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Beginning in the 1930s and moving into the post millennium, this
book provides a historical analysis of the policies and practices
established by the BBC as it attempted to assist white Britons in
adjusting to the presence of African-Caribbeans. Among the themes
the book explores are current representations of race, the future
of British television and its impact on multi-ethnic audiences. The
chapters include an extensive analysis of television programming,
along with personal interviews that reveal the efforts of black
Britons working for the BBC, whether as writers, producers or
actors. -- .
This volume looks at a range of texts and practices that address
race and its relationship with television. The chapters explore
television policy and the management of race, how transnationalism
can diminish racial diversity, historical questions of
representation, the myth of a multicultural England and more. They
also provide analyses of programmes such as Doctor Who, Shoot the
Messenger, Desi DNA, Survivors and Top Boy, all of which are
considered in the context of the broadcast environments that helped
to create them. While efforts have been made to put diverse
portrayals on screen, there are still significant problems with the
stories being told. -- .
This volume looks at a range of texts and practices that address
race and its relationship with television. The chapters explore
television policy and the management of race, how transnationalism
can diminish racial diversity, historical questions of
representation, the myth of a multicultural England and more. They
also provide analyses of programmes such as Doctor Who, Shoot the
Messenger, Desi DNA, Survivors and Top Boy, all of which are
considered in the context of the broadcast environments that helped
to create them. While efforts have been made to put diverse
portrayals on screen, there are still significant problems with the
stories being told. -- .
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