David Blair directs this British drama, loosely inspired by John Steinbeck's novel 'Of Mice and Men'. Set in Nottingham, the film revolves around the relationship between the thuggish Danny (Stephen Graham) and Joseph (Adewale Akinnuoye-Agbaje), a giant of a man with a mental age of seven. When Danny finds himself in debt to a local crime boss, he feels he is left with no choice but to manipulate Joseph into participating in a series of underground cage fights from which Danny can profit. Salvation appears to call out to both men when they begin relationships with Lisa (Emma Stansfield) and Isabel (Maxine Peake), but will they be able to escape the bloody world of gambling and fighting Danny has plunged them into?

Three-part British drama starring Dawn Steele and Ronni Ancona. Following members of a Clydeside clan headed by Mary Corrigan (Steele and later June Watson), the programme follows three generations of the family over the course of one hundred years as they face some of the most trying circumstances in British political history including Bloody Friday of 1919 where workers marched through Glasgow demanding a 40-hour working week and the pandemonium of the miner's strike of 1984.

Introduction and Notes by David Blair, University of Kent. Northanger Abbey tells the story of a young girl, Catherine Morland who leaves her sheltered, rural home to enter the busy, sophisticated world of Bath in the late 1790s. Austen observes with insight and humour the interaction between Catherine and the various characters whom she meets there, and tracks her growing understanding of the world about her. In this, her first full-length novel, Austen also fixes her sharp, ironic gaze on other kinds of contemporary novel, especially the Gothic school made famous by Ann Radcliffe. Catherine's reading becomes intertwined with her social and romantic adventures, adding to the uncertainties and embarrassments she must undergo before finding happiness.

This book is an extension of the discussions presented in Blaira (TM)s 1990 book Language and Representation in Information Retrieval, which was selected as the "Best Information Science Book of the Year" by the American Society for Information Science (ASIS). That work stated that the Philosophy of Language had the best theory for understanding meaning in language, and within the Philosophy of Language, the work of philosopher Ludwig Wittgenstein was found to be most perceptive. The success of that book provided an incentive to look more deeply into Wittgensteina (TM)s philosophy of language, and how it can help us to understand how to represent the intellectual content of information. This is what the current title does, and by using this theory it creates a firm foundation for future Information Retrieval research.

The work consists of four related parts. Firstly, a brief overview of Wittgensteina (TM)s philosophy of language and its relevance to information systems. Secondly, a detailed explanation of Wittgensteina (TM)s late philosophy of language and mind. Thirdly, an extended discussion of the relevance of his philosophy to understanding some of the problems inherent in information systems, especially those systems which rely on retrieval based on some representation of the intellectual content of that information. And, fourthly, a series of detailed footnotes which cite the sources of the numerous quotations and provide some discussion of the related issues that the text inspires.

Selected and Edited with an Introduction and Notes by David Blair, University of Kent at Canterbury. Late in the eighteenth century authors began to write 'Gothic' stories as a way of putting literature back in touch with the irrational, the supernatural and the bizarre, which had been neglected in the 'Age of Reason'. This superb new collection brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales from the period in which Gothic diversified into the familiar forms of the ghost- and-horror-story. Work by writers such as Poe, Dickens, Hawthorne, Gaskell and M. R. James appears alongside that of anonymous writers from the start of the period and many lesser-known authors from Britain and America. Some of these stories, like the haunting 'The Lame Priest' are 'lost masterpieces' and several have never been anthologised before. Together they cover the spectrum of Gothic story-telling - tales of madness and violence, of shape-shifters and spectres, that express some of the deepest fears of the human mind - insanity, sexuality, death and the often terrible power of the past to catch up with the present. In a lively, authoritative introduction David Blair provides fresh insights and a detailed commentary on the stories' place in the complex traditions of Gothic writing in British and American literature.

Introduction and Notes by David Blair. University of Kent at Canterbury. It is 1757. Across north-eastern America the armies of Britain and France struggle for ascendancy. Their conflict, however, overlays older struggles between nations of native Americans for possession of the same lands and between the native peoples and white colonisers. Through these layers of conflict Cooper threads a thrilling narrative, in which Cora and Alice Munro, daughters of a British commander on the front line of the colonial war, attempt to join their father. Thwarted by Magua, the sinister 'Indian runner', they find help in the person of Hawkeye, the white woodsman, and his companions, the Mohican Chingachgook and Uncas, his son, the last of his tribe. Cooper's novel is full of vivid incident- pursuits through wild terrain, skirmishes, treachery and brutality- but reflects also on the interaction between the colonists and the native peoples. Through the character of Hawkeye, Cooper raises lasting questions about the practises of the American frontier and the eclipse of the indigenous cultures.

In our world today, scientists and technologists speak one language of reality. Everyone else, whether they be prime ministers, lawyers, or primary school teachers speak an outdated Newtonian language of reality. While Newton saw time and space as rigid and absolute, Einstein showed that time is relative - it depends on height and velocity - and that space can stretch and distort. The modern Einsteinian perspective represents a significant paradigm shift compared with the Newtonian paradigm that underpins most of the school education today. Research has shown that young learners quickly access and accept Einsteinian concepts and the modern language of reality. Students enjoy learning about curved space, photons, gravitational waves, and time dilation; often, they ask for more! A consistent education within the Einsteinian paradigm requires rethinking of science education across the entire school curriculum, and this is now attracting attention around the world. This book brings together a coherent set of chapters written by leading experts in the field of Einsteinian physics education. The book begins by exploring the fundamental concepts of space, time, light, and gravity and how teachers can introduce these topics at an early age. A radical change in the curriculum requires new learning instruments and innovative instructional approaches. Throughout the book, the authors emphasise and discuss evidence-based approaches to Einsteinian concepts, including computer- based tools, geometrical methods, models and analogies, and simplified mathematical treatments. Teaching Einsteinian Physics in Schools is designed as a resource for teacher education students, primary and secondary science teachers, and for anyone interested in a scientifically accurate description of physical reality at a level appropriate for school education.

Director and star Kenneth Branagh brings another Shakespearean adaptation to the screen. Hamlet (Branagh), Prince of Denmark, vows revenge when informed by the ghost of his murdered father (Brian Blessed) that the present king Claudius (Derek Jacobi) was responsible. Spurning the romantic advances of his sweetheart Ophelia (Kate Winslet), Hamlet attempts to open the eyes of his mother Gertrude (Julie Christie), whom Claudius has now wed. However, Hamlet's procrastination when it comes to killing Claudius costs more lives.

British supernatural horror starring Robert Sheehan and Lily Cole. Jack (Sheehan) is a severely troubled man, burdened by the voices in his head. When he discovers that the voices he hears are those of dead people, he realises that they are using him as a messenger to send word to their loved ones. When a recently departed journalist gets in contact with Jack, expressing the need to say goodbye to his wife, Jack obeys the voice and finds himself getting close to the grieving widow, Sarah (Tamzin Merchant). As he spends more time with Sarah, Jack learns dark secrets about the couple, making him question the morals of his unwanted gift.

In our world today, scientists and technologists speak one language of reality. Everyone else, whether they be prime ministers, lawyers, or primary school teachers speak an outdated Newtonian language of reality. While Newton saw time and space as rigid and absolute, Einstein showed that time is relative - it depends on height and velocity - and that space can stretch and distort. The modern Einsteinian perspective represents a significant paradigm shift compared with the Newtonian paradigm that underpins most of the school education today. Research has shown that young learners quickly access and accept Einsteinian concepts and the modern language of reality. Students enjoy learning about curved space, photons, gravitational waves, and time dilation; often, they ask for more! A consistent education within the Einsteinian paradigm requires rethinking of science education across the entire school curriculum, and this is now attracting attention around the world. This book brings together a coherent set of chapters written by leading experts in the field of Einsteinian physics education. The book begins by exploring the fundamental concepts of space, time, light, and gravity and how teachers can introduce these topics at an early age. A radical change in the curriculum requires new learning instruments and innovative instructional approaches. Throughout the book, the authors emphasise and discuss evidence-based approaches to Einsteinian concepts, including computer- based tools, geometrical methods, models and analogies, and simplified mathematical treatments. Teaching Einsteinian Physics in Schools is designed as a resource for teacher education students, primary and secondary science teachers, and for anyone interested in a scientifically accurate description of physical reality at a level appropriate for school education.

"The more narrowly we examine language, the sharper becomes the con?ict - tween it and our requirement. (For the crystalline purity of logic was, of course, not a result of investigation; it was a requirement. ) The con?ict becomes intolerable; the requirement is now in danger of becoming empty. -We have got onto slippery ice where there is no friction and so in a certain sense the conditions are ideal, but also, just because of that, we are unable to walk. We want to walk; so we need 1 friction. Back to the rough ground " -Ludwig Wittgenstein This manuscript consists of four related parts: a brief overview of Wittgenstein's p- losophy of language and its relevance to information systems; a detailed explanation of Wittgenstein's late philosophy of language and mind; an extended discussion of the re- vance of his philosophy to understanding some of the problems inherent in information systems, especially those systems which rely on retrieval based on some representation of the intellectual content of that information. And, fourthly, a series of detailed footnotes which cite the sources of the numerous quotations and provide some discussion of the related issues that the text inspires. The ?rst three of these parts can each be read by itself with some pro?t, although they are related and do form a conceptual whole.

With an Introduction and Notes by David Blair. From its first publication in 1816 Rob Roy has been recognised as containing some of Scott's finest writing and most engaging, fully realised characters. The outlaw Rob Roy MacGregor was already a legendary, disputed figure by the time Scott wrote - a heroic Scottish Robin Hood to some, an over-glamorised, unprincipled predator to others. Scott approaches Rob Roy indirectly, through the adventures of his fictional hero, Frank Osbaldistone, amid the political turmoil of England and Scotland in 1715. With characteristic care Scott reconstructs the period and settings so as to place Rob Roy and the Scotland he inhabits amid conflicting moral, economic and historical forces. This edition features, besides a new critical introduction and extensive explanatory notes, an essay outlining clearly the novel's historical context and a glossary of Scottish words and phrases used by Scott's colourful, vernacular characters.

All six episodes of the Bafta-winning black comedy series from the 1990s, starring David Tennant in his debut role. Set in a Scottish mental asylum, St Jude's, Ken Stott plays Eddie McKenna, a double-glazing salesman fighting his own demons, who moonlights as a D.J. in the hospital at night. During his time at work, he develops friendships with Francine (Katy Murphy), a self-harmer, and manic depressive Campbell (Tennant). Whilst Eddie and Campbell both dream of hitting the heights on commercial radio, Eddie's future is swiftly put on the back-burner when his personal life is suddenly thrown into chaos, forcing him to finally confront his problems. Episodes comprise: 'Hey Jude', 'Fly Like an Eagle', 'You Always Hurt the One You Love', 'Fool On the Hill', 'Rainy Night in Georgia' and 'Let It Be'.

Introduction and Notes by David Blair, Rutherford College, University of Kent. The Moonstone, a priceless Indian diamond which had been brought to England as spoils of war, is given to Rachel Verrinder on her eighteenth birthday. That very night, the stone is stolen. Suspicion then falls on a hunchbacked housemaid, on Rachel's cousin Franklin Blake, on a troupe of mysterious Indian jugglers, and on Rachel herself. The phlegmatic Sergeant Cuff is called in, and with the help of Betteredge, the Robinson Crusoe-reading loquacious steward, the mystery of the missing stone is ingeniously solved.

Though a number of books covering adolescent substance abuse are available, there are very few resources that explore the topic in the context of Family Systems Therapy (FST). Youth and Their Families offers an expanded view of the therapeutic process with a specific focus on the relationship between therapists, adolescents, families, communities, and substance use. By applying an FST lens, the clinician learns to view their client as an entire family system being affected by adolescent substance abuse. Furthermore, FST can be used at every stage of the substance abuse intervention continuum (from prevention to intervention) to provide increased functioning and strength in the family system. This book incorporates easily applicable clinical skill acquisition with the use of lively cases to give the reader requisite skills to be an effective family systems therapist.