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The Existence of the Mixed Race Damnes is an interdisciplinary and
intersectional study of the mixed-race subject in the Americas and
the rise of oppositional consciousness with a consideration of not
only race, but also colonialism. Daphne V. Taylor-Garcia examines
the construction of race, gender, and class in coming to an
oppositional consciousness as a Spanish colonial subject in the
Americas. Spanning the early foundations of knowledge production
about colonial/racial subjects and connecting to contemporary
debates on Latinxs and racialization, the book takes up the terms
through which first-person perceptions of precarity and class,
mixed-race existence, and gendered power relations are constructed.
The Existence of the Mixed Race Damnes ends with a response to the
current scepticism towards organizing as people of color through a
decolonial redefinition of the damnes that centers a critique of
anti-black racism and colonial relations.
The Existence of the Mixed Race Damnes is an interdisciplinary and
intersectional study of the mixed-race subject in the Americas and
the rise of oppositional consciousness with a consideration of not
only race, but also colonialism. Daphne V. Taylor-Garcia examines
the construction of race, gender, and class in coming to an
oppositional consciousness as a Spanish colonial subject in the
Americas. Spanning the early foundations of knowledge production
about colonial/racial subjects and connecting to contemporary
debates on Latinxs and racialization, the book takes up the terms
through which first-person perceptions of precarity and class,
mixed-race existence, and gendered power relations are constructed.
The Existence of the Mixed Race Damnes ends with a response to the
current scepticism towards organizing as people of color through a
decolonial redefinition of the damnes that centers a critique of
anti-black racism and colonial relations.
In this interdisciplinary volume, contributors analyze the
expression of Latina/o cultural identity through performance. With
music, theater, dance, visual arts, body art, spoken word,
performance activism, fashion, and street theater as points of
entry, contributors discuss cultural practices and the fashoning of
identity in Latino/a communities throughout the US. Examining the
areas of crossover between Latin and American cultures gives new
meaning to the notion of "borderlands." This volume features senior
scholars and up-and-coming academics from cultural, visual, and
performance studies, folklore, and ethnomusicology.
In this interdisciplinary volume, contributors analyze the
expression of Latina/o cultural identity through performance. With
music, theater, dance, visual arts, body art, spoken word,
performance activism, fashion, and street theater as points of
entry, contributors discuss cultural practices and the fashoning of
identity in Latino/a communities throughout the US. Examining the
areas of crossover between Latin and American cultures gives new
meaning to the notion of "borderlands." This volume features senior
scholars and up-and-coming academics from cultural, visual, and
performance studies, folklore, and ethnomusicology.
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