A leading figure in contemporary art since the early 1970s, Chuck Close is internationally renowned for his monumentally scaled portrait paintings, based on photographs. Close likes to push the boundaries of different techniques, processes and materials, working with various collaborators to achieve his vision. His first public artwork, Subway Portraits, featured a series of 12 mosaic and tile artworks, was commissioned by the New York Metropolitan Transportation Authority Arts & Design program in 2017. This book presents Chuck Close's new series of mosaic artworks as well as related works, such as prints, tapestries and photographs. It also documents the production process of these works by fabricators Mosaika Art and Design and Magnolia Editions, as well as the 12 works they produced for the 86th St. Subway Station at Second Avenue in New York City. Text in English and Italian.

This book is an unprecedented documentation of the relationship between sculpture and mosaic, its birth and evolution. This book explores the different application of the concept of 'tesserae' by sculptors beginning in the 1930s, when Lucio Fontana and Mirko Basaldella first embarked upon their research on mosaic and the plastic arts. The peculiar creative process behind their creations was inspired by primitive Mesoamerican sculptures decorated with mosaics, viewed by the two artists in different times and places, and also by the growing interest in ancient Latin American art that was felt in Italy from the 1920s onwards. While Fontana and Mirko may be defined as the 'forerunners' of the happy union between sculpture and mosaic in the 1960s and 1970s, in the following decades it is Nane Zavagno and Riccardo Licata who set the main research trends - the former, especially for that which regards the use of 'untraditional' materials, and the latter for the use of mosaic tesserae in contemporary art. Subsequently, the art of mosaic sculpture unfolds following all of the main expressive moods of 20th and 21st century sculpture - iconic or aniconic, poetics or narrative, symbolic or conceptual - intensifying and emerging as a 'specific genre' at the close of the 1970s thanks to works by Antonio Trotta, Athos Ongaro and the Transavantgarde movement of Chia and Paladino. Ultimately, from the second half of the 1980s to the present, research and artistic production multiplies with varying and peculiar results - also thanks to some works of international relevance made in Ravenna, such as the tomb of Rudolf Nureyev in Paris. Hence the 'sculpture and mosaic' phenomenon witnesses a surge forwards with artists from all over the world who employ it in increasingly innovative and unexpected ways, consolidating the perception that mosaic sculpture has by now become an independent art form. Text in English and Italian.