English Historical Documents is the most ambitious, impressive and comprehensive collection of documents on English history ever published. An authoritative work of primary evidence, each volume presents material with exemplary scholarly accuracy. Editorial comment is directed towards making sources intelligible rather than drawing conclusions from them. Full account has been taken of modern textual criticism. A general introduction to each volume portrays the character of the period under review and critical bibliographies have been added to assist further investigation. Documents collected include treaties, personal letters, statutes, military dispatches, diaries, declarations, newspaper articles, government and cabinet proceedings, orders, acts, sermons, pamphlets, agricultural instructions, charters, grants, guild regulations and voting records. All volumes contain extra apparatus including genealogical tables, lists of officials, chronologies, diagrams, graphs and maps.

A charming, original and uncommonly sensitive portrait of Picasso and his beloved dachshund, Lump

One spring morning in 1957, veteran photojournalist David Douglas Duncan paid a visit to his friend and frequent photographic subject Pablo Picasso, at the artist's home near Cannes. As a co-pilot alongside Duncan in his Mercedes Gullwing 300 SL was the photographer's pet dachsund, Lump. Photographer and dog were close companions, but Duncan's nomadic lifestyle and his other dog - a giant jealous Afghan hound who had tormented Lump - made their life in Rome difficult. When they arrived at Picasso's Villa La Californie that historic day, Lump decided that he had found paradise on earth, and that he would move in with Picasso, whether the artist welcomed him or not.

This is the background for a totally original book that offers an uncommonly sensitive portrait of Picasso. Lump was immortalized in a Picasso portrait painted on a plate the day they met, but that was just the beginning. In a suite of forty-five paintings reinterpreting Velasquez’s masterpiece ‘Las Meninas’, Picasso replaced the impassive hound in the foreground with jaunty renderings of Lump.

Today, as a gift from the artist to his hometown as a youth, all of those historic canvases are now the centerpiece exhibition in the Picasso Museum of Barcelona. Fourteen of the paintings are reproduced here in full colour, juxtaposed with Duncan’s dramatic and intimate black-and-white photographs of Picasso and Lump, bringing full circle the odyssey of a lucky dachshund who found his way to becoming a furry, super-stretched icon of modern art.

Canadian regional development today involves multiple actors operating within nested scales from local to national and even international levels. Recent approaches to making sense of this complexity have drawn on concepts such as multi-level governance, relational assets, integration, innovation, and learning regions. These new regionalist concepts have become increasingly global in their formation and application, yet there has been little critical analysis of Canadian regional development policies and programs or the theories and concepts upon which many contemporary regional development strategies are implicitly based. This volume offers the results of five years of cutting-edge empirical and theoretical analysis of changes in Canadian regional development and the potential of new approaches for improving the well-being of Canadian communities and regions, with an emphasis on rural regions. It situates the Canadian approach within comparative experiences and debates, offering the opportunity for broader lessons to be learnt. This book will be of interest to policy-makers and practitioners across Canada, and in other jurisdictions where lessons from the Canadian experience may be applicable. At the same time, the volume contributes to and updates regional development theories and concepts that are taught in our universities and colleges, and upon which future research and analysis will build.

Canadian regional development today involves multiple actors operating within nested scales from local to national and even international levels. Recent approaches to making sense of this complexity have drawn on concepts such as multi-level governance, relational assets, integration, innovation, and learning regions. These new regionalist concepts have become increasingly global in their formation and application, yet there has been little critical analysis of Canadian regional development policies and programs or the theories and concepts upon which many contemporary regional development strategies are implicitly based. This volume offers the results of five years of cutting-edge empirical and theoretical analysis of changes in Canadian regional development and the potential of new approaches for improving the well-being of Canadian communities and regions, with an emphasis on rural regions. It situates the Canadian approach within comparative experiences and debates, offering the opportunity for broader lessons to be learnt. This book will be of interest to policy-makers and practitioners across Canada, and in other jurisdictions where lessons from the Canadian experience may be applicable. At the same time, the volume contributes to and updates regional development theories and concepts that are taught in our universities and colleges, and upon which future research and analysis will build.

First published in 1950, La nevrose d'abandon was and still is a ground-breaking work. The author's research turns on two clinical observations: the frequent occurrence of analysands whose neurotic symptoms are unrecognizable when measured against any of the Freudian diagnostic models, and the relatively large number of these patients who sought

This beautifully designed book is filled with illustrations and photographs of the many animals in Picasso's life--those he painted and drew, as well as those he loved. One of the few under-examined aspects of Picasso's life and work was his love of animals. The son of a pigeon breeder and an aficionado of bullfighting, Picasso had an eye trained for capturing an animal's movement, shape, and personality--often with just a single line. Organized around the different types of animals that played a role in the artist's life and body of work--from his beloved dachshund, Lump, to dogs, cats, camels, penguins, pigs, and doves, among others--each chapter offers personal accounts, amusing anecdotes, and wondrous works of art. The perfect gift for lovers of animals or Picasso's art, this exquisite treasury of expertly rendered creatures is filled with humor, warmth, and the tremendous bonds between man and animal.

By the close of the nineteenth century, the works of Sir Walter Scott (1771-1832) could be found on the bookshelves of every respectable Victorian. Public interest was such that, nearly sixty years after his death, there remained considerable demand for new insights into the man and his milieu. First published in 1890, his two-volume journal for the period 1825-32 immediately attracted press attention. One review observed that 'it shows us the man in prosperity and in adversity, now delightfully humorous ... now saddened by the financial troubles which came upon his later years'. Notwithstanding his money worries, Scott's final decade was not without literary achievement. Volume 1 comprises entries from November 1825 to June 1827, soon after Scott had published Tales of the Crusaders (1825) and during which period he wrote his Letters of Malachi Malagrowther (1826).

By the close of the nineteenth century, the works of Sir Walter Scott (1771-1832) could be found on the bookshelves of every respectable Victorian. Public interest was such that, nearly sixty years after his death, there remained considerable demand for new insights into the man and his milieu. First published in 1890, his two-volume journal for the period 1825-32 immediately attracted press attention. One review observed that 'it shows us the man in prosperity and in adversity, now delightfully humorous ... now saddened by the financial troubles which came upon his later years'. Notwithstanding his money worries, Scott's final decade was not without literary achievement. Volume 2 comprises entries from July 1827 to April 1832, during which time Scott published The Fair Maid of Perth (1828) and Letters on Demonology and Witchcraft (1830).

David Douglas (1799-1834), the influential Scottish botanist and plant collector, trained as a gardener before attending Perth College and Glasgow University. His genius for botany flourished and his talents came to the attention of the Royal Horticultural Society. With the society's backing he went to North America in 1823, beginning his life-long fascination with the region's flora. He discovered thousands of new species and introduced 240 of them to Britain, including the Douglas fir. Douglas continued to explore and discover plant species until his death in the Sandwich Islands (present-day Hawaii) in 1834. This remarkable journal, which remained unpublished until 1914, describes his adventures in North America during 1823-7. It also includes extracts from his journal of his explorations of Hawaii during 1833-4. The appendices include a listing of the plants Douglas introduced to Britain, and contemporary accounts of investigations into the mysterious circumstances of his death.

A unique autobiography in images from seven decades of Duncan's photographic career.

The legendary photographs of David Douglas Duncan explore the broad range of human nature, from the most quiet notes of life to the crashing crescendos of war. Duncan began taking pictures for newspapers in the mid-1930s, then joined the Marines, where he produced some of the most moving images of World War II. With Life magazine, he documented the end of British rule in India and covered conflicts in Europe, Africa, the Middle East, and Korea with clarity and compassion. Returning to the battlefield with the escalation of war in Vietnam, he produced two more books that became icons of the American soldiers' experience.

Since then, he has produced books on such diverse subjects as Picasso's making of a painting to the sunflowers of France, with forays into the world of tragic personal loss. Still exuberant in his eighth decade, Duncan's keen eye and heart continue to illuminate the human experience. Over 400 photographs in color and duotone.