The Routledge History of Nineteenth-Century America provides an important overview of the main themes within the study of the long nineteenth century. The book explores major currents of research over the past few decades to give an up-to-date synthesis of nineteenth-century history. It shows how the century defined much of our modern world, focusing on themes including: immigration, slavery and racism, women's rights, literature and culture, and urbanization. This collection reflects the state of the field and will be essential reading for all those interested in the development of the modern United States.

The Routledge History of Nineteenth-Century America provides an important overview of the main themes within the study of the long nineteenth century. The book explores major currents of research over the past few decades to give an up-to-date synthesis of nineteenth-century history. It shows how the century defined much of our modern world, focusing on themes including: immigration, slavery and racism, women's rights, literature and culture, and urbanization. This collection reflects the state of the field and will be essential reading for all those interested in the development of the modern United States.

From the founding of Jamestown to the American Civil War, slavery and abolition shaped American national, regional and racial identities. This four-volume reset edition draws together rare sources relating to American slavery systems.

From the founding of Jamestown to the American Civil War, slavery and abolition shaped American national, regional and racial identities. This four-volume reset edition draws together rare sources relating to American slavery systems.

From the founding of Jamestown to the American Civil War, slavery and abolition shaped American national, regional and racial identities. This four-volume reset edition draws together rare sources relating to American slavery systems.

From the founding of Jamestown to the American Civil War, slavery and abolition shaped American national, regional and racial identities. This four-volume reset edition draws together rare sources relating to American slavery systems.

Jonathan Daniel Wells and Jennifer R. Green provide a series of provocative essays reflecting innovative, original research on professional and commercial interests in the nineteenth-century South, a place often seen as being composed of just two classes -- planters and slaves. Rather, an active middle class, made up of men and women devoted to the cultural and economic modernization of Dixie, worked with each other -- and occasionally their northern counterparts -- to bring reforms to the region.

With a balance of established and younger authors, of antebellum and postbellum analyses, and of narrative and quantitative methodologies, these essays offer new ways to think about politics, society, gender, and culture during this exciting era of southern history. The contributors show that many like-minded southerners sought to create a "New South" with a society similar to that of the North. They supported the creation of public schools and an end to dueling, but less progressive reform was also endorsed, such as building factories using slave labor rather than white wage earners. The Southern Middle Class in the Long Nineteenth Century significantly influences thought on the social structure of the South, the centrality of class in history, and the events prior to and after the Civil War.

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With a fresh take on social dynamics in the antebellum South, Jonathan Daniel Wells contests the popular idea that the Old South was a region of essentially two classes (planters and slaves) until after the Civil War. He argues that, in fact, the region had a burgeoning white middle class - including merchants, doctors, and teachers - that had a profound impact on southern culture, the debate over slavery, and the coming of the Civil War. Wells shows that the growth of the periodical press after 1820 helped build a cultural bridge between the North and the South, and the emerging southern middle class seized upon northern middle-class ideas about gender roles and reform, politics, and the virtues of modernization. Even as it sought to emulate northern progress, however, the southern middle class never abandoned its attachment to slavery. By the 1850s, Wells argues, the prospect of industrial slavery in the South threatened northern capital and labor, causing sectional relations to shift from cooperative to competitive. Rather than simply pitting a backward, slave-labor, agrarian South against a progressive, free-labor, industrial North, Wells argues that the Civil War reflected a more complex interplay of economic and cultural values.

With a fresh interpretation of African American resistance to kidnapping and pre-Civil War political culture, Blind No More sheds new light on the coming of the Civil War by focusing on a neglected truism: the antebellum free states experienced a dramatic ideological shift that questioned the value of the Union. Jonathan Daniel Wells explores the cause of disunion as the persistent determination on the part of enslaved people that they would flee bondage no matter the risks. By protesting against kidnappings and fugitive slave renditions, they brought slavery to the doorstep of the free states, forcing those states to recognize the meaning of freedom and the meaning of states' rights in the face of a federal government equally determined to keep standing its divided house. Through these actions, African Americans helped northerners and westerners question whether the constitutional compact was still worth upholding, a reevaluation of the republican experiment that would ultimately lead not just to Civil War but to the Thirteenth Amendment, ending slavery. Wells contends that the real story of American freedom lay not with the Confederate rebels nor even with the Union army but instead rests with the tens of thousands of self-emancipated men and women who demonstrated to the Founders, and to succeeding generations of Americans, the value of liberty.

Using as their starting point a 1976 Newsweek cover story on the emerging politicization of evangelical Christians, contributors to this collection engage the scholarly literature on evangelicalism from a variety of angles to offer new answers to persisting questions about the movement. The standard historical narrative describes the period between the 1925 Scopes Trial and the early 1970s as a silent one for evangelicals, and when they did re-engage in the political arena, it was over abortion. Randall J. Stephens and Randall Balmer challenge that narrative. Stephens moves the starting point earlier in the twentieth century, and Balmer concludes that race, not abortion, initially motivated activists. In his examination of the relationship between African Americans and evangelicalism, Dan Wells uses the Newsweek story's sidebar on black activist and born-again Christian Eldridge Cleaver to illuminate the former Black Panther's uneasy association with white evangelicals. Daniel K. Williams, Allison Vander Broek, and J. Brooks Flippen explore the tie between evangelicals and the anti-abortion movement as well as the political ramifications of their anti-abortion stance. The election of 1976 helped to politicize abortion, which both encouraged a realignment of alliances and altered evangelicals' expectations for candidates, developments that continue into the twenty-first century. Also in 1976, Foy Valentine, leader of the Southern Baptist Christian Life Commission, endeavored to distinguish the South's brand of Protestant Christianity from the evangelicalism described by Newsweek. Nevertheless, Southern Baptists quickly became associated with the evangelicalism of the Religious Right and the South's shift to the Republican Party. Jeff Frederick discusses evangelicals' politicization from the 1970s into the twenty-first century, suggesting that southern religiosity has suffered as southern evangelicals surrendered their authenticity and adopted a moral relativism that they criticized in others. R. Ward Holder and Hannah Dick examine political evangelicalism in the wake of Donald Trump's election. Holder lays bare the compromises that many Southern Baptists had to make to justify their support for Trump, who did not share their religious or moral values. Hannah Dick focuses on media coverage of Trump's 2016 campaign and contends that major news outlets misunderstood the relationship between Trump and evangelicals, and between evangelicals and politics in general. The result, she suggests, was that the media severely miscalculated Trump's chances of winning the election.

The first study to focus on white and black women journalists and writers both before and after the Civil War, this book offers fresh insight into southern intellectual life, the fight for women's rights, and gender ideology. Based on fresh research into southern magazines and newspapers, this book seeks to shift scholarly attention away from novelists and toward the rich and diverse periodical culture of the South between 1820 and 1900. Magazines were of central importance to the literary culture of the South because the region lacked the publishing centers that could produce large numbers of books. Easily portable, newspapers and magazines could be sent through the increasingly sophisticated postal system for relatively low subscription rates. The mix of content, from poetry to short fiction and literary reviews to practical advice and political news, meant that periodicals held broad appeal. As editors, contributors, correspondents, and reporters in the nineteenth century, southern women entered traditionally male bastions when they embarked on careers in journalism. In so doing, they opened the door to calls for greater political and social equality at the turn of the twentieth century.

The first study to focus on white and black women journalists and writers both before and after the Civil War, this book offers fresh insight into southern intellectual life, the fight for women's rights, and gender ideology. Based on fresh research into southern magazines and newspapers, this book seeks to shift scholarly attention away from novelists and toward the rich and diverse periodical culture of the South between 1820 and 1900. Magazines were of central importance to the literary culture of the South because the region lacked the publishing centers that could produce large numbers of books. Easily portable, newspapers and magazines could be sent through the increasingly sophisticated postal system for relatively low subscription rates. The mix of content, from poetry to short fiction and literary reviews to practical advice and political news, meant that periodicals held broad appeal. As editors, contributors, correspondents, and reporters in the nineteenth century, southern women entered traditionally male bastions when they embarked on careers in journalism. In so doing, they opened the door to calls for greater political and social equality at the turn of the twentieth century.

The Southern Literary Messenger enjoyed an impressive thirty-year run (1834-1864) and was in its time the South's most important literary periodical. Published in Richmond, Virginia, the monthly magazine was edited in its early years by Edgar Allan Poe. In addition to serving as a literary proving ground for Poe, it is also remembered for publishing poems, fiction, and essays by the nation's leading authors-both male and female, northern and southern-including William Gilmore Simms, Paul Hamilton Hayne, Joseph G. Baldwin, John Pendleton Kennedy, Mary E. Lee, and Caroline Lee Hentz. In 1905 Benjamin Blake Minor (1818-1905), editor of the Southern Literary Messenger during the 1840s, wrote the only book-length study of the magazine. Minor's authoritative account of the journal's history and influence is augmented in this edition with a new introduction by historian Jonathan Daniel Wells that places the magazine and Minor's account in their historical context. Both Wells and Minor reveal significant information found nowhere else about figures and facets of southern literary culture before and during the Civil War. Minor recounts in detail the relationships he forged with notable authors and includes excerpts from correspondence with Poe and others. Most important, Minor identifies and discusses hundreds of lesser contributors who might otherwise remain anonymous.