From the winner of the Pulitzer Prize, an urgent graphic memoir on police brutality and anti-Blackness in twenty-first-century Amerikkka 'The Ta-Nehisi Coates of comics' GARRY TRUDEAU, CREATOR OF DOONESBURY 'You won't be able to put it down' ALISON BECHDEL, AUTHOR OF FUN HOME 'I loved this book. You will too' VICTOR LAVALLE, AUTHOR OF THE CHANGELING Darrin Bell was six years old when he had The Talk: his mother told him he couldn't have a realistic water gun. She said she feared for his safety, that police tend to think of little Black boys as older and less innocent than they really are. Through evocative illustrations and sharp humour, Bell examines how The Talk shaped intimate and public moments from childhood to adulthood. While coming of age in Los Angeles - and finding a voice through cartooning - Bell becomes painfully aware of being regarded as dangerous by white teachers, neighbours and police officers, and thus of his mortality. Drawing attention to the brutal murders of African Americans, and showcasing revealing insights and cartoons along the way, he brings us up to the moment of reckoning when people took to the streets protesting the murders of George Floyd and Breonna Taylor. And now Bell must decide whether he and his own six-year-old son are ready to have The Talk.

An insightful comic strip filled with edgy dialogue and thoroughly modern situations, "Candorville: Thank God for Culture Clash" by Darrin Bell is made for today's world. It fearlessly covers bigotry, poverty, homelessness, biracialism, personal responsibility, and more while never losing sight of the humor behind these weighty issues. The strip targets the socially conscious by tackling tough issues with irony, satire, and humor.

"Candorville: Thank God for Culture Clash" celebrates diversity by poking a little fun at it.

The 6th collection of the syndicated comic strip "Candorville" by Darrin Bell. Can Lemont make time to interview President Obama's evolving position on gay marriage and Syria's vicious dictator, even while he's suing an evil vampire for custody of their son in a court run by the vampire's own mother? Will he be derailed by nepotism, by the incompetence of his six-year-old attorney, or by the testimony of his former roommate from the insane asylum? Back home, Lemont's "One That Got Away" Facebooks him after 14 years, but her mountain of secrets threatens to spoil their second chance at love. Meanwhile, Susan's boss decides to join the War on Women, and Lemont accompanies Osama Bin Laden, Steve Jobs, Whitney Houston, and Trayvon Martin on their Final Journeys to the afterlife. And all along, two homeless street philosophers have a strange conversation while they wait by the side of a city road, for *something.* Candorville delivers biting social & political satire to daily newspapers nationwide.

Darrin Bell's "Candorville" is an insightful comic strip for today's world. Brutally honest but still evenhanded, "Candorville" takes on some of society's toughest issues, giving readers something to think about-as well as smirks, chuckles, and guffaws.

"Another Stereotype Bites the Dust" is a collection of creator Darrin Bell's "Candorville" cartoon strip. In this thought-provoking strip Bell uses a diverse group of friends to paint a real yet humorous portrait of inner-city America. An educated underachiever, Lemont Brown is an aspiring writer. Socially conscious, he wants to work at changing the world and infusing it with wisdom and justice--if only he could pay his rent. Lemont's childhood friend Susan Garcia is a book-smart and street savvy Mexican-American woman who won't let bigotry or any glass ceiling keep her down. And Lemont's friend Clyde (aka "C-Dog") is a streetwise thug and undiscovered rapper who'd rather mooch off his mother than get a job.

"Another Stereotype Bites the Dust" deals with some tough issues--poverty, homelessness, racism, and personal responsibility--with knowing irony and incisive satire. Bell uses edgy dialogue and modern situations to jab everything from political correctness to political spinning, from political hindsight to office politics, making it a hit with the socially aware.

Rudy Park is the hilarious first collection of the techno comic strip of the same name. Rudy is the new manager of the House of Java Cybercafe and believes in all things Internet, the healing powers of consumption, and the conviction that inner peace lies in having the latest technological gadget. At the cybercafe, Rudy must deal with his new station in life, his entrepreneurial boss, and his irregular regulars, like Mrs. Cohen, the neo-Luddite octogenarian who challenges the technology Rudy cherishes. The cafi is a crossroads, too, for contemporary issues and celebrity and political visitors, such as John Ashcroft (who monitors people from his home inside a pastry container at the cafi), and Senator Tom Daschle (who, afraid to draw too much attention to himself, makes his home under a table). Like the rest of us, the denizens of the House of Java are often flummoxed by the pace of life today and the way the onslaught of technology can take us one step forward and two steps back. When you feel compelled to buy a new DVD player though you never figured out how to program the VCR, you know you will fit right in with Rudy Park and the gang.