David Trotter received his MA: English: Composition and Rhetoric from Eastern Washington University (EWU) in Cheney, Washington, USA in May 1995. This is his professional paper (thesis equivalent) from that program, in which he explores the history of multilingual education in the US and the need for Comparative Rhetoric in that education.

Written especially for students and assuming no prior knowledge of the subject, David Trotter's "The English Novel in History 1895-1920" provides a comprehensive introduction to early 20th-century fiction This study embraces the whole range of early 20th-century fiction, from avant-garde innovations to popular mass-market genres. Separate sections are devoted to James, Conrad, Kipling, Bennett, Lawrence, Lewis, and Joyce. It establishes a classification of literary styles in the period. Based on this classification, it offers an account of the subject-matters which preoccupied writers of all kinds: gender, race, nationality, sexual psychology, production and consumption. "The English Novel in History" aims to redefine our understanding of literary Modernism, and should be useful reading for all students of modern English literature.

What provoked the fierce and systematic 'will to experiment' that was Modernism? Paranoia--thought especially to afflict those whose identities were founded on professional expertise--was described in the contemporary psychiatric literature as the violent imposition of system onto life's randomness. Modernism's great writers--Conrad, Ford, Lewis, Lawrence--both lived and wrote about these psychopathies of expertise.

Whereas all previous studies have been rigorously selective, David Trotter's The English Novel 1895 - 1920 offers the first detailed analyses of the whole range of early twentieth-century fiction: from the innovations of Ulysses to popular mass-market detective stories. He devotes separate sections to James, Conrad, Kipling, Bennet, Lawrence, Lewis, and Joyce and discusses in detail important genres like New Woman novel and less well-known writers such as Violet Hunt and Patrick MacGill. He provides the first comprehensive account of the issues which preoccupied writers of all kinds: the spectacle of consumption, the emergence of suburbia, the emphasis on race and the repoloarisation of gender and argues that the fiction of the period has been seriously misrepresented by the critical and theoretical orthodoxies of the last fifty years. This is a challenging introduction to fiction of the period and one that will establish a new and more accurate method of classifying literary styles.

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Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. Pip doesn't expect much from life...His sister makes it clear that her orphaned little brother is nothing but a burden on her. But suddenly things begin to change. Pip's narrow existence is blown apart when he finds an escaped criminal, is summoned to visit a mysterious old woman and meets the icy beauty Estella. Most astoundingly of all, an anonymous person gives him money to begin a new life in London. Are these events as random as they seem? Or does Pip's fate hang on a series of coincidences he could never have expected?

With the excitement at the beginning of the 20th century came a whole new genre of writing. The dawn of the Edwardian era produced a host of new themes and subjects for a new generation of writers to be inspired by. With over 800 A-Z entries covering writers (nearly half of whom are women), individual works, literary periodicals, and general themes, this Companion, now available in paperback, offers access to the writings, the authors, and the preoccupations of the Edwardian era.

Textual editing, particularly thatof medieval texts, is the starting point for a good deal of the research carried out in historical linguistics. Editorial methods (and the precision which they claim to offer) have an importance going far beyond theoretical considerations, and are of interest to scholars over and above those who edit texts. The volume presents the range of methods used (while also taking into account the history of the discipline)as well asa number of case studies

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‘It was now too late and too far to go back, and I went on. And the mists had all solemnly risen now, and the world lay spread before me’

A terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor – these form a series of events that change the orphaned Pip’s life forever, and he eagerly abandons his humble origins to begin a new life as a gentleman. Dickens’s haunting late novel depicts Pip’s education and development through adversity as he discovers the true nature of his ‘great expectations’.

This definitive edition uses the text from the first published edition of 1861. It includes a map of Kent in the early nineteenth century, and appendices on Dickens’s original ending and his working notes, giving readers an illuminating glimpse into the mind of a great novelist at work.

Mess is age-old and universal, as phenomenon and as topic. The evidence collected in this book suggests, however, that the second half of the nineteenth century saw the first stirrings in Western culture of a primary interest in mess for its own sake. Messes, like modern identities, happen by accident; their representation in painting and fictionDSfrom Turner to Degas, and from Melville to Maupassant and the New Woman writersDS made it possible to think boldly and inventively about chance.

Lawrence's first major novel was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly-knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives. Their second son, Paul, craves the warmth of family and community, but knows that he must sacrifice everything in the struggle for independence if he is not to repeat his parents' failure. Lawrence's powerful description of Paul's single-minded efforts to define himself sexually and emotionally through relationships with two women - the innocent, old-fashioned Miriam Leivers and the experienced, provocatively modern Clara Dawes - makes this a novel as much for the beginning of the twenty-first century as it was for the beginning of the twentieth. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

`About this coast... In the event of war it seems to me that every inch of it would be important, sand and all.' Executed in 1922 for his involvement in Irish republicanism, Childers in remembered most vividly for his ground-breaking spy novel, The Riddle of the Sands (1903). In spite of good prospects in the Foreign Office, the sardonic civil servant Carruthers is finding it hard to endure the emptiness and boredom of his life in London. He reluctantly accepts an invitation from a college friend, Davies, the shyly intrepid yachtsman, and joins him on a sailing holiday in the Baltic. The regeneration of Carruthers begins as he is initiated into the mysteries of seamanship, but the story builds in excitement as Carruthers and Davies discover a German plot to invade England. Like much contemporary British spy fiction, The Riddle of the Sands reflects the long suspicious years leading up to the First World War and the intricacy of its conception and its lucid detail make it a classic of its genre. This edition is complemented by a fine introduction which examines the novel in its political and historical context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This book is about some of the ways in which the world got ready to be connected, long before the advent of the technologies and the concentrations of capital necessary to implement a global 'network society'. It investigates the prehistory not of the communications 'revolution' brought about by advances in electronic digital computing from 1950 onwards, but of the principle of connectivity which was to provide that revolution with its justification and rallying-cry. Connectivity's core principle is that what matters most in any act of telecommunication, and sometimes all that matters, is the fact of its having happened. During the nineteenth century, the principle gained steadily increasing traction by means not only of formal systems such as the telegraph, but of an array of improvised methods and signalling devices. These methods and devices fulfilled not just an ever more urgent need, but a fundamental recurring desire, for near-instantaneous real-time communication at a distance. Connectivity became an end in itself: a complex, vivid, unpredictable romance woven through the enduring human desire and need for remote intimacy. Its magical enhancements are the stuff of tragedy, comedy, satire, elegy, lyric, melodrama, and plain description; of literature, in short. The book develops the concepts of signal, medium, and interface to offer, in its first part, an alternative view of writing in Britain from George Eliot and Thomas Hardy to D.H. Lawrence, Hope Mirrlees, and Katherine Mansfield; and, in its second, case-studies of European and African-American fiction, and of interwar British cinema, designed to open the topic up for further enquiry.

The birth of cinema coincided with the heyday of the short story. This book studies the relationship between popular magazine short stories and the very early British films. It pairs eight intriguing short stories on cinema with eight new essays unveiling the rich documentary value of the original fiction and using the stories as touchstones for a discussion of the popular culture of the period during which cinema first developed. The short stories are by authors ranging from the notable (Rudyard Kipling and Sax Rohmer) to the unknown (Raymond Rayne and Mrs. H.J. Bickle); their endearing tributes to the new cinematograph chart its development from unintentional witness to entertainment institution.

The period between the World Wars was one of the richest and most inventive in the long history of British literature. Interwar literature, David Trotter argues, stood apart by virtue of the sheer intelligence of the enquiries it undertook into the technological mediation of experience. After around 1925, literary works began to portray communication by telephone, television, radio, and sound cinema--and to examine the sorts of behavior made possible for the first time by virtual interaction. And they filled up, too, with the look, sound, smell, taste, and feel of the new synthetic and semi-synthetic materials that were reshaping everyday modern life. New media and new materials gave writers a fresh opportunity to reimagine both how lives might be lived and how literature might be written. Today, Trotter observes, such material and immaterial mediations have become even more decisive. Communications technology is an attitude before it is a machine or a set of codes. It is an idea about the prosthetic enhancement of our capacity to communicate. The writers who first woke up to this fact were not postwar, postmodern, or post-anything else: some of the best of them lived and wrote in the British Isles in the period between the World Wars. In defining what they achieved, this book creates a new literary canon of works distinguished formally and thematically by their alertness to the implications of new media and new materials.

Do you have the life you have always wanted? Are you living with meaning and purpose Are your relationships rich and connecting? Do you even know who you are and what you bring to this world? What if you relaunched your life? For most of us, life dissatisfaction is the result of living an unintentional life. Rather than remaining stuck in an existence you never wanted, Launch Yourself will provide you with the tools to relaunch your life with a trajectory toward true success. If you're ready for a change in your life, you're ready to Launch Yourself. By peering into the implosion and re-launch of the author's own life, you'll learn the five most important questions to ask yourself via The Process of Intention - allowing you to find a "new normal" in The Seven Spheres of Transformation - life passions, romance, community, money and possessions, creativity and play, physical well-being, and spirituality. Listen in as the author shares his own journey and inspires you to relaunch your own life.