This collection of essays expands the focus of Enlightenment studies to include countries outside the core nations of France, Germany and Britain. Notions of sociability and cosmopolitanism are explored as ways in which people sought to improve society.

This collection of essays expands the focus of Enlightenment studies to include countries outside the core nations of France, Germany and Britain. Notions of sociability and cosmopolitanism are explored as ways in which people sought to improve society.

Fictioning in art is an open-ended, experimental practice that involves performing, diagramming or assembling to create or anticipate new modes of existence. In this extensively illustrated book containing over 80 diagrams and images of artworks, David Burrows and Simon O'Sullivan explore the technics of fictioning through three focal points: mythopoesis, myth-science and mythotechnesis. These relate to three specific modes of fictioning: performance fictioning, science fictioning and machine fictioning. In this way, Burrows and O'Sullivan explore how fictioning can offer us alternatives to the dominant fictions that construct our reality in an age of `post-truth' and `perception management'. Through fictioning, they look forward to the new kinds of human, part-human and non-human bodies and societies to come.

Omnibus version. All three books in one version. Vastra is a man possessed. He seeks an Eldric talisman, ensnaring two men to aid him. Fate guides his hand and, unwittingly, he chooses Kaplyn, who is seeking to escape his own destiny and Lars, shipwrecked and friendless, an outcast on the Allund shore. An unlikely trio, they form a fragile alliance but, recklessly ambitious, Vastra will betray them in a heartbeat. Their actions have repercussions for future generations, and a collision of powers will allow the shade of a dead emperor to cross the divide between the worlds, bringing with him the threat of dragons. Astalus, the Thracian court wizard is in a quandary. Allund, their ancient ally, is marching against them when shocking news arrives. A spy, arrested brazenly entering the city, claims to be a prince from an extinct royal household, a household that was overthrown, the family members murdered over sixty years ago. Intriguingly, the spy's claim to be from Allund is more than a coincidence, for the army marching against them is also from Allund. Who to trust? The stranger brings with him news of an army from Trosgarth, which can only mean one thing. Drachar's shade has been summoned and the Prophecy is coming to pass. Astalus, normally so certain and confident, is suddenly plummeted into his worst nightmare, for soon Thrace could be threatened by demons and, against them, there is no salvation. In a land fraught with betrayal, fear and death, the shadows are deepening.

Vastra is a man possessed. Where other men require food to sustain them, his craving is for power. He seeks an Eldric talisman, ensnaring two men to aid him. Fate guides his hand and, unwittingly, he chooses Kaplyn, who is seeking to escape his own destiny and Lars, shipwrecked and friendless, an outcast on the Allund shore. An unlikely trio, they form a fragile alliance but, recklessly ambitious, Vastra will betray them in a heartbeat. Throughout their journey, there are clear signs that demons are active, stealing souls to slake their hunger. Their journey takes them to a mysterious tower, beset by traps, where Kaplyn triggers a chain of events unleashing the full power of a prophecy that could doom them all. Deep in the heart of a mountain lays a power that not even Vastra has the audacity to envision. But who really is guiding Vastra's destiny? Kaplyn has the talisman and, for all of Vastra's threats, he is unwilling to part with it.

Can you hear the child's voice? The Court of Appeal have commented that the family courts are 'still feeling their way forward in order to determine how best to 'hear the voice of a child'. In this new title David Burrows looks at the jurisprudence surrounding this remark, relates it to European and UN Convention rights and looks at the most recent children case law. It concentrates on: Children in court proceedings, particularly in family proceedings Contrasting the way courts hear children's views with the way their evidence is heard Any rights to which a child is entitled (common law; European Convention 1950; UN Conventions; and EU Directives), such as to confidentiality and to take part (or be heard) in proceedings. The meaning and effect of a child's 'understanding' in court proceedings, and the way that term varies according to a child's age and the issue before the court. Legislation and case law covered and analysed includes: Children Act 1989 and applicable Family Procedure Rules 2010 Human Rights Act 1998 and European Convention 1950 Civil Procedure Rules 1998 LASPO Act 2012 Youth Justice and Criminal Evidence Act 1999 Re D (A Child) (International Recognition) - child's right to be heard Re W (A Child)- rules for child representation in hearings P v A Local Authority (Fam) - legal aid and statutory damages Re W (Children) (Abuse: Oral Evidence) - child's evidence R (D (a minor)) v Camberwell Green Youth Court - safeguards in criminal law for children Protocol and Good Practice Model Disclosure of information in cases of alleged child abuse and linked criminal and care directions hearings - October 2013 Achieving Best Evidence: Guidance on interviewing children March 2011