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"Public Produce" makes a uniquely contemporary case not for central government intervention, but for local government involvement in shaping food policy. In what Darrin Nordahl calls "municipal agriculture," elected officials, municipal planners, local policymakers, and public space designers are turning to the abundance of land under public control (parks, plazas, streets, city squares, parking lots, as well as the grounds around libraries, schools, government offices, and even jails) to grow food. Public agencies at one time were at best indifferent about, or at worst dismissive of, food production in the city. Today, public officials recognize that food insecurity is affecting everyone, not just the inner-city poor, and that policies seeking to restructure the production and distribution of food to the tens of millions of people living in cities have immediate benefits to community-wide health and prosperity. This book profiles urban food growing efforts, illustrating that there is both a need and a desire to supplement our existing food production methods outside the city with opportunities inside the city. Each of these efforts works in concert to make fresh produce more available to the public. But each does more too: reinforcing a sense of place and building community; nourishing the needy and providing economic assistance to entrepreneurs; promoting food literacy and good health; and allowing for "serendipitous sustenance." There is much to be gained, Nordahl writes, in adding a bit of agrarianism into our urbanism.
"Plum and pear trees shade park benches in Kamloops, British
Columbia. Tomatoes and cucumbers burst forth from planters at City
Hall in Provo, Utah. Strawberries and carrots flourish along the
sunny sidewalks of a Los Angeles neighborhood. "
In "My Kind of Transit," Darrin Nordahl argues that like life itself, transportation isn't only about the destination, but the journey. Public transit reduces traffic and pollution, yet few of us are willing to get out of our cars and onto subways and buses. But Nordahl demonstrates that when using public transit is an enjoyable experience, tourists and commuters alike willingly hand in their keys. The trick is creating a system that isn't simply a poor imitation of the automobile, but offers its own pleasures and comforts. While a railway or bus will never achieve the quiet solitude of a personal car, it can provide, much like a well-designed public park, an inviting, communal space. "My Kind of Transit" is an animated tour of successful
transportation systems, offering smart, commonsense analysis of
what makes transit fun. Nordahl draws on examples like the iconic
street cars of New Orleans and the picturesque cable cars in San
Francisco, illustrating that the best transit systems are uniquely
tailored to their individual cities. He also describes universal
principles of good transit design.
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