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This two-part, eight-volume, reset edition draws together a range
of sources from the early modern era through to the industrial age,
to show the changes and continuities in responses to the social,
political, legal and spiritual problems that self-murder posed.
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The History of Suicide in England, 1650-1850, Part II vol 6 - Volume 6 1750-1799: Legal, Medical, Literary and Miscellaneous Texts, and Newspapers and Magazines (Hardcover)
Paul S. Seaver, Kelly McGuire, Jeffrey Merrick, Daryl Lee, Mark Robson
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R4,582
Discovery Miles 45 820
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Ships in 12 - 17 working days
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This two-part, eight-volume, reset edition draws together a range
of sources from the early modern era through to the industrial age,
to show the changes and continuities in responses to the social,
political, legal and spiritual problems that self-murder posed.
This two-part, eight-volume, reset edition draws together a range
of sources from the early modern era through to the industrial age,
to show the changes and continuities in responses to the social,
political, legal and spiritual problems that self-murder posed.
|
The History of Suicide in England, 1650-1850, Part II vol 8 - Volume 8 1800-1850: Medical Writers (continued), Statistical Inquiries, Social Criticism, Poetic and Popular Representations and Cases (Hardcover)
Paul S. Seaver, Kelly McGuire, Jeffrey Merrick, Daryl Lee, Mark Robson
|
R4,582
Discovery Miles 45 820
|
Ships in 12 - 17 working days
|
This two-part, eight-volume, reset edition draws together a range
of sources from the early modern era through to the industrial age,
to show the changes and continuities in responses to the social,
political, legal and spiritual problems that self-murder posed.
This two-part, eight-volume, reset edition draws together a range
of sources from the early modern era through to the industrial age,
to show the changes and continuities in responses to the social,
political, legal and spiritual problems that self-murder posed.
This two-part, eight-volume, reset edition draws together a range
of sources from the early modern era through to the industrial age,
to show the changes and continuities in responses to the social,
political, legal and spiritual problems that self-murder posed.
This two-part, eight-volume, reset edition draws together a range
of sources from the early modern era through to the industrial age,
to show the changes and continuities in responses to the social,
political, legal and spiritual problems that self-murder posed.
This two-part, eight-volume, reset edition draws together a range
of sources from the early modern era through to the industrial age,
to show the changes and continuities in responses to the social,
political, legal and spiritual problems that self-murder posed.
In the nineteenth century, a fascination with the Church of Jesus
Christ of Latter-day Saints made Mormons and Mormonism a common
trope in French journalism, art, literature, politics, and popular
culture. Heather Belnap, Corry Cropper, and Daryl Lee bring to
light French representations of Mormonism from the 1830s to 1914,
arguing that these portrayals often critiqued and parodied French
society. Mormonism became a pretext for reconsidering issues such
as gender, colonialism, the family, and church-state relations
while providing artists and authors with a means for working
through the possibilities of their own evolving national identity.
Surprising and innovative, Marianne Meets the Mormons looks at how
nineteenth-century French observers engaged with the idea of
Mormonism in order to reframe their own cultural preoccupations.
In the nineteenth century, a fascination with the Church of Jesus
Christ of Latter-day Saints made Mormons and Mormonism a common
trope in French journalism, art, literature, politics, and popular
culture. Heather Belnap, Corry Cropper, and Daryl Lee bring to
light French representations of Mormonism from the 1830s to 1914,
arguing that these portrayals often critiqued and parodied French
society. Mormonism became a pretext for reconsidering issues such
as gender, colonialism, the family, and church-state relations
while providing artists and authors with a means for working
through the possibilities of their own evolving national identity.
Surprising and innovative, Marianne Meets the Mormons looks at how
nineteenth-century French observers engaged with the idea of
Mormonism in order to reframe their own cultural preoccupations.
A concise introduction to the genre about that one last big score,
The Heist Film: Stealing With Style traces this crime thriller's
development as both a dramatic and comic vehicle growing out of
film noir (Criss Cross, The Killers, The Asphalt Jungle), mutating
into sleek capers in the 1960s (Ocean's Eleven, Gambit, How to
Steal a Million) and splashing across screens in the 2000s in
remake after remake (The Thomas Crown Affair, The Italian Job, The
Good Thief). Built around a series of case studies (Rififi, Bob le
Flambeur, The Killing, The Lavender Hill Mob, The Getaway, the
Ocean's trilogy), this volume explores why directors of such varied
backgrounds, from studio regulars (Siodmak, Crichton, Siegel, Walsh
and Wise) to independents (Anderson, Fuller, Kubrick, Ritchie and
Soderbergh), are so drawn to this popular genre.
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