'Papa, why do you dance when you walk?' When Aden's 8-year-old daughter asks him this one morning in Paris, he is taken aback. The question is innocent, but the answer is not so simple. Unable to resist Bea's inquisitive spirit, he moves silkily between memories of his childhood: from his silent, mysterious mother and the shanty roofs of his neighbourhood to the malicious attack that changed his life forever and the ensuing struggle that made him a man. Anchoring his memories is a Djibouti on the cusp of independence; a land of shifting deserts and immense heat, French-from-France ex-pats, and one lonely and sick boy finding solace in books. Why Do You Dance When You Walk is a poignant and timeless story of the complexity of family, the value of poetry and freedom, and the ripple effect of the traumas that stalk our movement.

This volume gathers the latest advances, innovations and applications in the field of condition monitoring, plant maintenance and reliability, as presented by leading international researchers and engineers at the 5th International Conference on Maintenance Engineering and the 2020 Annual Conference of the Centre for Efficiency and Performance Engineering Network (IncoME-V & CEPE Net-2020), held in Zhuhai, China on October 23-25, 2020. Topics include vibro-acoustics monitoring, condition-based maintenance, sensing and instrumentation, machine health monitoring, maintenance auditing and organization, non-destructive testing, reliability, asset management, condition monitoring, life-cycle cost optimisation, prognostics and health management, maintenance performance measurement, manufacturing process monitoring, and robot-based monitoring and diagnostics. The contributions, which were selected through a rigorous international peer-review process, share exciting ideas that will spur novel research directions and foster new multidisciplinary collaborations.

The extraordinary life of Zhuang Zhou sits halfway between fable and philosophy. “It was twenty-five centuries ago in the land of Song, between the Yellow River and the River Huai: Zhuang Zhou was born without a cry with his eyes wide open.�   Welcome to China in the fifth century BCE, a colorful, violent, unstable world into which Zhuang is born. Here royals raise huge armies, constantly waging wars against one another. They have slaves, concubines. Gold is everywhere. And so is hunger. Born rich and entitled, Zhuang learns to refuse any official function. His travels bring him closer to ordinary people, from whom he learns how to live a simple and useful life. This is how he will become one of the greatest Chinese philosophers who gave his name to his legendary book, the Zhuangzi, one of the two foundational texts of Taoism—a magnificent procession of lively stories in which we meet dwarfs, virtuous bandits, butchers, powerful lords in their castles, turtles, charming concubines, and false sages. In this remarkable bildungsroman, award-winning French novelist Patrick Rambaud spins out the extraordinary life of Zhuang Zhou—a poetic, cruel, and often humorous tale, halfway between fable and philosophy.

Global experts, in conjunction with the International Association for the Study of Lung Cancer, bring you up to date with today's best approaches to lung cancer diagnosis, treatment, and follow-up. IASLC Thoracic Oncology, 2nd Edition, keeps you abreast of the entire scope of this fast-changing field, from epidemiology to diagnosis to treatment to advocacy. Written in a straightforward, practical style for the busy clinician, this comprehensive, multidisciplinary title is a must-have for anyone involved in the care of patients with lung cancer and other thoracic malignancies. Offers practical, relevant coverage of basic science, epidemiology, pulmonology, medical and radiation oncology, surgery, pathology, palliative care, nursing, and advocacy. Provides authoritative guidance from the IASLC - the only global organization dedicated to the study of lung cancer. Includes new content on molecular testing, immunotherapy, early detection, staging and the IASLC staging system, surgical resection for stage I and stage II lung cancer, and stem cells in lung cancer. Features a new full-color design throughout, as well as updated diagnostic algorithms. Expert ConsultT eBook version included with purchase. This enhanced eBook experience allows you to search all of the text, figures, Q&As, and references from the book on a variety of devices.

This volume gathers the latest advances, innovations and applications in the field of condition monitoring, plant maintenance and reliability, as presented by leading international researchers and engineers at the 5th International Conference on Maintenance Engineering and the 2020 Annual Conference of the Centre for Efficiency and Performance Engineering Network (IncoME-V & CEPE Net-2020), held in Zhuhai, China on October 23-25, 2020. Topics include vibro-acoustics monitoring, condition-based maintenance, sensing and instrumentation, machine health monitoring, maintenance auditing and organization, non-destructive testing, reliability, asset management, condition monitoring, life-cycle cost optimisation, prognostics and health management, maintenance performance measurement, manufacturing process monitoring, and robot-based monitoring and diagnostics. The contributions, which were selected through a rigorous international peer-review process, share exciting ideas that will spur novel research directions and foster new multidisciplinary collaborations.

In The Red Sofa, we meet Anne, a young woman setting off on the Trans-Siberian Railway in order to find her former lover, Gyl, who left twenty years before. As the train moves across post-Soviet Russia and its devastated landscapes, Anne reflects on her past with Gyl and their patriotic struggles, as well as on the neighbor she has just left behind, Clemence Barrot. Rocked by the train's movements Anne is moved by her memory of Clemence, who is old and whose memory is failing, but who has not lost her taste for life and adventure. Ensconced on her red sofa at home, Clemence loves to tell Anne her life story, mourning lost loved ones and celebrating the lives of brave, rebellious women who went before her. Eventually, Anne's train trip returns her home having not found Gyl, but having found something much more meaningful herself. "A luminous novel about desire, a clear text about the joy of living." Prix Pierre Mac Orlan 2007

"Everything starts with a song and everything ends with another song," says the narrator of The Divine Song. Paris is an old Sufi cat who keeps watch over his brilliant yet pathetic master, Sammy Kamau-Williams, the Enchanter. In Sammy, we recognize the African American singer-composer, poet, and novelist Gil Scott-Heron who is best known for his song "The Revolution Will Not Be Televised." The Divine Song takes us from the shores of Africa to Sammy's ancestors' arrival in the Americas in the hold of the slave ships. From there, Abdourahman A. Waberi takes the characters from Tennessee--under the tutelage of Lili Williams, Sammy's beloved African-born grandmother--to New York and the concert halls of Paris and Berlin, wherever blues and jazz find an enchanted audience. African tales, religious practices, segregation, the civil rights movement, addiction, and jail--Sammy's life comes to encompass the whole of the African American experience. At a time when social and racial divisions have yet again come into sharp relief, this lyrical novel by one of African literature's rising stars is necessary reading for anyone who celebrates the resilience of art.

Passage of Tears cleverly mixes many genres and forms of writing--spy novel, political thriller, diary (replete with childhood memories), travel notebook, legends, parables, incantations, and prayers. Djibril's reminiscences provide a sense of Djibouti's past and its people, while a satire of Muslim fundamentalism is unwittingly delivered through the other Djiboutian voice. Waberi's inventive parody is a lesson in tolerance, while his poetic observations reveal his love and concern for his homeland.

From the acclaimed author of "Empires of Sand" comes a mesmerizing new adventure that Jean Auel cites as "crowded with events that both forecast and mirror the conflicts of today." Sweeping from the drawing rooms of Paris to the palace of Suleiman the Magnificent to the dark hold of a slave ship racing across the sea, here is a dazzling story of love and valor, innocence and identity, an epic novel of the clash of civilizations on a barren island where the future was forged.
The Mediterranean, the sixteenth century: Lying squarely in the midst of the vital sea lanes between the Christian West and the Ottoman Empire in the East, and ruled by the ancient Order of the Knights of St. John, Malta will become the stage upon which the fate of the world turns. For one of its sons, the hand of violence strikes swiftly, when young Nicolo Borg is seized by Barbary slavers and launched on a remarkable journey to the court of the supreme ruler of the Muslim world. Renamed Asha, plotting his escape even as he swears allegiance to the god of his masters and is schooled in the arts of culture and war, the innocent boy will be transformed into one of the Sultan's deadliest commanders.
For Nico's beloved sister, Maria, his loss fires her hatred for the knights who did nothing to save him and her dreams of escape from her stifling home. As the headstrong girl grows into a fierce beauty, she will capture the attention of one man in particular, Christien de Vries, a surgeon-knight torn between duty and desire, caught up in Malta's frantic preparations against the coming Ottoman storm. Around Nico and Maria are men and women who will share their destinies: Dragut Rais, a brilliant corsair, arch-rival of the knights...Giulio Salvago, a priest in full flight from his carnal nature...Alisa, a young beauty hidden away in a harem...Jean de La Valette, the master knight who is Malta's only hope for survival.
As the mighty Ottoman fleet bears down on the tiny island, as Nico Borg makes his way back to his homeland at the helm of a warship, Ironfire moves inexorably to a shattering climax where all will face ultimate justice in the murderous cauldron of siege warfare. Brilliantly capturing the crosscurrents of a storied age, Ironfire is historical fiction in the grand tradition, a stirring realization of a pivotal moment in time that irrevocably shaped the world we inhabit today.

"From the Hardcover edition."

“Where is your wound?� asks Jean Genet in the lines Laurent Mauvignier uses as an epigraph to The Wound. By the time we have finished this four-part novel, we realize that for many the wound lies four decades back in “the Events� that people have tried to not talk about ever since: the Algerian War.   Chronicling the lives of two cousins—Bernard and Rabut—both in the present and at the time of the Algerian War of Independence in the 1960s, we get a full picture of the lasting effects this event had on the men who were involved. Through the fragments of their stories we see the whole history of the war: its atrocities, its horrors, and its hatreds. Mauvignier shows readers how the Algerian War, always present yet always repressed, has sickened the emotional and moral life of everyone it touched—and France itself, perhaps. The epigraph, like the novel, suggests that wounded men may even become the wound itself.    

Winner of the French-American Foundation Translation Prize for Nonfiction Jean Guehenno's Diary of the Dark Years, 1940-1945 is the most oft-quoted piece of testimony on life in occupied France. A sharply observed record of day-to-day life under Nazi rule in Paris and a bitter commentary on literary life in those years, it has also been called "a remarkable essay on courage and cowardice" (Caroline Moorehead, Wall Street Journal). Here, David Ball provides not only the first English-translation of this important historical document, but also the first ever annotated, corrected edition. Guehenno was a well-known political and cultural critic, left-wing but not communist, and uncompromisingly anti-fascist. Unlike most French writers during the Occupation, he refused to pen a word for a publishing industry under Nazi control. He expressed his intellectual, moral, and emotional resistance in this diary: his shame at the Vichy government's collaboration with Nazi Germany, his contempt for its falsely patriotic reactionary ideology, his outrage at its anti-Semitism and its vilification of the Republic it had abolished, his horror at its increasingly savage repression and his disgust with his fellow intellectuals who kept on blithely writing about art and culture as if the Occupation did not exist - not to mention those who praised their new masters in prose and poetry. Also a teacher of French literature, he constantly observed the young people he taught, sometimes saddened by their conformism but always passionately trying to inspire them with the values of the French cultural tradition he loved. Guehenno's diary often includes his own reflections on the great texts he is teaching, instilling them with special meaning in the context of the Occupation. Complete with meticulous notes and a biographical index, Ball's edition of Guehenno's epic diary offers readers a deeper understanding not only of the diarist's cultural allusions, but also of the dramatic, historic events through which he lived.

Jean Guehenno's Diary of the Dark Years, 1940-1945 is the most oft-quoted piece of testimony on life in occupied France. A sharply observed record of day-to-day life under Nazi rule in Parisand a bitter commentary on literary life in those years, it has also been called "a remarkable essay on courage and cowardice" (Caroline Moorehead, Wall Street Journal). Here, David Ball provides not only the first English-translation of this important historical document, but also the first ever annotated, corrected edition.
Guehenno was a well-known political and cultural critic, left-wing but not communist, and uncompromisingly anti-fascist. Unlike most French writers during the Occupation, he refused to pen a word for a publishing industry under Nazi control. He expressed his intellectual, moral, and emotional resistance in this diary: his shame at the Vichy government's collaboration with Nazi Germany, his contempt for its falsely patriotic reactionary ideology, his outrage at its anti-Semitism and its vilification of the Republic it had abolished, his horror at its increasingly savage repression and his disgust with his fellow intellectuals who kept on blithely writing about art and culture as if the Occupation did not exist - not to mention those who praised their new masters in prose and poetry. Also a teacher of French literature, he constantly observed the young people he taught, sometimes saddened by their conformism but always passionately trying to inspire them with the values of the French cultural tradition he loved. Guehenno's diary often includes his own reflections on the great texts he is teaching, instilling them with special meaning in the context of the Occupation. Complete with meticulous notes and a biographical index, Ball's edition of Guehenno's epic diary offers readers a deeper understanding not only of the diarist's cultural allusions, but also of the dramatic, historic events through which he lived."

Nico and Maria, Maltese brother and sister, are separated when young Nico is abducted by Moorish slavers. Taken to Algiers to be the personal slave of a wealthy merchant, he becomes a pawn in household politics and sets out to escape. Extraordinary events lead him to the court of Suleiman the Magnificent, Sultan of the Ottomans. Stranded alone on Malta, Maria must learn to survive helped only by a group of Jewish refugees. A sweeping historical epic set against the backdrop of the desperate conflict between Christian Europe and the Islamic Ottoman Empire, The Sword and the Scimitar vividly portrays an irresistible and fast-moving world of adventure, war, treachery and love.

Now in paperback, The Red Sofa is a quiet French novella exploring love, memory, and the perspective that travel gives us on both. In The Red Sofa, we meet Anne, a young woman setting off on the Trans-Siberian Railway in order to find her former lover, Gyl, who left twenty years before. As the train moves across post-Soviet Russia and its devastated landscapes, Anne reflects on her past with Gyl and their patriotic struggles, as well as on the neighbor she has just left behind, Clemence Barrot. Rocked by the train's movements Anne is moved by her memory of Clemence, who is old and whose memory is failing, but who has not lost her taste for life and adventure. Ensconced on her red sofa at home, Clemence loves to tell Anne her life story, mourning lost loved ones and celebrating the lives of brave, rebellious women who went before her. Eventually, Anne's train trip returns her home having not found Gyl, but having found something much more meaningful-herself.

Henri Michaux defies common critical definition. Critics have compared his work to such diverse artists as Kafka, Goya, Swift, Klee, and Beckett. Allen Ginsberg called Michaux "genius," and Jorge Luis Borges wrote that Michaux's work "is without equal in the literature of our time." This anthology contains substantial selections from almost all of Michaux's major works, most never before published in English, and allows readers to explore the haunting verbal and pictorial landscape of a twentieth-century visionary.

Historians agree: the diary of Leon Werth (1878-1955) is one of the most precious-and readable-pieces of testimony ever written about life in France under Nazi occupation and the Vichy regime. Werth was a free-spirited, unclassifiable writer, the author of eleven novels, art and dance criticism, acerbic political reporting, and memorable personal essays. He was Jewish, and left Paris in June 1940 to hide out in his wife's country house in Saint-Amour, a small village in the Jura Mountains: his short memoir, 33 Days recounts his struggle to get there. Deposition tells of daily life in the village, on nearby farms and towns, and finally back in Paris, where he draws the portrait of a Resistance network in his apartment and writes an eyewitness report of the insurrection that freed the city in August, 1944. From Saint-Amour, we see both the Resistance in the countryside, derailing troop trains, punishing notorious collaborators-and growing repression: arrests, torture, deportation, and executions. Above all, we see how Vichy and the Occupation affect the lives of farmers and villagers and how their often contradictory attitudes evolve from 1940-1944. Werth's ear for dialogue and novelist's gift for creating characters animate the diary: in the markets and in town, we meet real French peasants and shopkeepers, railroad men and the patronne of the cafe at the station, schoolteachers and gendarmes. They come off the page alive, and the countryside and villages come alive with them. With biting irony, Werth records, almost daily, what Vichy-German propaganda was saying on the radio and in the press. And we follow the progress of the war as people did then, day by day. These entries make interesting, often amusing reading, a stark contrast with his gripping entries on the persecution and deportation of the Jews. Deposition is a varied, complex, piece of living history, and a pleasure to read.