Who is the Pearl-poet? How do ideas about his life and interpretations of his poems shape our understanding of his work in late-medieval England-and beyond? In Becoming the Pearl-Poet: Perceptions, Connections, Receptions, readers can explore the world of this extraordinary, fourteenth-century writer. In Part I, "Perceptions," five scholars give insightful literary analyses of the narrative poems attributed to the poet: Pearl, Cleanness, Patience, Sir Gawain and the Green Knight, and St. Erkenwald. In Part II, "Connections," six scholars examine connections between these diverse poems, focusing on authorship, ecology, material culture, sartorial adornment, shields, and the poet's pastoral theology. In Part III, "Receptions," scholars consider the illustrations of the Pearl Manuscript (British Library MS Cotton Nero A.x), the poet's cultural situatedness in the Northwest Midlands and Ricardian court, his religious contexts, later translations and paraphrases of his work, and his medieval and modern audiences. Intended for students and scholars alike, this book encourages readers to gain a deeper understanding of the Pearl-poet and his world, learning many new things and enjoying old things in a new way.

In The Wheel of Language, Coley explores representations of speech in English poetry of the later Middle Ages, proposing that the spoken word, both within Ricardian and Lancastrian poetry and within late medieval English culture, was understood as an efficacious, powerful medium. Representing speech in the poetic text was always a political act, one by which authors were able to criticise and comment upon issues as diverse as the Lancastrian usurpation; the Lollard heresy; and the philosophical, economic, and institutional changes that England witnessed in the fourteenth and fifteenth centuries. Coley examines the work of Chaucer, Gower, Hoccleve, and the anonymous author of St. Erkenwald to show how writers manipulated cultural understandings of speech to engage with the crises that defined the later Middle Ages. Ultimately, The Wheel of Language uses the spoken word within the written text to map the complicated and shifting relationships among language, literature, politics, and power.