The new immigrants coming to the United States and establishing ethnic congregations do not abandon religious ties in their home countries. Rather, as they communicate with family and friends left behind in their homelands, they influence religious structures and practices there. Religion Across Borders examines both personal and organizational networks that exist between members in U.S. immigrant religious communities and individuals and religious institutions left behind. Building upon Religion and the New Immigrants (2000) their previous study of immigrant religious communities in Houston sociologists Ebaugh and Chafetz ask how religious remittances flow between home and host communities, how these interchanges affect religious practices in both settings, and how influences change over time as new immigrants become settled. The study's unique comparative perspective looks at differing faith groups (Catholic, Protestant, Buddhist) from Argentina, Mexico, Guatamala, Vietnam and China. Data on ways in which historic, geographic, economic and religious factors influence transnational religious ties makes necessary reading for students of immigration, religion and anyone interested in the increasingly global aspects of American religion.

Sophisticated in its analytical content, current in its coverage and informed throughout by fascinating historical and cultural contexts, A History of Narrative Film is one of the most respected and widely read texts in film studies. This fifth edition features a new chapter on twenty-first century film and includes refreshed coverage of contemporary digital production, distribution and consumption of film. Now 20% shorter, with new four-colour design and an updated art programme, A History of Narrative Film is also the only film history text available as an ebook.

From the first page, this action-packed science fiction adventure pulls you into a world of danger, intrigue, romance, and humor. Adison is the only daughter of Morrigan, immortal ruler of the world. But she is kept prisoner in her own home. Then she discovers the purpose for which she was born, and the fate which Morrigan plans for her. She makes her escape into a strange world, pursued by all the terrifying powers at her mother's command. Devin has grown up in exile. Determined to restore his family honor, he sets out to foment rebellion. But the world's ruler has powers beyond imagining. Soon Devin is trapped in Morrigan's web, unable to escape. The only person who can help him is Adison, if she can find the courage to face her own doom. Their lives and the fate of the world rest on Adison and Devin's ability to discover the secrets behind an immortal ruler and a strange moon. But that will require penetration of Morrigan's strongest fortress, and the world's oldest mystery.

Hollywood has long been associated with scandal--with covering it up, with managing its effects, and, in some cases, with creating and directing it. In putting together Headline Hollywood, Adrienne McLean and David Cook approach the relationship between Hollywood and scandal from a fresh perspective. The contributors consider some of the famous transgressions that shocked Hollywood and its audiences during the last century, and explore the changing meaning of scandal over time by zeroing in on issues of power: Who decides what crimes and misdemeanors should be circulated for public consumption and titillation? What makes a Hollywood scandal scandalous? What are the uses of scandal? The essays are arranged chronologically to show how Hollywood scandals have evolved relative to changing moral and social orders. This collection will prove essential to the field of film studies as well as to anyone interested in the character and future direction of American culture. Contributors are Mark Lynn Anderson, Cynthia Baron, James Castonguay, Nancy Cook, Mary Desjardins, Lucy Fischer, Lee Grieveson, Erik Hedling, Peter Lehman, William Luhr, Adrienne L. McLean, Susan McLeland, and Sam Stoloff. Adrienne L. McLean is an assistant professor of film studies at the University of Texas at Dallas. David A. Cook is a professor of film and media studies at Emory University. He is the author of A History of Film Narrative.