Aims and Scope Patients are more empowered to shape their own health care today than ever before. Health information technologies are creating new opportunities for patients and families to participate actively in their care, manage their medical problems and improve communication with their healthcare providers. Moreover, health information technologies are enabling healthcare providers to partner with their patients in a bold effort to optimize quality of care, improve health outcomes and transform the healthcare system on the macro-level. In this book, leading figures discuss the existing needs, challenges and opportunities for improving patient engagement and empowerment through health information technology, mapping out what has been accomplished and what work remains to truly transform the care we deliver and engage patients in their care. Policymakers, healthcare providers and administrators, consultants and industry managers, researchers and students and, not least, patients and their family members should all find value in this book. "In the exciting period that lies just ahead, more will be needed than simply connecting patients to clinicians, and clinicians to each other. The health care systems that will be most effective in meeting patients' needs will be those that can actually design their 'human wares' around that purpose. This book provides deep insight into how information technology can and will support that redesign." Thomas H. Lee, MD, MSc, Chief Medical Officer, Press Ganey Associates; Professor of Medicine, Harvard Medical School and Professor of Health Policy and Management, Harvard School of Public Health The Editors: Drs. Maria Adela Grando, Ronen Rozenblum and David W. Bates are widely recognized professors, researchers and experts in the domain of health information technology, patient engagement and empowerment. Their research, lectures and contributions in these domains have been recognized nationally and internationally. Dr. Grando is affiliated with Arizona State University and the Mayo Clinic, and Drs. Rozenblum and Bates are affiliated with Brigham and Women's Hospital and Harvard University.

In a brand-new approach, this book presents photography in all its principal forms of experience, to portray the unique characteristics of this accessible and universally appealing medium. Arranged chronologically, legendary photographs are discussed alongside photobooks that represent a significant contribution towards photography, as well as important exhibitions that marked a shift in outlook, values and approach. In art history, particular works are usually cited as examples of specific styles; here photographs are given as indicative of art movements, which often developed precisely because of these examples. Among the works included are many that have had a profound impact across the globe, so circumventing or at least weakening the usual European-American emphasis. This guide is an inclusive and diverse account of the contributions of photographers from around the world from the birth of photography to the present day. Featuring stunning reproductions throughout with short essays and key references on each work by the widely respected photography academic and specialist David Bate, this title is set to become one of the definitive references on the subject and will appeal not only to readers seeking an introduction, but also to those more familiar with the medium. With 110 illustrations in colour

Based on a fresh reading of primary sources, Lindy Grant's comprehensive biography of Abbot Suger (1081-1151) provides a reassessment of a key figure of the twelfth century. Active in secular and religious affairs alike - Suger was Regent of France and also abbot of one of the most important abbeys in Europe during the time of the Gregorian reforms. But he is primarily remembered as a great artistic patron whose commissions included buildings in the new Gothic style. Lindy Grant reviews him in all these roles - and offers a corrective to the current tendency to exaggerate his role as architect of both French royal power and the new gothic form.

As austerity measures are put into place the world over and global restructuring is acknowledged by all as an attempt to bolster the economic system that lead to the crash, there is a great need to come to grips with the economic, political and philosophical legacy of Marx. Of particular interest are Marx's analyses of alienation and the cycles of boom and bust thought to be integral to the functioning of capitalism. Moreover, as the Cold War drifts into the history books, it is possible to reconsider the lasting impact of Marx's analyses without the shadows cast by the Soviet version of communism. Equally, though, scholars are increasingly turning to Marx for insight into the rise of religion and the corresponding demise of political ideologies that seems to mark the contemporary age. Are we witnessing 'the return of Marx'? Few scholars have done as much to tease out the intricacies of Marx, ideology and religion and their overlapping concerns as the eminent writer and Marx biographer, Professor David McLellan. This book brings together a group of internationally renowned academics to reflect upon, develop and criticise McLellan's analyses of these three themes with a view to contributing more broadly to scholarly debates in these fields. This exciting and timely analysis will be of interest to scholars of political theory, the history of political thought (including historical methodology), Marx and Marxism, sociology of knowledge (particularly in relation to discussions of ideology), religion and theology more widely.

Providing a thorough and comprehensive introduction to the study of photography, this second edition of Photography: The Key Concepts has been expanded and updated to cover more fully contemporary changes to photography. Photography is a part of everyday life; from news and advertisements, to data collection and surveillance, to the shaping of personal and social identity, we are constantly surrounded by the photographic image. Outlining an overview of photographic genres, David Bate explores how these varied practices can be coded and interpreted using key theoretical models. Building upon the genres included in the first edition - documentary, portraiture, landscape, still life, art and global photography - this second edition includes two new chapters on snapshots and the act of looking. The revised and expanded chapters are supported by over three times as many photographs as in the first edition, examining contemporary practices in more detail and equipping students with the analytical skills they need, both in their academic studies and in their own practical work.An indispensable guide to the field, Photography: The Key Concepts is core reading for all courses that consider the place of photography in society, within photographic practice, visual culture, art, media and cultural studies.

As austerity measures are put into place the world over and global restructuring is acknowledged by all as an attempt to bolster the economic system that lead to the crash, there is a great need to come to grips with the economic, political and philosophical legacy of Marx. Of particular interest are Marx's analyses of alienation and the cycles of boom and bust thought to be integral to the functioning of capitalism. Moreover, as the Cold War drifts into the history books, it is possible to reconsider the lasting impact of Marx's analyses without the shadows cast by the Soviet version of communism. Equally, though, scholars are increasingly turning to Marx for insight into the rise of religion and the corresponding demise of political ideologies that seems to mark the contemporary age. Are we witnessing 'the return of Marx'? Few scholars have done as much to tease out the intricacies of Marx, ideology and religion and their overlapping concerns as the eminent writer and Marx biographer, Professor David McLellan. This book brings together a group of internationally renowned academics to reflect upon, develop and criticise McLellan's analyses of these three themes with a view to contributing more broadly to scholarly debates in these fields. This exciting and timely analysis will be of interest to scholars of political theory, the history of political thought (including historical methodology), Marx and Marxism, sociology of knowledge (particularly in relation to discussions of ideology), religion and theology more widely.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The relations between medieval East Anglia and countries across the North Sea examined from a variety of perspectives. East Anglia was a distinctive English region during the Middle Ages, but it was one that owed much of its character and identity to its place in a much wider "North Sea World" that stretched from the English Channel to Iceland, the Baltic and beyond. Relations between East Anglia and its maritime neighbours have for the most part been peaceful, involving migration and commercial, artistic, architectural and religious exchanges, but have also at times beencharacterised by violence and contestation. All these elements have played a significant role in processes of historical change that have shaped the history both of East Anglia and its North Sea world. This collection of essays discusses East Anglia in the context of this maritime framework and explores the extent to which there was a distinctive community bound together by the shared frontier of the North Sea during the Middle Ages. It brings together the work of a range of international scholars and includes contributions from the disciplines of history, archaeology, art history and literary studies. David Bates is Professorial Fellow in History at the Universityof East Anglia, Robert Liddiard is Professor of History at the University of East Anglia. Contributors: Anna Agnarsdottir, Brian Ayers, Wendy R. Childs, Lynda Dennison, Stephen Heywood, Carole Hill, John Hines, David King, Robert Liddiard, Rory Naismith, Eljas Oksanen, Richard Plant, Aleksander Pluskowski, Christopher Scull, Tim Pestell, Charles West, Gareth Williams, Tom Williamson.

Based on a fresh reading of primary sources, Lindy Grant's comprehensive biography of Abbot Suger (1081-1151) provides a reassessment of a key figure of the twelfth century. Active in secular and religious affairs alike - Suger was Regent of France and also abbot of one of the most important abbeys in Europe during the time of the Gregorian reforms. But he is primarily remembered as a great artistic patron whose commissions included buildings in the new Gothic style. Lindy Grant reviews him in all these roles - and offers a corrective to the current tendency to exaggerate his role as architect of both French royal power and the new gothic form.

This book provides the apprentice or trainee carpenter and joiner with the basic technical knowledge necessary to complete the first half of a City and Guilds Course in Carpentry and Joinery. It will also be a useful reference to any persons studying for examinations, or simply wishing to further their knowledge in one of the associated areas, such as wood machining, cabinet making or general building construction. Dealing with the basic skills and techniques employed in the present day construction industry, the text assumes little prior knowledge of the subject, but lays before the reader a simple, straight forward and readable out of the skills, tools, materials and methods likely to be used or encountered in the workshop, on site or during studies at home or in college.

A rich collection of articles on multiple aspects of Anglo-Norman and Norman studies, forming an indispensable addition to an understanding of this important period of history. This volume of Anglo-Norman Studies demonstrates yet again the multi-disciplinarity and European range of the series. As befits the proceedings of a conference held in Normandy at Bayeux, it contains two articles on the renowned Tapestry, and a consideration of the campaign of 1066; there are also several papers on the medieval duchy, their topics including its early tenth-century origins, the abbesses of Norman nunneries, abbatial investitures in the context of religious reform, the reign of Robert Curthose, the charters of a major aristocratic family, and historical writing in and around late twelfth- and early thirteenth-century Normandy. Alongside these are articleson landscape and belief, villein manumissions and the theology of the incarnation, the evolution of criminal law in Scotland, Bohemond of Antioch, the architectural historian John Bilson, and important aspects of twelfth-centurypoetry. David Bates is a Professorial Fellow at the University of East Anglia and was until recently a Visiting Professor at the University of Caen Basse-Normandie. Contributors: Lesley Abrams, Bernard S. Bachrach, Steven Biddlecombe, Alexandrina Buchanan, Howard B. Clarke, Edoardo D'Angelo, Gregory Fedorenko, Jean-Herve Foulon, George Garnett, Veronique Gazeau, Paul R. Hyams, Sylvette Lemagnen, Monika Otter, Daniel Power, Alice Taylor, C.S. Watkins.

A pioneering account of the dynastic struggle between the kings of Aragon and the Angevin kings of Naples, which shaped the commercial as well as the political map of the Mediterranean and had a profound effect on the futures of Spain, France, Italy and Sicily. David Abulafia does it full justice, reclaiming from undeserved neglect one of the formative themes in the history of the Middle Ages.

A survey both of medieval biographical writings, and the problems of recovering medieval lives. Biography is one of the oldest, most popular and most tenacious of literary forms. Perhaps the best attested narrative form of the Middle Ages, it continues to draw modern historians of the medieval period to its peculiar challenge to explicate the general through the particular: the biographer's decisions to impose or to resist the imposition of order on biographical remnants raise issues which go to the heart of historical method. This collection, compiled in honour of a distinguished modern exponent of the art of biography, contains sixteen essays by leading scholars which examine the limits and possibilities of the genre for the period between 750AD and 1250AD. Ranging from pivotal figures such as Charlemagne, William the Conqueror and St Bernard, to the anonymous female skeleton in an Anglo-Saxon grave, from kings and queens to clerks and saints, and from individual to the collective biographies,this collection investigates both medieval biographical writings, and the issues surrounding the writing of medieval lives. Professor DAVID BATES is Director of the Institute of Historical Research; Dr JULIA CRICK and DrSARAH HAMILTON teach in the Department of History at the University of Exeter. Contributors: JANET L. NELSON, ROBIN FLEMING, BARBARA YORKE, RICHARD ABELS, SIMON KEYNES, PAULINE STAFFORD, ELISABETH VAN HOUTS, DAVID BATES,JANE MARTINDALE, CHRISTOPHER HOLDSWORTH, LINDY GRANT, MARJORIE CHIBNALL, EDMUND KING, JOHN GILLINGHAM, DAVID CROUCH, NICHOLAS VINCENT

Offers fresh ways of approaching photography, showing how photographs circulate in an 'image world' that exists beyond their art and media origins. This book argues that these images permeate people's minds as much as the environment and that photography has affected our sense of time and its relationship to memory.

How did medieval people define themselves? And how did they balance their identities as individuals with the demands of their communities? Lives, Identities and Histories in the Central Middle Ages intertwines the study of identities with current scholarship to reveal their multi-layered, sometimes contradictory dimensions. Drawing on a wide range of sources, from legal texts to hagiographies and biblical exegesis, and diverse cultural and social approaches, this volume enriches our understanding of medieval people's identities - as defined by themselves and by others, as individuals and as members of groups and communities. It adopts a complex and wide-ranging understanding of what constituted 'identities' beyond family and regional or national belonging, such as social status, gender, age, literacy levels, and displacement. New figures and new concepts of 'identities' thus emerge from the dialogue between the chapters, through an approach based on life-histories, lived experience, ethnogenesis, theories of diaspora, cultural memory and generational change.

Responses to the impact of the Norman Conquest examined through the wealth of evidence provided by the important abbey of Bury St Edmunds. Bury St Edmunds is noteworthy in so many ways: in preserving the cult and memory of the last East Anglian king, in the richness of its archives, and not least in its role as a mediator of medical texts and studies. All these aspects, and more, are amply illustrated in this collection, by specialists in their fields. The balance of the whole work, and the care taken to place the individual topics in context, has resulted in a satisfying whole, which placesAbbot Baldwin and his abbey squarely in the forefront of eleventh-century politics and society. Professor Ann Williams. The abbey of Bury St Edmunds, by 1100, was an international centre of learning, outstanding for its culting of St Edmund, England's patron saint, who was known through France and Italy as a miracle worker principally, but also as a survivor, who had resisted the Vikings and the invading king Swein and gained strength after 1066. Here we journey into the concerns of his community as it negotiated survival in the Anglo-Norman empire, examining, on the one hand, the roles of leading monks, such as the French physician-abbot Baldwin, and, on the other, the part played by ordinary women of the vill. The abbey of Bury provides an exceptionally rich archive, including annals, historical texts, wills, charters, and medical recipes. The chapters in this volume, written by leading experts, present differing perspectives on Bury's responses to conquest; reflecting the interests of the monks, they cover literature, music, medicine, palaeography, and the history of the region in its European context. DrTom Licence is Senior Lecturer in Medieval History and Director of the Centre of East Anglian Studies at the University of East Anglia. Contributors: Debbie Banham, David Bates, Eric Fernie, Sarah Foot, Michael Gullick,Tom Licence, Henry Parkes, Veronique Thouroude, Elizabeth van Houts, Thomas Waldman, Teresa Webber

Articles on the significance of genealogy and kinship ties in determining political events in the middle ages. In recent decades historians have become increasingly aware of the value of prosopography as an auxiliary science standing at the crossroads between anthropology, genealogy, demography and social history. It is now developing as an independent research discipline of real benefit to medievalists. The geographically and chronologically wide-ranging subjects of the essays in this collection, by scholars from the British Isles and the Continent, are united bya common theme, namely the significance of genealogy and kinship ties in determining political events in the middle ages. The papers, including a review of the history of prosopography and some of its major successes as a method by Karl Ferdinand Werner, range from general considerations of prosopographical and genealogical methodology (including discussion of Anglo-Norman royal charters) to specific analyses of individual political and kinship groups (including the genealogy of the counts of Anjou and a rehabilitation of the prosopographical material in Wace's Roman de Rou). The main geographic focus is England and France from the tenth to the twelfth centuries, but other areas as diverse as Celtic Ireland and the Latin Principality of Antioch also come under prosopographical scrutiny. Contributors: DAVID E. THORNTON, ANNE WILLIAMS, C.P. LEWIS, DAVID BATES, ELISABETH VAN HOUTS, EMMA COWNIE, JUDITH GREEN, JOHN S. MOORE, K.S.B. KEATS-ROHAN, CHRISTIAN SETTIPANI, HUBERT GUILLOTEL, KATHLEEN THOMPSON, VERONIQUE GAZEAU, MICHEL BUR, ALAN V. MURRAY, DANIEL POWER.

The dynamics of medieval societies in England and beyond form the focus of these essays on the Anglo-Norman world. Over the last fifty years Ann Williams has transformed our understanding of Anglo-Saxon and Norman society in her studies of personalities and elites. In this collection, leading scholars in the field revisit themes that have beencentral to her work, and open up new insights into the workings of the multi-cultural communities of the realm of England in the early Middle Ages. There are detailed discussions of local and regional elites and the interplay between them that fashioned the distinctive institutions of local government in the pre-Conquest period; radical new readings of key events such as the crisis of 1051 and a reassessment of the Bayeux Tapestry as the beginnings of theHistoria Anglorum; studies of the impact of the Norman Conquest and the survival of the English; and explorations of the social, political, and administrative cultures in post-Conquest England and Normandy. The individualessays are united overall by the articulation of the local, regional, and national identities that that shaped the societies of the period. Contributors: S.D. Church, William Aird, Lucy Marten, Hirokazu Tsurushima, Valentine Fallan, Judith Everard, Vanessa King, Pamela Taylor, Charles Insley, Simon Keynes, Sally Harvey, K.S.B. Keats-Rohan, David Bates, Emma Mason, David Roffe, Mark Hagger.

This clear and challenging re-evaluation of the status and usage of photographic images in historical surrealism puts surrealism's fundamental issues back into the framework of its historical purpose and function. David Bate asks what a surrealist photograph actually is. He discusses automatism and the photographic image, the surrealist passion for insanity, their ambivalent use of Orientalism and adoption of Sadean philosophy and the effect of fascism on the surrealists. Locating the use of photography by surrealists within the cultural discourses of that historical moment, "Photography and Surrealism" is a genuinely original contribution to the field. The book is illustrated with a range of surrealist images.

Discusses photography, offering various ways of approaching photography, showing how photographs circulate in an 'image world' that exists beyond their art and media origins. This book argues that these images permeate people's minds as much as the environment and that photography has affected our sense of time and its relationship to memory.