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Hit and Run (DVD)
Dax Shepard, Kristen Bell, Bradley Cooper, Tom Arnold, Kristin Chenoweth, …
2
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R23
Discovery Miles 230
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Ships in 10 - 20 working days
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Dax Shepard writes, directs and stars in this fast-paced,
low-budget car chase action comedy. After testifying against some
bad people he was associated with in Los Angeles, former getaway
driver Charlie Bronson (Shepard) is placed under the Witness
Protection Plan to keep him safe. However, when his girlfriend,
Annie (Kristen Bell) - who is unaware of his troubled past - is
offered an interview for her dream job in LA, Charlie manfully puts
his safety to one side and agrees to drive her there.
Unfortunately, he hasn't allowed for the jealously of Annie's ex,
Gil (Michael Rosenbaum), who discovers Charlie's former identity
and passes the details to the relevant people. Soon Charlie and
Annie find themselves involved in a high speed pursuit, with
vengeful gangsters, federal agents and their loyal Witness
Protection Agent, Randy (Tom Arnold), on their tail...
This volume responds to a renewed focus on tragedy in theatre and
literary studies to explore conceptions of tragedy in the dramatic
work of seventeen canonical American playwrights. For students of
American literature and theatre studies, the assembled essays offer
a clear framework for exploring the work of many of the most
studied and performed playwrights of the modern era. Following a
contextual introduction that offers a survey of conceptions of
tragedy, scholars examine the dramatic work of major playwrights in
chronological succession, beginning with Eugene O'Neill and ending
with Suzan-Lori Parks. A final chapter provides a study of American
drama since 1990 and its ongoing engagement with concepts of
tragedy. The chapters explore whether there is a distinctively
American vision of tragedy developed in the major works of
canonical American dramatists and how this may be seen to evolve
over the course of the twentieth century through to the present
day. Among the playwrights whose work is examined are: Susan
Glaspell, Langston Hughes, Tennessee Williams, Arthur Miller,
Edward Albee, Lorraine Hansberry, Amiri Baraka, August Wilson,
Marsha Norman and Tony Kushner. With each chapter being short
enough to be assigned for weekly classes in survey courses, the
volume will help to facilitate critical engagement with the
dramatic work and offer readers the tools to further their
independent study of this enduring theme of dramatic literature.
The metaverse is so much more than just a technology and immersive
experience. Join digital visionary and global platform innovation
expert David Palmer on this exciting journey exploring the
metaverse and its myriad commercial, impact and career
opportunities for business. The Business of Metaverse outlines the
building blocks for success in the metaverse and how organizations
can effectively position themselves to transition and benefit from
it. It presents a unique framework showing how different components
of the metaverse and the physical worlds can come together,
providing a basis for strategic positioning for different sectors
and industries and equipping readers with valuable insights into
how they can anticipate and navigate key opportunities and
challenges. Delving into this new world with embedded immersive
capabilities, it explores what metaverse business entities could
look like, the new business models in waiting and how businesses
can gain competitive advantage through the power of
interoperability. Taking a panoramic approach to opportunity, it
examines the wide-ranging transformative impacts that the metaverse
can bring to the business landscape, from equality and inclusive
impact, new work and career paths and digital identities to new
digital and data currencies in the metaverse economy.
Arthur Miller for the Twenty-First Century: Contemporary Views of
His Writings and Ideas brings together both established Miller
experts and emerging commentators to investigate the sources of his
ongoing resonance with audiences and his place in world theatre.
The collection begins by exploring Miller in the context of
20th-century American drama. Chapters discuss Miller and Eugene
O'Neill, Tennessee Williams, Edward Albee, David Mamet, and Sam
Shepard, as well as thematic relationships between Miller's ideas
and the explosion of significant women and African American
dramatists since the 1970s. Other essays focus more directly on
interpretations of Miller's individual works, not only plays but
also essays and fiction, including a discussion of Death of a
Salesman in China. The volume concludes by considering Miller and
current cultural issues: his work for human rights, his depiction
of American ideals of masculinity, and his anticipation of
contemporary posthumanism.
Arthur Miller for the Twenty-First Century: Contemporary Views of
His Writings and Ideas brings together both established Miller
experts and emerging commentators to investigate the sources of his
ongoing resonance with audiences and his place in world theatre.
The collection begins by exploring Miller in the context of
20th-century American drama. Chapters discuss Miller and Eugene
O'Neill, Tennessee Williams, Edward Albee, David Mamet, and Sam
Shepard, as well as thematic relationships between Miller's ideas
and the explosion of significant women and African American
dramatists since the 1970s. Other essays focus more directly on
interpretations of Miller's individual works, not only plays but
also essays and fiction, including a discussion of Death of a
Salesman in China. The volume concludes by considering Miller and
current cultural issues: his work for human rights, his depiction
of American ideals of masculinity, and his anticipation of
contemporary posthumanism.
According to the libertarian position on free will, people
sometimes exercise free will, but this freedom is incompatible with
the truth of causal determinism. Frequently maligned within the
history of philosophy, this view has recently gained increasingly
sympathetic attention among philosophers. But stark questions
remain: How plausible is this view? If our actions are not causally
determined, how can we have control over them? Why should we want
our actions to be breaks in the deterministic causal chain?
The recent resurgence of interest in libertarianism is due, most
significantly, to Robert Kane, who is the leading contemporary
defender of this view of free will. This book is a collection of
new essays on the libertarian position on free will and related
issues that focuses specifically on the views of Kane. Written by a
distinguished group of philosophers, the essays cover various areas
of philosophy including metaphysics, ethics, and philosophy of
mind. Kane contributes a final essay, replying to the criticisms
offered in the previous chapters and developing his view in new
directions.
The metaverse is so much more than just a technology and immersive
experience. Join digital visionary and global platform innovation
expert David Palmer on this exciting journey exploring the
metaverse and its myriad commercial, impact and career
opportunities for business. The Business of Metaverse outlines the
building blocks for success in the metaverse and how organizations
can effectively position themselves to transition and benefit from
it. It presents a unique framework showing how different components
of the metaverse and the physical worlds can come together,
providing a basis for strategic positioning for different sectors
and industries and equipping readers with valuable insights into
how they can anticipate and navigate key opportunities and
challenges. Delving into this new world with embedded immersive
capabilities, it explores what metaverse business entities could
look like, the new business models in waiting and how businesses
can gain competitive advantage through the power of
interoperability. Taking a panoramic approach to opportunity, it
examines the wide-ranging transformative impacts that the metaverse
can bring to the business landscape, from equality and inclusive
impact, new work and career paths and digital identities to new
digital and data currencies in the metaverse economy.
Recent events - from strife in Tibet and the rapid growth of
Christianity in China to the spectacular expansion of Chinese
Buddhist organizations around the globe - demonstrate that one
cannot understand the modern Chinese world without attending
closely to the question of religion. The "Religious Question in
Modern China" highlights parallels and contrasts between historical
events, political regimes, and cultural movements to explore how
religion has challenged and responded to secular Chinese modernity
from 1898 to the present. Vincent Goossaert and David A. Palmer
piece together the puzzle of religion in China not by looking
separately at different religions in different contexts, but by
writing a unified story of how religion has shaped, and in turn
been shaped by, modern Chinese society. From Chinese medicine and
the martial arts to communal temple cults and revivalist redemptive
societies, the authors demonstrate that from the nineteenth century
onward, as the Chinese state shifted, the religious landscape
consistently resurfaced in a bewildering variety of old and new
forms. The "Religious Question in Modern China" integrates
historical, anthropological, and sociological perspectives in a
comprehensive overview of China's religious history that is certain
to become an indispensable reference for specialists and students
alike.
Intrinsic investing is based on the concept that an asset is worth
what it pays or saves the owner, and not its market price. This
style of investing allows you to estimate the value of almost any
asset. The investor therefore has some idea when the market price
is high and purchase should be avoided, and when the price is low
and investment is advantageous. It is an alternative approach to
simply placing your money in a mutual fund, or any other
investment, and hoping that the market price increases.
Concerned that many Christians and churches live below their
potential, David Palmer wrote this book to show how to be empowered
under God's covering successfully. He provides an illustrated
explanation of righteousness - one that takes right-standing out of
the realm of 'theological' concept into a practical applicable
hands-on understanding of our position in Christ and everyday
living. He also gives a profound understanding of how Jesus-type
leadership, faith, prophecy, intercession and gracious words
provide a supernatural covering under which believers an grow in
grace to their maximum potential without unnecessary hinderances.
This book contains revelation vital to anyone wanting to live an
empowered Christian life or desiring to provide leadership that
facilitates the empowering of others.
This book is mainly about people who have experienced the blessings
and joy of recovery from their addictions, how they did it, and how
you can do it. My purpose in writing it is to give you, the reader,
hope and encouragement. The rest is up to you. You will find my
story, the one I tell at 12-Step meetings, in appendix 1 of the
book. I hope you will conclude when you read it that, "If this guy
can do it, I can, too." There are also nineteen chapters in the
book that will help you better understand the resources available
to you. There are chapters, for example, on people we are
especially interested in-adolescents, veterans, and prison
inmates-and about programs like Alcoholics Anonymous, Al-Anon, and
Celebrate Recovery. I call these chapters "pathways to serenity" in
the title of the book and emphasize taking it no more than "one day
at a time," a vital key to recovery. The photo of my wife and me on
the cover is meant to reassure those who seek recovery that there
can be happiness after you drop the alcohol, drugs, or other
addictions. And there will be moments of serenity, but not every
moment. That's where the "one day at a time" comes in. The stories
about people and programs are snapshots. People and programs
change; some in recovery have slips and may never come back, while
others succeed. It is also true that some programs succeed while
others fade away. That's life, and readers must take this into
account in charting their own recovery. This, then, is a freeze
frame of people dealing effectively with their addictions through
programs that work. We must remember that they are contending with
an adversary-addiction-which chapter 5 of the Big Book of
Alcoholics Anonymous describes as "cunning, baffling and powerful."
Maybe so, but we have access to the God of the universe. The late
Joe McQuany, who wrote a text book on recovery used by treatment
centers, travelled the world over carrying the message, helped
integrate AA meetings in the deep south and taught what the 12
Steps of AA, had this to say about God and man. "I look at the
battles that go on in life, and I look at the resentments and
fears, guilt, and remorse, and how these things block us from God
and shackle us to the self. Then I look at love, tolerance,
patience, courage, and wisdom. These qualities have come from God
and they are always within us. In our outer and inner conflicts, we
can see the powers of self-contending with the powers of God." Amen
"Qigong"& mdash;a regimen of body, breath, and mental training
exercises& mdash;was one of the most widespread cultural and
religious movements of late-twentieth-century urban China. The
practice was promoted by senior Communist Party leaders as a
uniquely Chinese healing tradition and as a harbinger of a new
scientific revolution, yet the movement's mass popularity and the
almost religious devotion of its followers led to its ruthless
suppression.
In this absorbing and revealing book, David A. Palmer relies on
a combination of historical, anthropological, and sociological
perspectives to describe the spread of the "qigong" craze and its
reflection of key trends that have shaped China since 1949,
including the search for a national identity and an emphasis on the
absolute authority of science. "Qigong" offered the promise of an
all-powerful technology of the body rooted in the mysteries of
Chinese culture. However, after 1995 the scientific underpinnings
of "qigong" came under attack, its leaders were denounced as
charlatans, and its networks of followers, notably Falungong, were
suppressed as "evil cults."
According to Palmer, the success of the movement proves that a
hugely important religious dimension not only survived under the
CCP but was actively fostered, if not created, by high-ranking
party members. Tracing the complex relationships among the masters,
officials, scientists, practitioners, and ideologues involved in
"qigong," Palmer opens a fascinating window on the transformation
of Chinese tradition as it evolved along with the Chinese state. As
he brilliantly demonstrates, the rise and collapse of the "qigong"
movement is key to understanding the politics andculture of
post-Mao society.
An Atlantic BestsellerNew Brunswick is home to more than five
billion trees, many native to the Acadian forest and some exotics
introduced by settlers. For this new edition of The Great Trees of
New Brunswick (the first edition was published in 1987), forester
David Palmer and conservationist Tracy Glynn have prepared a book
that doubles as an informative guide to the province's native and
introduced species and a compendium of "champion" trees, drawn from
nominations from all corners of the province.Divided into sections
on hardwoods, softwoods, and exotics and lavishly illustrated with
full-colour photographs, The Great Trees of New Brunswick features
chapters on all thirty-two native species and nine introduced
species. Each chapter includes information on the tree's defining
features, habitat and uses, as well as photographs and a detailed
description of champion trees. Rounding out the book is an
introductory essay on the Acadian forest -- its history, survival,
and future.Whether you're an avid hiker, outdoors person, or simply
someone who wants to know more about the trees of the Acadian
forest, you'll find The Great Trees of New Brunswick to be an
essential reference to New Brunswick's forests and its panoply of
trees.Co-published with the Conservation Council of New Brunswick
Recent events--from strife in Tibet and the rapid growth of
Christianity in China to the spectacular expansion of Chinese
Buddhist organizations around the globe--vividly demonstrate that
one cannot understand the modern Chinese world without attending
closely to the question of religion. "The Religious Question in
Modern China" highlights parallels and contrasts between historical
events, political regimes, and cultural movements to explore how
religion has challenged and responded to secular Chinese modernity,
from 1898 to the present.
Vincent Goossaert and David A. Palmer piece together the puzzle
of religion in China not by looking separately at different
religions in different contexts, but by writing a unified story of
how religion has shaped, and in turn been shaped by, modern Chinese
society. From Chinese medicine and the martial arts to communal
temple cults and revivalist redemptive societies, the authors
demonstrate that from the nineteenth century onward, as the Chinese
state shifted, the religious landscape consistently resurfaced in a
bewildering variety of old and new forms. "The Religious Question
in Modern China "integrates historical, anthropological, and
sociological perspectives in a comprehensive overview of China's
religious history that is certain to become an indispensible
reference for specialists and students alike.
This volume responds to a renewed focus on tragedy in theatre and
literary studies to explore conceptions of tragedy in the dramatic
work of seventeen canonical American playwrights. For students of
American literature and theatre studies, the assembled essays offer
a clear framework for exploring the work of many of the most
studied and performed playwrights of the modern era. Following a
contextual introduction that offers a survey of conceptions of
tragedy, scholars examine the dramatic work of major playwrights in
chronological succession, beginning with Eugene O'Neill and ending
with Suzan-Lori Parks. A final chapter provides a study of American
drama since 1990 and its ongoing engagement with concepts of
tragedy. The chapters explore whether there is a distinctively
American vision of tragedy developed in the major works of
canonical American dramatists and how this may be seen to evolve
over the course of the twentieth century through to the present
day. Among the playwrights whose work is examined are: Susan
Glaspell, Langston Hughes, Tennessee Williams, Arthur Miller,
Edward Albee, Lorraine Hansberry, Amiri Baraka, August Wilson,
Marsha Norman and Tony Kushner. With each chapter being short
enough to be assigned for weekly classes in survey courses, the
volume will help to facilitate critical engagement with the
dramatic work and offer readers the tools to further their
independent study of this enduring theme of dramatic literature.
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