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One morning, two frisky puppies leave the family farm for a day of
play in Chesapeake country. In spite of many promising
opportunities, the fun they seek always seems to be around the next
corner. They meet some Chesapeake people, but they are working, and
puppies can't work. They watch some people catching crabs, but pups
and crabs don't mix. They meet some other Chesapeake creatures, but
none are looking for new playmates. By the end of the day, the
tired and discouraged puppies return home to find a party in their
own front yard. Everyone's having a good time-lots of food, lots of
friendly folks, lots of fun. But the pups, alas, are too pooped to
play. They learned a lot today, but play must wait for another day.
Tomorrow, perhaps, they'll be happy to know there really is no
place like home. For ages 5-8.
The international standard for optics drawing notations, ISO 10110,
uses a set of coded notations to indicate optical tolerances and
requirements to mitigate any ambiguity in an optics drawing. This
set of notations can be very confusing for the uninitiated, but
once understood, it simplifies communication between designer and
manufacturer. This book provides a foundation for understanding the
fundamentals of ISO 10110. It is meant as a guide for users to
familiarize themselves with the notation and symbology, leading to
a better understanding of the ISO 10110 drawing notation system.
Its purpose is to explain not only the ISO 10110 drawing format but
also the various other standards that enable a greater
understanding and implementation of ISO 10110. Each chapter
discusses different subjects of optical properties and tolerances,
showing the implementation of ISO 10110 through various examples,
each highlighting a separate subject or tolerance on an optical
component drawing. A detailed example of an optical system is also
provided.
Double-Talk: Word Sense & Nonsense invites children to explore
homophones and shows them that words can be fun. Pairs of
deliberately ambiguous words are presented in rhyming verse and
illustrations across thirteen double-page spreads. On each spread,
the words may sound the same, but they are used to describe two
very different images. Readers must study the art to see how the
words relate to the pictures. Serious or silly? Sense or nonsense?
Either way, the readers will learn to study words more carefully.
With the simple surprises spelled out in the illustrations, the
"I-get-it!" smile grows into a full-body giggle. This
laughter-inducing book is ideal for young readers and the adults
that love them. Picture book-ages 0-6.
From an early age, children learn about careers. They watch people
working everywhere and playtime often involves dressing up and
acting out imagined jobs. This ABC book helps introduce the array
of career possibilities and expands a young reader's vocabulary. A
selection of jobs-two for each letter of the alphabet-are presented
in whimsical sketches of children at work. From astronaut to
zoologist, short verses hint at a job description in a rhyming
scheme that children will love to repeat. While the focus of a
favorite job will change dozens of times as a child grows, one day,
one of the possibilities will be reality. Ideal for the parent,
grandparent, aunt, uncle, or educator with career-minded children.
Picture book-ages 0-6.
In the first reissue of these documents since 1865, A City Laid
Waste captures in riveting detail the destruction of South
Carolina's capital city. William Gilmore Simms (1806-1870), a
native South Carolinian and one of the nation's foremost men of
letters, was in Columbia and witnessed firsthand the city's capture
and destruction. A renowned novelist and poet, who was also an
experienced journalist and historian, Simms deftly recorded the
events of February 1865 in a series of eyewitness accounts
published in the first ten issues of the Columbia Phoenix and
reprinted here. His record of burned buildings constitutes the most
authoritative information available on the extent of the damage.
Simms historian David Aiken provides a historical and literary
context for Simms's reportage. In his introduction Aiken clarifies
the significance of Simms's articles and draws attention to factors
most important for understanding the occupation's impact on the
city of Columbia.
Hassle-free camping is a pleasure, and this field-tested resource is a complete guide.--Outdoor Traveler
A holiday romance, rich in historical particulars, from South
Carolina's foremost writer. Rife with historical details and
peppered with comic characters, ""The Golden Christmas"" remains a
timeless tale of South Carolina's rich holiday heritage. Originally
published in 1852, William Gilmore Simms's classic low country
romance chronicles the social customs and Christmas traditions of
an antebellum plantation near Charleston. Drawing influence from
""Romeo and Juliet"" and ""A Christmas Carol"", Simms centers his
plot on the pride of a Huguenot family, the prejudice of an English
family, and the plight of star-crossed lovers, Ned Bulmer and Paula
Bonneau, to win the blessings of both feuding houses amid a festive
and frantic holiday season. Simms populates his novel with a lively
cast - a learned Northern professor, a young English nobleman,
opinionated widows, a blustery plantation owner, a condescending
servant, a pig-thieving coachman, and a good-hearted barrister.
Interwoven into the text are engrossing details about the lavish
decorations and festivities that were the hallmark of Christmas
celebrations in the antebellum South. Vibrant fireworks, candles
nestled in holly, games of whist and backgammon, Yule logs, eggnog,
and a visit from Father Chrystmasse all play their parts as the
narrative unfolds. Here, too, are accurate descriptions of dress,
dialogue, recreation, cultural mores, social hierarchy, and a vivid
tableau of a shopping trip to Charleston's King, Queen, and Meeting
streets in the 1850s. In equal parts a novel of manners and comic
romance, ""The Golden Christmas"" is now, as it has always been, a
holiday gift to lovers of Southern lore from South Carolina's most
famous author. This edition includes an introduction by Simms
historian David Aiken.
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