In the first half of the twentieth century, the rationalist tide had reached its high mark in the arts, politics, and work. But the Holocaust, the Gulag, and other failures have dimmed the popularity of rationalism. However, the evidence of those practical failures would not have been as convincing as it was if not for the existence of a theoretical diagnosis of the malady. This book compares and contrasts the ideas of some of the leading twentieth-century critics of rationalism: Hans-Georg Gadamer, F.A. Hayek, Aurel Kolnai, Alasdair MacIntyre, Michael Oakeshott, Michael Polanyi, Gilbert Ryle, Eric Voegelin, and Ludwig Wittgenstein. While each can be seen as a critic of rationalism, were they each attacking the same thing? In what senses did their analyses overlap, and in what senses did they differ? Clarifying these issues, this book will provide important insights into this major intellectual trend of the past century. By including these major thinkers, Tradition v. Rationalism, we see that that these thinkers believed that tradition should still have a place in the world as a repository of wisdom. As our lives becomes increasingly dominated by various forms of rationalisms-whether political, technological, economic, or cultural-we need to ask ourselves whether this is the type of world in which we want to live; and if not, how can we critique and propose an alternative to it? The thinkers in this book provide us a starting point on our journey towards thinking about how we can have a more hopeful, humane, and brighter future.

The overall aim of the volume is to explore the relation of Socratic philosophizing, as Plato represents it, to those activities to which it is typically opposed. The essays address a range of figures who appear in the dialogues as distinct "others" against whom Socrates is contrasted-most obviously, the figure of the sophist, but also the tragic hero, the rhetorician, the tyrant, and the poet. Each of the individual essays shows, in a different way, that the harder one tries to disentangle Socrates' own activity from that of its apparent opposite, the more entangled they become. Yet, it is only by taking this entanglement seriously, and exploring it fully, that the distinctive character of Socratic philosophy emerges. As a whole, the collection sheds new light on the artful ways in which Plato not only represents philosophy in relation to what it is not, but also makes it "strange" to itself. It shows how concerns that seem to be raised about the activity of philosophical questioning (from the point of view of the political community, for example) can be seen, upon closer examination, to emerge from within that very enterprise. Each of the essays then goes on to consider how Socratic philosophizing can be defined, and its virtues defended, against an attack that comes as much from within as from without. The volume includes chapters by distinguished contributors such as Catherine Zuckert, Ronna Burger, Michael Davis, Jacob Howland, and others, the majority of which were written especially for this volume. Together, they address an important theme in Plato's dialogues that is touched upon in the literature but has never been the subject of a book-length study that traces its development across a wide range of dialogues. One virtue of the collection is that it brings together a number of prominent scholars from both political science and philosophy whose work intersects in important and revealing ways. A related virtue is that it treats more familiar dialogues (Republic, Sophist, Apology, Phaedrus) alongside some works that are less well known (Theages, Major Hippias, Minor Hippias, Charmides, and Lovers). While the volume is specialized in its topic and approach, the overarching question-about the potentially troubling implications of Socratic philosophy, and the Platonic response-should be of interest to a broad range of scholars in philosophy, political science, and classics.

Join Hercules, the mortal with superhuman powers (and the son of Zeus) in Disney's 35th full length animated movie. In an attempt to prove himself in the eyes of his father, Hercules sets out on a series of adventures with Pegasus the flying horse and Phil his personal trainer. However, hot-headed Hades (voiced by James Woods) tries to scupper Hercules' plans and take over Mount Olympus. Hercules must then decide between his legendary strength and the love of his life, Meg.

The overall aim of the volume is to explore the relation of Socratic philosophizing, as Plato represents it, to those activities to which it is typically opposed. The essays address a range of figures who appear in the dialogues as distinct "others" against whom Socrates is contrasted-most obviously, the figure of the sophist, but also the tragic hero, the rhetorician, the tyrant, and the poet. Each of the individual essays shows, in a different way, that the harder one tries to disentangle Socrates' own activity from that of its apparent opposite, the more entangled they become. Yet, it is only by taking this entanglement seriously, and exploring it fully, that the distinctive character of Socratic philosophy emerges. As a whole, the collection sheds new light on the artful ways in which Plato not only represents philosophy in relation to what it is not, but also makes it "strange" to itself. It shows how concerns that seem to be raised about the activity of philosophical questioning (from the point of view of the political community, for example) can be seen, upon closer examination, to emerge from within that very enterprise. Each of the essays then goes on to consider how Socratic philosophizing can be defined, and its virtues defended, against an attack that comes as much from within as from without. The volume includes chapters by distinguished contributors such as Catherine Zuckert, Ronna Burger, Michael Davis, Jacob Howland, and others, the majority of which were written especially for this volume. Together, they address an important theme in Plato's dialogues that is touched upon in the literature but has never been the subject of a book-length study that traces its development across a wide range of dialogues. One virtue of the collection is that it brings together a number of prominent scholars from both political science and philosophy whose work intersects in important and revealing ways. A related virtue is that it treats more familiar dialogues (Republic, Sophist, Apology, Phaedrus) alongside some works that are less well known (Theages, Major Hippias, Minor Hippias, Charmides, and Lovers). While the volume is specialized in its topic and approach, the overarching question-about the potentially troubling implications of Socratic philosophy, and the Platonic response-should be of interest to a broad range of scholars in philosophy, political science, and classics.