Exploring a range of subjects from the human genome project to Kierkegaard's Fear and Trembling, the poetry of Jorie Graham to feminist Christian art, the contributors pose questions around the theme 'Body and Voice'. Questions raised include: 'Who speaks for the foetus and on what basis?'; 'What effect does the near-sacrifice of Isaac have on mother Sarah's body?'; and 'What do embodiment and gender mean for the resurrected body and Jesus's body?'

Exploring a range of subjects from the human genome project to Kierkegaard's aFear and Tremblinga, the poetry of Jorie Graham to feminist Christian art, the contributors pose questions around the theme 'Body and Voice'. Questions raised include: 'Who speaks for the foetus and on what basis?'; 'What effect does the near-sacrifice of Isaac have on mother Sarah's body?'; and 'What do embodiment and gender mean for the resurrected body and Jesus's body?'

The essays in this book represent ten years of the work of the Centre for the Study of Literature, Theology and the Arts in the University of Glasgow. Seemingly diverse, they are bound together by a common belief that theology flourishes in an interdisciplinary and transcultural environment. It cannot be an abstract concern, but is rooted in political circumstances, and responds to developments in society and the arts. That is why there are essays on film and contemporary artists like Mona Hatoum, as well as more traditional studies of theology read through and in literature. The Centre has always been an international meeting place, and contributions range well beyond the Western Christian, seeking new roots for theological thinking in the arts and culture of a postmodern world.