Created by an interdisciplinary team of researchers in partnership with a large urban school district, this guidebook helps teachers and school leaders in Texas and beyond learn how to overlay Latina/o/x Studies content on top of existing state standards, providing a practical roadmap toward historically accurate, culturally relevant curricula and instruction that can be injected into all K-12 social studies classes. Following a detailed introductory essay synthesizing the field for new practitioners, it provides detailed explanations of seven major themes that define Latinx Studies across time and space, each accompanied by embedded "enduring understandings" and "essential questions" to jumpstart the process of backward design. For Texas teachers and school districts, the guidebook also includes content maps that provide guidance on sample lessons for specific units in each course and grade level. Finally, educators can draw upon detailed annotated bibliographies to identify supplemental resources, guidance for learning activities outside the classroom, and a scope and sequence for a high-school Latinx Studies elective. This is essential reading for teachers and district leaders who seek to provide culturally relevant instruction to improve student outcomes among the nation's largest and fastest-growing ethnic group.

A gritty, dark Magical Fantasy about the imagination of a young child dying of Muscular Degeneration and the relationship between her backyard garden, her father and the ferocity of an African Mandrill primate. This Fantasy is set among the ruins of the South Bronx during the late 70's.

Miguel Gonzalez-Gerth, an esteemed translator, poet, editor, and professor emeritus at the University of Texas at Austin, has been publishing his original English and Spanish poetry since 1946. Born in Mexico City in 1926, Gonzalez-Gerth moved to the United States in 1940 and made it his permanent home. He received his B.A. from the University of Texas in 1950 and a PhD from Princeton in 1973, and taught at UT for over thirty years.
Editor David Colon has compiled a selection of Gonzalez-Gerth's poems that demonstrate the range of interests, themes, and styles that span more than a century of a life dedicated to Hispanic literature studies. The poems in this collection are arranged chronologically, exhibiting "the different phases of a poet's life as well as different historical moments and literary traditions."
Many of the poems appear with side-by-side translation, demonstrating not only the creativity born of a unique cultural perspective, but the profound understanding and commitment to the process of translation, taking a poem through its original written language, rethinking the words, allusions, connotations, and presenting it in a different language and tradition.
"He has two guiding principles as a translator of poetry: to keep the languages distinct, and to approach the act of reproduction as an art form itself. In the end, the translation must work on the terms of its own language. It is more important for it to be a successful poem than a faithful copy," writes Colon in the introduction. "Between Day and Night" provides a record of Gonzalez-Gerth's achievement as a poet and translator, a writer who stays true to the languages and poetic styles of Latin America and Anglo-America, and "work s] with essentially two minds."