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In the extreme context of the American slavocracy, how do we
account for the robust subjectivity and agency of Frederick
Douglass? In an environment of extremity, where most contemporary
psychological theory suggests the human spirit would be vanquished,
how did Frederick Douglass emerge to become one of the most
prolific thinkers of the 19th century? To address this question,
this book engages in a psychoanalytic examination of all four of
Frederick Douglass' autobiographies. Danjuma Gibson examines when,
how, and why Douglass tells his story in the manner he does, how
his story shifts and takes shape with each successive
autobiography, and the resulting psychodynamic, pastoral, and
practical theological implications.
The nine chapters in this book, along with a critical introduction,
address complex theological issues relating to structural
inequalities of our society, exacerbated by the experience of the
COVID-19 pandemic. Pastoral theology as an academic discipline is
not a value-free enterprise. This book strives to speak against all
forms of injustice and to advocate for those who suffer under
existing structural inequalities because such a liberative and
social transformative task constitutes the fundamental work of
pastoral theology. Each chapter in this book analyses how private
problems of individuals are occurring within the immediate world of
experience with public issues historically, socially, and
politically. As a whole, this book addresses racial injustice,
ableism, foster family care, and issues faced by Christian churches
during the COVID-19 pandemic. The chapters in this book were
originally published as a special issue of the Journal of Pastoral
Theology.
In the extreme context of the American slavocracy, how do we
account for the robust subjectivity and agency of Frederick
Douglass? In an environment of extremity, where most contemporary
psychological theory suggests the human spirit would be vanquished,
how did Frederick Douglass emerge to become one of the most
prolific thinkers of the 19th century? To address this question,
this book engages in a psychoanalytic examination of all four of
Frederick Douglass' autobiographies. Danjuma Gibson examines when,
how, and why Douglass tells his story in the manner he does, how
his story shifts and takes shape with each successive
autobiography, and the resulting psychodynamic, pastoral, and
practical theological implications.
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