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Based on a true story The Invisible Mile tells the poignant story
of five Australian and New Zealand cyclists who in 1928 formed the
first English-speaking team to ride in the Tour de France. They
were gallant, under-resourced and badly outnumbered but taken deep
to the heart by the French nation. The novel describes in a
wonderful poetic and visceral voice what it was like to ride in
this race (the chaos, danger and rivalries), the extraordinary
lengths to which the riders pushed themselves, suffering horrific
injuries, riding through the night in pitch dark, and the ways they
staved off the pain, through camaraderie, through sexual conquest,
through drink, and through drugs (cocaine for energy, opium for
pain). Added to the team is the fictional narrator who is cycling
towards his demons in a northern France still scarred by the First
World War. His brother was a fighter pilot damaged by his
experiences in France, his sister has died, and this self-imposed
test of endurance is slowly and painfully bringing him to his
final, invisible mile where memory eventually comes to collide with
the past
During their 1985 tour, two events of hatred and stupidity forever
change the lives of a band’s four members. Neues Bauen, a post-hardcore
Illinois group homing in on their own small fame, head on with frontman
Conrad Wells sexually assaulted and guitarist Tone Seburg wounded by
gunshot. The band staggers forth into the American landscape,
traversing time and investigating each of their relationships with
history, memory, authenticity, violence and revelling in transcendence
through the act of art.
With decades passed and compelled by his wife’s failing health to track
down Tone, Conrad flies to North Africa where her brother is rumoured
to be hiding with a renowned artist from their past. There he instead
meets various characters including his former drummer, Spence. Amongst
the sprawl and shout of Morocco, the men attempt to recall what
happened to them during their lost years of mental disintegration and
emotional poverty.
Dance Prone is a novel of music, ritual and love. It is live, tense and
corporeal. Full of closely observed details of indie-rock, of punk
infused performance, the road and the players’ relationship to
violence, hate and peace.
Set during both the post-punk period and the present day, Dance Prone
was born out of a love of the underground and indie rock scenes of the
1980s, a fascination for their role in the cultural apparatus of
memory, social decay and its reconstruction.
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Dance Prone (Hardcover)
David Coventry
1
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R499
R365
Discovery Miles 3 650
Save R134 (27%)
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Ships in 9 - 17 working days
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'A raw and raging celebration of music . . . astounding.' Megan
Bradbury 'Funny, filthy, erudite, and rude.' Carl Shuker 'A
magnificent novel.' Alan McMonagle During their 1985 tour, two
events of hatred and stupidity forever change the lives of a band's
four members. Neues Bauen, a post-hardcore Illinois group homing in
on their own small fame, head on with frontman Conrad Wells
sexually assaulted and guitarist Tone Seburg wounded by gunshot.
The band staggers forth into the American landscape, traversing
time and investigating each of their relationships with history,
memory, authenticity, violence and revelling in transcendence
through the act of art. With decades passed and compelled by his
wife's failing health to track down Tone, Conrad flies to North
Africa where her brother is rumoured to be hiding with a renowned
artist from their past. There he instead meets various characters
including his former drummer, Spence. Amongst the sprawl and shout
of Morocco, the men attempt to recall what happened to them during
their lost years of mental disintegration and emotional poverty.
Dance Prone is a novel of music, ritual and love. It is live, tense
and corporeal. Full of closely observed details of indie-rock, of
punk infused performance, the road and the players' relationship to
violence, hate and peace. Set during both the post-punk period and
the present day, Dance Prone was born out of a love of the
underground and indie rock scenes of the 1980s, a fascination for
their role in the cultural apparatus of memory, social decay and
its reconstruction.
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