This is the book that restarted the James Dean cult by celebrating him as the cool, defiant visionary of pop culture who made adolescence seem heroic instead of awkward and who defined the style of rock 'n' roll's politics of delinquency. The only book to fully show how deliberately and carefully Dean crafted his own image and performances, and the product of still unequalled research, vivid writing, intimate photographs, and profound meditation, James Dean: The Mutant King has become almost as legendary as its subject.

Imagining Latinidad examines how Latin American migrants use technology for public engagement, social activism, and to build digital, diasporic communities. Thanks to platforms like Facebook and YouTube, immigrants from Latin America can stay in contact with the culture they left behind. Members of these groups share information related to their homeland through discussions of food, music, celebrations, and other cultural elements. Despite their physical distance, these diasporic virtual communities are not far removed from the struggles in their homelands, and migrant activists play a central role in shaping politics both in their home country and in their host country. Contributors are: Amanda Arrais, Karla Castillo Villapudua, David S. Dalton, Jason H. Dormady, Carmen Gabriela Febles, Alvaro Gonzalez Alba, Yunuen Ysela Mandujano-Salazar, Anna Marta Marini, Diana Denisse Merchant Ley, Covadonga Lamar Prieto, Maria del Pilar Ramirez Groebli, David Ramirez Plascencia, Jessica Retis, Nancy Rios-Contreras, and Patria Roman-Velazquez.

Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery. And yet, the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance. Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.

Women workers are an increasing part of the global labor force that is at work but trapped in poverty. Poor quality employment drives inequality and threatens sustainable development and gender equality. Women s organizations and trade unions have developed many strategies to try to improve the conditions of women workers and respect for women. These include worker education and awareness raising, protests against abuses, research, international solidarity, and worker organizing. High-profile campaigning has become an important strategy for making change. Yet in many contexts, it is unclear to organizations how to build their capacity to do campaigning. Using case studies from five campaigns in America, Colombia, Morocco, Nicaragua, and Sri Lanka, this book describes Oxfam International s experience in supporting existing national initiatives with global research on the relationship between trade, employment, development, and gender equality. The authors describe and analyze what happened, and how it happened, in the five case-study countries. All faced enormous obstacles, and were able to overcome them through innovation, new ways of working in alliance, and patient persistence towards an end goal. The information in this book will be interesting and helpful, not just to campaigners on women s labor rights, but to those campaigning on other issues, who could also usefully adopt the learning points and examples of good practice. This book does not contain a recipe for instant campaigning success; what is offered here is a menu, from which the reader can pick whatever seems appropriate and useful."

Thoughts shape our reactions, tailor our responses, and contribute wholeness to our psychological well-being, while shaping our spiritual attributes and structuring our relational interactions. In Coffee Thoughts, author Dr. David Dalton offers reflections to help shape and analyze our thoughts.

Throughout this guide to managing your own thought processes, Dalton explores some of the doubts, fears, and perplexities he has experienced in various life situations and illustrates how he found comfort and guidance in his spirituality and in simple pleasures. He presents forty reflections followed by personal coaching questions, covering a host of life experiences: Reflecting deeply Embracing the situation Learning to trust Rediscovering one's gifts Admitting weakness Expressing the beauty of today Exhibiting faith among life's challenges

Intended for daily use and study, Coffee Thoughts offers a gentle and relaxed way of approaching what is often one of our most feared challenges, "the remaking of ourselves."

for unaccompanied viola Transcribed for viola by David Dalton from Ten American Cello Etudes, these pieces are designed to encourage violists to improvise, play chords, use syncopation, and participate in popular musical forms.

Few American artists are as important, beloved and endlessly examined as Bob Dylan, yet he remains something of an enigma. This kaleidoscopic biography, full of the voices of Dylan's family, friends, and fellow travelers through the 60s, offers an entirely fresh narrative perspective, fusing rock star bio with an examination of the music and the zeitgeist that he so mysteriously captured. For almost half a century, Bob Dylan has been a primary catalyst in rock's shifting sensibilities. He has starred in and been the subject of major films; his work is taught in over 200 college courses; and few American artists are as important, beloved, and endlessly examined as he is. Yet, he remains something of an enigma. Who, we ask, is the "real" Bob Dylan? Is he Bobby Zimmerman yearning to escape Hibbing, Minnesota, or the Woody Guthrie wannabe spending the 1960s playing Greenwich Village haunts? The protest poet, the Factory fixture, or the born-again Christian denying the powers of prophecy everyone attributes to him? The events of his life alone do not tell us all we want to know. Now, David Dalton, author, screenwriter, journalist, and founding editor of Rolling Stone, paints a revealing portrait of the rock icon that will be a must-have for his legions of fans. Guided by Dalton's masterful hand, this book will follow Dylan's imaginative life, integrating actual events from his life, Dylan's words, and those of the people who know him most intimately. Drawing upon extensive interviews with Dylan's friends, family, and fellow eyewitnesses to the zeitgeist-including Joan Baez, Keith Richards, Bobby Neuwirth, Kris Kristofferson, Suze Rotolo, Clive Davis, Tom Petty, and others-this book will provide a new perspective on the man, the myth, and the musical era that forged them both.

The long-awaited, never-before-told, no-holds-barred memoir from the legendary Aerosmith frontman. Finally, all the lurid tales of debauchery, sex, drugs and rock n' roll are told straight from the horse's lips as The Demon of Screamin' describes his unimaginable highs and unbelievable lows as lead singer of the biggest rock band in the world. Prolific frontman, rock icon and sex symbol, Steven Tyler is a living legend. With his raw, sharp-edged vocals, musical versatility and unprecedented song writing skills, Tyler has, as lead singer of Aerosmith, sold millions of records and played sell-out concerts to as many as 450,000 people. Now, at last, he tells his own story, taking us on a wild rollercoaster ride through the bust-ups, binges, orgies and good old American excess in the jaw-droppingly honest, in-your-face way that only Tyler can. Following a fateful meeting with his 'mutant twin' Joe Perry in the summer of 1970, Aerosmith was formed...and the rest, as they say, is rock history. They released their first album in 1973, and by 1976 Aerosmith had gone from being nobodies to massive to off the radar, making history as a multi-platinum, chart-topping band. But with great success comes great excess. Nicknamed the Toxic Twins for their insatiable appetite for drugs, booze and women, Tyler and Perry got caught up in the glamour of self-destruction - smashing each other up with guitars, having seizures and passing out on stage. By 1980 it seemed that the band and its members were set to implode, but after successful stints in drug rehab, Aerosmith were back on track and better than ever. But although he may have given up his wicked, wicked ways, Tyler still enjoys talking about the bad old days. He has so many outrageous stories to tell, and he's gonna tell them all. All the uncensored, head-spinning tales of debauchery, sex, booze, transcendence and chemical dependence you will ever want to hear. As raucous, intoxicating and edgy as his music, this is the most outrageous rock n' roll autobiography of all time.

"It has been an honor to be associated with David Dalton's work for many years, witnessing his skills as a healer and teacher.... David combines an extraordinary passion for both plants and people." -Patricia Kaminski, director of The Flower Essence Society, Nevada City, California "This is an outstanding resource.... David writes from his rich experience as a therapist and flower essence practitioner in presenting each flower portrait with clarity and fullness. I am especially grateful for the way David has moved beyond descriptions and indications to more fully develop the true character of each essence and the personality traits of those who could benefit from each of these 'stars.'" -Kate Gilday, herbalist, Woodland Essence, Cold Brook, New York "David Dalton has made an inestimable contribution to the study and use of flower essences. His work deepens the understanding of the particular energetics of flowers, as well as providing a system of diagnosis and use. Attention especially to herbalists and lovers of the plant world: in Stars of the Meadow, you will re-meet many medicine plants you are familiar with in a new and profound way." -Claudia Keel, Earthflower Herbals Flower essences are liquid, energetic remedies derived from living flowers. They bring the natural dynamic energy of the plant directly into the human electro-system, where they work to bring about movement toward health and balance. Because of their energetic and living quality, they work directly and deeply in the emotional system, assisting in the release of early wounds and trauma. These suppressed imprints are considered to be a main causes of many types of diseases or imbalances today. Flower essences are a perfect complement to many of today's health practices. They enhance the effects of energy work, physical therapy, acupuncture, psychotherapy, cranial-sacral work, massage, aroma therapy and many other forms of healing and treatment. Flower essences are safe, natural, and non-toxic. Continuing the work of Edward Bach, Stars of the Meadow looks deeply into the relationship between health and the human personality. David Dalton takes us on a thorough and soulful exploration of how to use more than forty medicinal herbs as flower essences, portraying each flower in a way that is both substantive and inspired. Each description is organized to present a picture of how the flower essence affects the adult personality as it has been formed through life, and describes its direct clinical effects on children and animals. Dalton also connects different types of flowers-based on the number and arrangement of petals as well as associated colors and qualities-to the system of human chakras, or energy centers. This innovative approach allows the reader to discover new ways to employ flower essences to focus on specific areas of one's being, from the most physical to the highest levels, allowing a kind of flexibility rarely found in any single system of healing. Stars of the Meadow is a valuable guide not only for those who are new to flower essences, but also for seasoned herbalists who wish to deepen their knowledge of this effective method of healing body, mind, and soul.

`In all areas of human endeavour, time and again an individual appears who, due to a multitude of personal attributes, elevates his or her field to a hitherto unknown height. Such an individual was William Primrose. His name and the viola are synonymous.' Janos Starker This unique book is the result of a series of conversations with Primrose in the last years before his death in 1982. David Dalton describes how he came to the great artist armed with every question he could think of pertaining to performing on and teaching the viola. The lively dialogue contains a wealth of illuminating advice for the student on the technicalities of playing the viola. It is, however, far more than a technical guide. The two violists discuss the unique position of their instrument - `an instrument without tradition' is Primrose's bald description. They cover the topic of repertoire with fascinating insights into the performance of the great concertos by Bartok and Walton, with which Primrose was so closely associated. Still more invaluable advice emerges from the discussion of Primrose's own experience, on the art of performance, on demeanour on stage, on competitions, on recordings, and on preparing for a career. The book is a tribute to one of the greatest artists of this century.

Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery. And yet, the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance. Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.

The Number One Sunday Times Bestseller Forty years after his death, Elvis Presley remains one of the world's most beloved and iconic figures. There has been an impressive array of bestselling Elvis books over the years, but there has never been a book like this. Now, for the first time, Elvis, the man, husband father and artist, is remembered intimately and honestly by his ex wife Priscilla, daughter Lisa Marie and other close family members. Including deeply personal documents and previously unseen family photographs, this sensational book also features new interviews with family and friends. From personal diary entries to unearthed artefacts, Elvis by the Presleys is a publishing phenomenon and comes closer than any other book in revealing the private dreams and truths of the extraordinary and complex man, who became the king of Rock and Roll.

Meat Loaf's bizarre and spectacular life story is scarcely credible. After surviving an abusive childhood, during which he was almost murdered by his alcoholic father, he starred in one of the biggest stage and film musicals ever, then went on to record the third best-selling album of all time. To Hell and Back is the true story of a man who ran away from a cruel home life at 17 and starred in the legendary Rocky Horror Picture Show before turning to rock 'n' roll. His first album, Bat Out Of Hell, was considered so uncommercial by his first record label that they dropped him - only for it to go on to sell 20 million copies worldwide. He then spent the 1980s on the skids, with a severe drink and drugs problem and mounting money problems leading him to a nervous breakdown, before making a triumphant comeback with 1993's album Bat Out Of Hell II and colossal hit single 'I'd Do Anything For Love'. This is an extraordinary story and a classic rock autobiography.