"David Bacon reminds Americans of something we often forget: that NAFTA is meant to be a multilateral agreement, and that it was supposed to bring huge benefits to Mexico. Did it? Bravo to David Bacon for his tough-minded, unsparing portrait of working life at globalization's ground zero."--Ray Suarez, senior correspondent, The NewsHour with Jim Lehrer, and author of "The Old Neighborhood: What We Lost in the Great Suburban Migration"David Bacon brings to life the heroes and villains on the front lines of the battle for human dignity under NAFTA--the world's most extreme experiment in free market fundamentalism."--Sarah Anderson, Director, Global Economy Project, Institute for Policy Studies"Built from vivid, firsthand accounts, this is an extraordinary mural portrait of a border that few North Americans know anything about: of a working class fighting for survival on the unequal playing ground of NAFTA, where labor rights are almost always dishonored and where activists often end up blacklisted, jailed, or even desparecido. Bacon wonderfully coveys the passion, urgency and historical importance of the daily struggles to humanize the cold ultra-capitalist world of NAFTA."--Mike Davis, author of "City of Quartz: Excavating the Future in Los Angeles"David Bacon has put a human face on the devastating impact of NAFTA on workers here and abroad. Our economic future as a nation depends on the knowledge contained in this book. A must read! !Si Se Puede!"--Dolores Huerta, Co-founder, United Farm Workers Union, President, Dolores Huerta Foundation"David Bacon represents the fine old tradition of American working-class journalism at its best. He's gone everywhere--from tiny Mexican villages tothe baking hot fields of California agribusiness--to get the real lowdown on NAFTA's effects on the blue collar people who hardly ever get a hearing in the mainstream press."--Barbara Ehrenreich, author of "Nickel and Dimed ""David Bacon's new book blows away the ideological fog that has surrounded the North American Free Trade Agreement for a decade."--Jeff Faux, Economic Policy Institute

In this landmark work of photo-journalism, activist and photographer David Bacon documents the experiences of some of the hardest-working and most disenfranchised laborers in the country: the farmworkers who are responsible for making California "America's breadbasket." Combining haunting photographs with the voices of migrant farmworkers, Bacon offers three-dimensional portraits of laborers living under tarps, in trailer camps, and between countries, following jobs that last only for the harvesting season. He uncovers the inherent abuse in the labor contractor work system, and drives home the almost feudal nature of laboring in America's fields. Told in both English and Spanish, these are the stories of farmworkers exposed to extreme weather and pesticides, injured from years of working bent over for hours at a time, and treated as cheap labor. The stories in this book remind us that the food that appears on our dinner tables is the result of back-breaking labor, rampant exploitation, and powerful resilience.

The story of the growing resistance of Mexican communities to the poverty that forces people to migrate to the United States
People across Mexico are being forced into migration, and while 11 percent of that country's population lives north of the US border, the decision to migrate is rarely voluntary. Free trade agreements and economic policies that exacerbate and reinforce extreme wealth disparities make it impossible for Mexicans to make a living at home. And yet when they migrate to the United States, they must grapple with criminalization, low wages, and exploitation.
In "The Right to Stay Home," journalist David Bacon tells the story of the growing resistance of Mexican communities. Bacon shows how immigrant communities are fighting back--envisioning a world in which migration isn't forced by poverty or environmental destruction and people are guaranteed the "right to stay home." This richly detailed and comprehensive portrait of immigration reveals how the interconnected web of labor, migration, and the global economy unites farmers, migrant workers, and union organizers across borders.
In addition to incisive reporting, eleven narratives are included, giving readers the chance to hear the voices of activists themselves as they reflect on their experiences, analyze the complexities of their realities, and affirm their vision for a better world.

Full Title: "Trial of Henry B. Hagerman, Esq. on an Indictment for an Assault and Battery, With Intent to Murder; Committed on William Coleman, Esq."Description: "The Making of the Modern Law: Trials, 1600-1926" collection provides descriptions of the major trials from over 300 years, with official trial documents, unofficially published accounts of the trials, briefs and arguments and more. Readers can delve into sensational trials as well as those precedent-setting trials associated with key constitutional and historical issues and discover, including the Amistad Slavery case, the Dred Scott case and Scopes "monkey" trial."Trials" provides unfiltered narrative into the lives of the trial participants as well as everyday people, providing an unparalleled source for the historical study of sex, gender, class, marriage and divorce.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Court RecordNew York City BarNew-York: Printed by Oram and Mott, No. 5 Burling-Slip. 1818

When we finally arrived at my brother's house in the United States, I thought about how far I was from home in Mexico. I looked back, saw the sun setting, and thought about my father and what he might be doing. I thought, 'Why did I come so far, and how am I going to return?' Before I left my father asked me why I wanted to leave. He said he thought we would never see each other again. My brother told him not to worry and that he would return me in a year. . . . He was right, because we never did. Irma Luna recalls her experience of migration, from Communities without BordersIn his stunning work of photojournalism and oral history, David Bacon documents the new reality of migrant experience: the creation of transnational communities. Today's indigenous migrants don't simply move from one point to another but create new communities all along the northern road from Guatemala through Mexico into the United States, connected by common culture and history. Drawing on his experience as a photographer and a journalist and also as a former labor organizer, Bacon portrays the lives of the people who migrate between Guatemala and Mexico and the United States. He takes us inside these communities and illuminates the ties that bind them together, the influence of their working conditions on their families and health, and their struggle for better lives. Bacon portrays in photographs and their own words Mixtec and Triqui migrants in Oaxaca, Baja California, and California; Guatemalan migrants in Huehuetenango and Nebraska; miners and indigenous communities in Sonora and Arizona; and veterans of the bracero program of the 1940s and 1950s. Bacon's interviews with this first wave of guest workers are especially relevant in light of the current political focus on guest-worker programs as a model for reforming immigration, an approach with which Bacon strongly disagrees.Throughout Communities without Borders, Bacon emphasizes the social movements migrants organize to improve their own working conditions and the well-being of their enclaves. U.S. border policy treats undocumented immigrants as an aggregation of individuals, ignoring the social pressures that force whole communities to move and the networks of families and hometowns that sustain them on their journeys. Communities without Borders makes an urgent appeal for understanding the human reality that should inform our national debate over immigration."