A selection of Michel de Montaigne's most profound, searching essays, in a new translation and stunning hardback edition 'I myself am the subject of my book'. So wrote Montaigne in the introductory note to his Essays, the book that marked the birth of the modern essay form. In works of probing intelligence and idiosyncratic observation, Montaigne moved from intimate personal reflection to roving theories of the conduct of kings and cannibals, the effects of sorrow and fear, and the fallibility of human memory and judgement. This new selection of Montaigne's most ingenious essays appears in a lucid new translation by the prize-winning David Coward. What Do I Know? offers the modern reader profound insight into a great Renaissance mind.

'It was raining as it only rains in Normandy, as though great gouts of water were being sprayed by some angry, giant hand.' Maupassant believed that we delude ourselves into believing that we are not animals acting upon instinct but rational creatures capable of idealistic beliefs and actions and survive only on the drug of self-deception. Maupassant's disgust with creation was only equalled by his contempt for human hypocrisy, and in these tales he takes a scalpel to our illusions and cuts to the bone. But his clinical pessimism is redeemed by a sense of the absurd and a warmer compassion for 'humanity bleeding'. Unsentimental but always honest, he persuades us that life is an incomprehensible, cosmic farce. This translation of twenty tales shows Maupassant at his bitter, bawdy, chilling best. It features some of his grimmest and most famous stories such as A Vendetta and The Grove of Olives, and it also reflects both his moods and his mastery of the short story. The Little Keg is rich in comic invention, while the disturbing Who Can Tell? draws its power from the strange forces which drove its author into madness. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'people get out of prison, and when they get out, and their name is Edmond Dantes, they take their revenge!' Falsely accused of treason, the young sailor Edmond Dantes is arrested on his wedding day and imprisoned in the island fortress of the Chateau d'If. Having endured years of incarceration, he stages a daring and dramatic escape and sets out to discover the fabulous treasure of Monte Cristo, and to catch up with his enemies. A novel of enormous tension and excitement, The Count of Monte Cristo is also a tale of obsession and revenge. Believing himself to be an 'Angel of Providence', Dantes pursues his vengeance to the bitter end, only then realizing that he himself is a victim of fate. One of the great thrillers of all time, The Count of Monte Cristo has been adapted for film and television many times. This newly revised, unabridged translation is as unputdownable now as it was when the novel first appeared, and William Thackeray, enthralled, 'began to read Monte Cristo at six one morning and never stopped till eleven at night'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Winner of the 1957 Grand prix de la litterature policiere It was fate that led her to step out in front of the car. A quiet mountain road. A crushed violin. And a beautiful woman lying motionless in the ditch. Carrying her back to his lodging on a beach near Barcelona, Daniel discovers that the woman is still alive but that she remembers nothing - not even her own name. And soon he has fallen for her mysterious allure. She is a blank canvas, a perfect muse, and his alone. But when Daniel travels to France in search of her past, he slips into a tangled vortex of lies, depravity and murder. The Executioner Weeps is a macabre thriller about the dangerous pitfalls of love. 'The French master of noir' Observer 'Unsettling... worthy of Agatha Christie at her devious best... classic French noir' Guardian 'Hugely atmospheric' The Times 'Spellbinding' Wall Street Journal 'Disturbing from the outset with strong echoes of Simenon' Sunday Times Frederic Dard (1921-2000) was one of the best known and loved French crime writers of the twentieth century. Enormously prolific, he wrote more than three hundred thrillers, suspense stories, plays and screenplays, under a variety of noms de plume, throughout his long and illustrious career, which also saw him win the 1957 Grand prix de la litterature policiere for The Executioner Weeps. Dard's Bird in a Cage, The Wicked Go to Hell, Crush, The Gravediggers' Bread and The King of Fools are also available or forthcoming from Pushkin Vertigo.

New to Penguin Classics, the great underwater adventure story in a stunning clothbound edition with original images. In this thrilling adventure tale by the 'Father of Science Fiction', three men embark on an epic journey under the sea with the mysterious Captain Nemo aboard his submarine the Nautilus. Over the course of their fantastical voyage, they encounter the lost city of Atlantis, the South Pole and the corals of the Red Sea, and must battle countless adversaries both human and monstrous. Verne's triumphant work of the imagination shows the limitless possibilities of science and the dark depths of the human mind. This new version by award-winning translator David Coward brings Verne's novel vividly to life for a new generation of readers. Jules Gabriel Verne (1828-1905) was a French author and a pioneer of the science-fiction genre. His novels include Journey to the Centre of the Earth (1864), Twenty Thousand Leagues Under the Sea (1869-70), and Around the World in Eighty Days (1873), all available in Penguin Classics. David Coward is Emeritus Professor of French at the University of Leeds. He is the author of studies of Marcel Pagnol, Marguerite Duras, Marivaux and Restif de la Bretonne, and of a History of French Literature (2002). He has translated numerous French classics, including Moliere's plays, Simenon's novels and Albert Cohen's Belle du Seigneur, for which he was awarded the Scott-Moncrieff prize in 1996. 'We are all, in one way or another, the children of Jules Verne' - Ray Bradbury

Such Foolish Affected Ladies/ Tartuffe/ The Misanthrope/ The Doctor Despite Himself/The Would-be Gentleman/ Those Learned Ladies

‘Let’s not worry about the manners of the age and make more allowance for human nature. Let’s judge it less severely and look more kindly on its faults’

The six plays collected in this volume illustrate Moliere’s broad range of comic devices, from satire and farce to slapstick and sophisticated wit and wordplay. In Tartuffe and The Doctor Despite Himself, Moliere shows us the foolishness of those taken in by a religious hypocrite and a bogus physician, while Such Foolish Affected Ladies and Those Learned Ladies are a humorous attack on the excessive refinement and pedantry of the Parisian smart set. And in The Misanthrope and The Would-Be Gentleman Moliere warn us of the dangers of obsession and intolerance.  Exposing duplicity, mocking snobbery and revealing the horrors of hypocrisy, Moliere’s plays are masterly studies in the absurdities of human nature.
 
All of the humour and panache of the original French has been preserved in John Wood’s translation. In his introduction, David Coward discusses the reception each play received when it was first performed and how this has changed over the centuries. This edition also includes a chronology, bibliography and notes.

Eighteenth-century France produced only one truly international theater star, Beaumarchais, and only one name, Figaro, to combine with Don Quixote and D'Artagnan in the ranks of popular myth. But who was Figaro? He was quickly appropriated by Mozart and Rossini who tamed the original impertinent, bustling servant for their own purposes. On the eve of the French Revolution Figaro was seen as a threat to the establishment and Louis XIV even banned The Marriage of Figaro.
Was the barber of Seville really a threat to aristocratic heads, or a bourgeois individualist like his creator? The three plays in which he plots and schemes chronicle the slide of the ancien regime into revolution but they also chart the growth of Beaumarchais' humanitarianism. They are exuberant theatrical entertainments, masterpieces of skill, invention, and social satire which helped shape the direction of French theater for a hundred years. This lively new translation catches all the zest and energy of the most famous valet in French literature.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more."

Twenty Years After (1845), the sequel to The Three Musketeers, is a supreme creation of suspense and heroic adventure.
Two decades have passed since the musketeers triumphed over Cardinal Richelieu and Milady. Time has weakened their resolve, and dispersed their loyalties. But treasons and strategems still cry out for justice: civil war endangers the throne of France, while in England Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is a titanic struggle with the son of Milady, who wears the face of Evil.
The only edition in print, David Coward sets both the author and his exciting tale in their historical and cultural contexts.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

This selection of twenty-seven stories shows Maupassant at his comic, cruel, and brilliant best. In addition to the poignant title story, it includes one of the most famous tales ever written, The Necklace , and Le Horla, an account of a disintegrating personality that chillingly parallels the author's own decline into madness. All the stories demonstrate his genius for invention and his ability to write unblinkingly about the absurdity of the human condition, supporting Henry James' claim that in the annals of story-telling, Maupassant stands `like a lion in the path'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Louise de la Balliere is the middle section of The Vicomte de Bragelonne or, Ten Years After. Against a tender love story, Dumas continues the suspense which began with The Vicomte de Bragelonne and will end with The Man in the Iron Mask. It is early summer, 1661, and the royal court of France is in turmoil. Can it be true that the King is in love with the Duchess d'Orleans? Or has his eye been caught by the sweet and gentle Louise de la Valliere? No one is more anxious to know the answer than Raoul, son of Athos, who loves Louise more than life itself. Behind the scenes, dark intrigues are afoot. Louis XIV is intent on making himself absolute master of France. Imminent crisis shakes the now aging Musketeers and d'Artagnan out of their complacent retirement, but is the cause just? This new edition of the classic English translation of 1857 is richly annotated and sets Dumas's invigorating tale in its historical and cultural context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'I am not an angel nor a genie nor a ghost...I am Erik!' A mysterious Phantom haunts the depths of the Paris Opera House where he has fallen passionately in love with the beautiful singer Christine Daae. Under his guidance her singing rises to new heights and she is triumphantly acclaimed. But Christine is also loved by Raoul de Chagny, and by returning his love she makes the fiend she knows as the Angel of Music mad with jealousy. When the Phantom is finally unmasked, will Christine see beyond his hideous disfigurement? The twists and turns of Leroux's thrilling story have captivated readers since its very first appearance in 1910, and its outlines are known to many more who have seen it on stage or film. This new translation is as full-blooded and sensational as the original. David Coward's introduction tells the fascinating story of the novel's genesis, and his thorough notes further illuminate details of the narrative. Christine's plight, the fate of Erik, and the redemptive power of love make an unforgettable novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'It is a ripping yarn, but it is also an eerie tale of isolation and madness ... with a compellingly Byronic central character' Guardian Combining thrilling adventure with scientific facts and a wonder at the natural world, Twenty Thousand Leagues Under the Sea is Jules Verne's most enduringly popular novel. It begins when a vast black object is spotted menacing the oceans, causing panic over the world. When Professor Aronnax joins an expedition to hunt down the creature, he and his two companions discover it is a giant submarine, the Nautilus. Captured and held prisoner on board by its captain, Nemo - unpredictable, enigmatic, exiled from humanity - they have no choice but to travel the terrifying underwater depths with him. Translated with an Introduction and Notes by David Coward

Who but the Marquis de Sade would write not of the pain, tragedy, and joy of love but of its crimes? Murder, seduction, and incest are among the cruel rewards for selfless love in his stories--tragedy, despair, and death the inevitable outcome. Sade's villains will stop at nothing to satisfy their depraved passions, and they in turn suffer under the thrall of love.
This is the most complete selection from the Marquis de Sade's four-volume collection of short stories, The Crimes of Love. David Coward's vibrant new translation captures the verve of the original, and his introduction and notes describe Sade's notorious career. This new selection includes "An Essay on Novels," Sade's penetrating survey of the novelist's art. It also contains the preface to the collection and an important statement of Sade's concept of fiction and one of the few literary manifestoes published during the Revolution. Appendices include the denunciatory review of the collection that it received on publication, and Diderot's vigorous response. A skilled and artful story-teller, Marquis de Sade's is also an intellectual who asks questions about society, about ourselves, and about life. Psychologically astute and defiantly unconventional, these stories show Sade at his best.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The name of the Marquis de Sade is synonymous with the blackest corners of the human soul, a byword for all that is foulest in human conduct. In his bleak, claustrophobic universe, there is no God, no morality, no human affection, and no hope. Power is given to the strong, and the strong are murderers, torturers, and tyrants. No quarter is given; compassion is the virtue of the weak. Yet Sade was a man of savage intelligence who carried the philosophy of the French Enlightenment to its logical extreme. His writings effectively release the individual from all social and moral constraint: for many, Sade is the Great Libertarian. The Victorians considered him `Divine' and Apollinaire called him `the freest spirit'; the Surrealists recognised him as a founding father, and he is a key figure in the history of modernism and post-modernism. With Freud and Marx, Sade has been one of the crucial shaping influences on this century, and reactions to him continue to be extreme. But he has always been more talked about than read. This selection of his early writings, some making their first appearance in this new translation, reveals the full range of Sade's sobering moods and considerable talents. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'The father of contemporary European detective fiction' Ann Cleeves It was indeed a photograph, a picture of a woman. But the face was completely hidden, scribbled all over in red ink. Someone had tried to obliterate the head, someone very angry. The pen had bitten into the paper. There were so many criss-crossed lines that not a single square millimetre had been left visible. On the other hand, below the head, the torso had not been touched. A pair of large breasts. A light-coloured silk dress, very tight and very low cut. Sailors don't talk much to other men, especially not to policemen. But after Captain Fallut's body is found floating near his trawler, they all mention the Evil Eye when they speak of the Ocean's voyage. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as The Sailors' Rendezvous. 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'Compelling, remorseless, brilliant' John Gray In his mind's eye he would see that slim figure in the striking clothes, those wide eyes the colour of forget-me-not, the pert nose and especially the hat, that giddy, crimson bonnet perched on the top of her head with a bronze-green feather shaped like a blade stuck in it . . . Felicie had given him more trouble than all the 'hard' men who had been put behind bars. This novel has been published in a previous translation as Maigret and the Toy Village. 'One of the greatest writers of the twentieth century' Guardian 'A supreme writer . . . unforgettable vividness' Independent

Molière (1622-73) combined all the traditional elements of comedy – wit, slapstick, spectacle and satire – with a deep understanding of character to create richly sophisticated dramas which have always delighted audiences.

Most are built around dangerously deluded and obsessive heroes such as The Miser who threaten to blight the lives of those around them. In his first great triumph, The School for Wives (newly translated for this edition), an ageing domestic tyrant is foiled in his plans to wed his young ward. Although this was fiercely criticized for mocking the ‘sacred’ institution of marriage – to which Molière hit back with a play defending his aims and techniques, The School for Wives Criticized – it was the alleged atheism of his dark, subversive version of Don Juan which struck the blackest note. Finally, in The Hypochondriac, the terminally ill author produced a hilarious exposé of the ways doctors use medical mumbo-jumbo to fleece their patients.

Like Shakespeare, Molière was a true man of the theatre whose comedies blend sharp insight into human nature with an unerring sense of what would work on stage and make people laugh. All his greatest achievements are included here and in the accompanying Penguin Classics volume, The Misanthrope and Other Plays.