A powerful personal testimony and an urgent call for Israel to change direction, from an unexpected source: the former director of the internal security service, Shin Bet.

Raised on a kibbutz by parents who had fled the Holocaust, Ami Ayalon’s life exemplified the Zionist dream. His commitment to his country propelled a meteoric career, culminating in being named commander of the navy and receiving the Medal of Valour, Israel’s highest military decoration. All the time, he remained a staunch supporter of his country’s policies.

Then he was appointed director of the Shin Bet, Israel’s internal security service, and the unexpected happened. Forced to try and understand the lives and motivations of Palestinians for the first time, he gained empathy for ‘the enemy’ and learned that when Israel carries out anti-terrorist operations in a political context of hopelessness, the Palestinian public will support violence, because they have nothing to lose.

He came to understand that his patriotic life had blinded him to the self-defeating nature of policies that have undermined Israel’s civil society while heaping humiliation upon its neighbours. In this deeply personal journey of discovery, Ami Ayalon seeks input and perspectives from Palestinians and Israelis whose experiences differ from his own, and draws radical conclusions about what Israel must do to achieve relative peace and security.

The Danish director Lars von Trier is undoubtedly one of the world's most important and controversial filmmakers, and arguably so because of the depiction of women in his films. He has been criticized for subjecting his female characters to unacceptable levels of violence or reducing them to masochistic self-abnegation, as with Bess in Breaking the Waves, 'She' in Antichrist and Joe in Nymphomaniac. At other times, it is the women in his films who are dominant or break out in violence, as in his adaptation of Euripides' Medea, the conclusion of Dogville and perhaps throughout Nymphomaniac. Lars von Trier's Women confronts these dichotomies head on. Editors Rex Butler and David Denny do not take a position either for or against von Trier, but rather consider how both attitudes fall short of the real difficulty of his films, which may simply not conform to any kind of feminist or indeed anti-feminist politics as they are currently configured. Using Lacanian psychoanalysis and acknowledging the work of prior scholars on the films, Lars von Trier's Women reveals hidden resources for a renewed 'feminist' politics and social practice.

This multivolume handbook presents the most authoritative and comprehensive reference work on major zoonoses of the world. The Handbook of Zoonoses covers most diseases communicable to humans, as well as those diseases common to both animals and humans. It identifies animal diseases that are host specific and reviews the effects of various human diseases on animals. Discussions address diseases that remain important public and animal health problems and the techniques that can control and prevent them.
The chapters are written by internationally recognized scientists in their respective areas of disease, who work or have worked extensively in the most affected areas of the world. The emphasis for each zoonosis is on the epidemiology of the disease, the clinical syndromes and carrier states in infected animals and humans, and the most current methods for diagnosis and approaches to control. For infectious agents or biologic toxins, which may be transmitted by foods of animal origin, a strong focus is placed on food safety measures. The etiologic and therapeutic aspects of each disease important to epidemiology and control are identified.

The Danish director Lars von Trier is undoubtedly one of the world's most important and controversial filmmakers, and arguably so because of the depiction of women in his films. He has been criticized for subjecting his female characters to unacceptable levels of violence or reducing them to masochistic self-abnegation, as with Bess in Breaking the Waves, 'She' in Antichrist and Joe in Nymphomaniac. At other times, it is the women in his films who are dominant or break out in violence, as in his adaptation of Euripides' Medea, the conclusion of Dogville and perhaps throughout Nymphomaniac. Lars von Trier's Women confronts these dichotomies head on. Editors Rex Butler and David Denny do not take a position either for or against von Trier, but rather consider how both attitudes fall short of the real difficulty of his films, which may simply not conform to any kind of feminist or indeed anti-feminist politics as they are currently configured. Using Lacanian psychoanalysis and acknowledging the work of prior scholars on the films, Lars von Trier's Women reveals hidden resources for a renewed 'feminist' politics and social practice.

Imagine a quiet Advent sitting beside a crackling fire preparing for a festive and sacred Twelve Days of Christmas. The authors take you there and beyond. There's something for everyone: young or old, whether you go to church or not. The tone is mystical and down-to-earth. Poetry, illustrations and essays, rituals and blessings, prayers and practical advice, even book, music and movie reviews help you celebrate a soulful season of glad songs, from the dark stillness of Advent through Christmas, the New Year and Epiphany, on to the welcome light of a candle on a cold February night.

The title comes from a news item on a strategically important railway line blocked by a wayward 4x4 car. Did the owner take the claims that this car will go anywhere too literally? - whatever, the line was blocked and the resulting delay felt across the local rail network was yet another opportunity for David to put his flexible fingers to the small key board of his mobile phone and share his personal world of railway travel with the rest of us as he attempted to commute to work in Manchester from Stafford, his home station.