry, prose fiction, essays, and literary criticism from living writers connected to New Jersey.

My purpose in making the translations which follow was simply to better understand these important poems and to practice reading French. In the process, I consulted some other translations, notably Roger Fry's beautiful work on Mallarme, some translations of other Symbolist poets by C.F. MacIntyre, and the prose translations Carol Clark made of Baudelaire. I decided to do a poetic translation of my own whenever the French original touched an emotional chord for me and when I thought I could contribute something beyond what others had already done in their English renderings.

Daniel J. Weeks's published collections of poems include X Poems (Blast Press, 1990), Ancestral Songs (Libra Publishers, Inc., 1992), Indignities (Mellen Poetry Press, 1999), and Characters (Blast Press, 2008). His poems have appeared in The Cimarron Review, The Roanoke Review Mudfish, Fox Cry, Zone 3, SLANT, Voices International, Fennel Stalk, Mobius, The Sulphur River Poetry Review, The Tucumcari Review, and many other publications. Weeks lives in Eatontown, N.J., with his wife, Jackie, and their two children, Jared and Rachel.