David Young argues that the reception of the Epistle to the Hebrews in early Christianity was influenced by a number of factors which had little to do with debates about an authoritative canon of Christian writings, and which were primarily the concern of a relatively small group of highly educated scholars. Through careful study of the quotations and reproductions of Hebrews in their own rhetorical and material context, Young stresses that the concept of canon had little bearing on its early reception. By exploring the transformation of authorship into authority, the patristic citations of Hebrews, the Epistle's position in edited collections of the Pauline corpus and the consequences of translation, this complex reception history illustrates the myriad ways in which early Christians thought of and interacted with their scriptures.

In the not so distant (and nowhere near as bright) future, young Chantal Kiffer grew up, a 'latch key kid, ' in a 'Cold Zone;' something that could best be described as a lawless modern day slum district. Orphaned before her teens, Chantal was adopted by her only aunt, who threw her out when she was sixteen. At eighteen Chantal was abandoned by her cowardly boyfriend when she told him she was carrying his child. Faced with the virtual death sentence of homelessness in the Cold Zone, Chantal is forced to turn to prostitution. Rescued from a considerable beating from a marauding rape gang by an escaped 'lab experiment', Chantal settles down to share her home with her mysterious rescuer for the winter. Erika is a highly illegal 'project, ' a cloned human, modified with cybernetic implants and technology to be an assassin, with a dark secret in her past. Erika looks after, and nurses, a badly beaten and helpless Chantal, in exchange for nothing more than an uncomfortable couch to sleep on and some cast-off clothes to wear; the best deal that anyone had offered to the jaded street prostitute in a long time. Chantal becomes Erika's first friend, and then later, her first lover. Becoming a highly successful upper-class call girl, Erika takes her one true love away from the life she knew in the lawless Cold Zone, and shows her what life could be like in a more civilised area, where the police still dare to go. David Young lives in northeast England and enjoys playing war games. He is devising the rest of the trilogy. Publisher's website: http: //sbpra.com/DavidYoung

How to Direct a Musical is a step-by-step guide for anyone interested in creating a musical play. Writing in a style that is informal and accessible, David Young covers all aspects of directing, from initial casting through to dress rehearsals and the first performances. The range is comprehensive, covering choreography and musical direction as well as strictly dramatic theatrical presentation.
A uniquely useful feature of the book is a diary that chronicles the decisions and reasoning of the director of a professional production, allowing the reader to examine the creative thought processes involved in bringing a musical to the stage.

Beethoven Symphonies Revisited guides the reader -- music student, concert goer, or general music lover -- through the movements in a way that renews the novelty and excitement that listeners must have felt at the first performances. Stylistic discussion concentrates on the unusual features of each symphony, placing each individual work in the context of Beethovens musical advancement and circumstances. His musical innovations are explored, and his contribution to the genre assessed. Thirty author-annotated musical pages elaborate and exemplify. The essential building blocks of key, tonality, metre, rhythm and instrumentation are discussed in detail. The authors purpose is twofold: to bring together major research findings and at the same time offer detailed descriptive analyses of all nine symphonies. The approach is singular in its emphasis on the symphonies in the context of performance practice of the time, especially musical direction; the importance of the wind instruments (especially horns) and kettle drums; how counterpoint features in various passages in all the symphonies except the Sixth and Eighth, and how this was influenced by Beethovens strict training in species counterpoint. New evaluations are offered, especially for the Second, Eighth and Ninth symphonies. The books multi-faceted approach will be invaluable not only for conductors and music students at all levels, but for all concert goers and music lovers who wish to gain insight into the musical intricacies developed and enhanced by Beethovens symphonic journey. Illustrations: 30 annotated musical score pages comprising 99 examples linked to text explanations; autographed manuscripts; performance venues; and instruments of the period.

During the last two decades, the pharmaceutical industry has been under pressure to reduce development costs and the time needed to bring drugs to market in order to maximize return on investment and bring treatments to patients sooner. To meet these ends, pharmaceutical scientists working in the differing areas of pharmacy, pharmaceutics, and pharmacokinetics are collaborating to address physicochemical and biological issues in the early stages of development to avoid problems in later stages. In Vitro-In Vivo Correlation (IVIVC) is a multidisciplinary tool that has been successfully applied in testing the effectiveness of a drug substance. The only comprehensive guide available on IVIVC, this source illustrates the emerging importance of IVIVC in the drug development process, and covers the most recent advances and regulatory perspectives on the role of IVIVC in the pharmaceutical industry.

First published in 1980, this book provides a clear and practical introduction to a wide variety of English structures. It concentrates on a large and crucial area of English grammar, which covers units of higher rank than words, and structures that have verbs rather than nouns as their nuclear elements. Throughout the book, David Young focuses on the English language as it is actually spoken. At every point his discussion of syntax is closely integrated with meaning, and he pays particular attention to the ways in which speakers of English signal their intensions. The author points out how verbal patterning is meaningful, and outlines the criteria used by grammarians to distinguish one structure from another. The result is an analytical framework that can be applied to any real-life text in order to understand its structure. This is a book that will encourage a realistic, exploratory and investigative attitude towards the English language.

How to Direct a Musical is a lively and practical guide to the seemingly overwhelming task of directing a musical. David Young brings to this handbook his extensive experience as a director of over 100 productions and more than 250 workshops in the US, China, Senegal and Brazil. Young takes a pragmatic, do-it-yourself approach, guiding the reader from planning to casting, rehearsal to opening night. Topics covered include script analysis, collaboration with designers, musical directors, choreographers and crew, eliminating lengthy pauses between scenes, dress rehearsals and curtain calls.

First published in 1980, this book provides a clear and practical introduction to a wide variety of English structures. It concentrates on a large and crucial area of English grammar, which covers units of higher rank than words, and structures that have verbs rather than nouns as their nuclear elements. Throughout the book, David Young focuses on the English language as it is actually spoken. At every point his discussion of syntax is closely integrated with meaning, and he pays particular attention to the ways in which speakers of English signal their intensions. The author points out how verbal patterning is meaningful, and outlines the criteria used by grammarians to distinguish one structure from another. The result is an analytical framework that can be applied to any real-life text in order to understand its structure. This is a book that will encourage a realistic, exploratory and investigative attitude towards the English language.

The year is 1987. Having made history by becoming the UK's first female Prime Minister and then driving out the most left-wing manifesto the country has ever seen, Margaret Thatcher faces a climactic third election campaign. Her eight years in power have been pivotal in guiding the UK back onto the path towards prosperity, and as he surveys the scene, David Young, Secretary of State for Employment, can see the fragile seeds of Thatcher's government beginning to grow. But this third election threatens to destroy it all, plunging the nation back into the chaos of union militancy, the three-day week and the Winter of Discontent, when Britain ground to a halt and even the bodies lay unburied. Drafted in to run the campaign, Young knows one thing for certain: the country cannot afford to go back. Written in lucid, powerful prose, Young's remarkable diary of the election that set the UK on course for the next thirty years invites readers into the room with the key players, including the Prime Minister herself. Full of gut-wrenching claustrophobia, tension and paranoia, Inside Thatcher's Last Election reveals the personality clashes that threatened to derail the campaign from the beginning and presents a very different woman from the Thatcher we think we know. For those in the eye of the storm, there was little doubt about what was at stake: the future of Britain's enterprise.

An illuminating look at a fundamental yet understudied aspect of Italian Renaissance painting The Italian Renaissance picture is renowned for its depiction of the human figure, from the dramatic foreshortening of the body to create depth to the subtle blending of tones and colors to achieve greater naturalism. Yet these techniques rely on a powerful compositional element that often goes overlooked. Groundwork provides the first in-depth examination of the complex relationship between figure and ground in Renaissance painting. "Ground" can refer to the preparation of a work's surface, the fictive floor or plane, or the background on which figuration occurs. In laying the material foundation, artists perform groundwork, opening the ground as a zone that can precede, penetrate, or fracture the figure. David Young Kim looks at the work of Gentile da Fabriano, Giovanni Bellini, Giovanni Battista Moroni, and Caravaggio, reconstructing each painter's methods to demonstrate the intricacies involved in laying ground layers whose translucency and polychromy permeate the surface. He charts significant transitions from gold ground painting in the Trecento to the darkened grounds in Baroque tenebrism, and offers close readings of period texts to shed new light on the significance of ground forms such as rock face, wall, and cave. This beautifully illustrated book reconceives the Renaissance picture, revealing the passion and mystery of groundwork and discovering figuration beyond the human figure.