This is a translation of work which first appeared in 1816 in Germany. Although Schopenhauer himself acknowledged that the treatise did not present any new and significant doctrines to his philosophy, he nonetheless considered it important enough to publish it again in revised form toward the end of his life, in 1854. As Professor Cartwright argues in his introduction, the book's philosophical value is to be found in the means it provides for increasing our understanding of Schopenhauer's philosophy, both in terms of its method and meaning. Not only does this book aim to offer insight into the younger Schopenhauer, it is also a significant document in the history of optics and colour theory.

This volume of new translations unites three shorter works by Arthur Schopenhauer that expand on themes from his book The World as Will and Representation. In On the Fourfold Root he takes the principle of sufficient reason, which states that nothing is without a reason why it is, and shows how it covers different forms of explanation or ground that previous philosophers have tended to confuse. Schopenhauer regarded this study, which he first wrote as his doctoral dissertation, as an essential preliminary to The World as Will. On Will in Nature examines contemporary scientific findings in search of corroboration of his thesis that processes in nature are all a species of striving towards ends; and On Vision and Colours defends an anti-Newtonian account of colour perception influenced by Goethe's famous colour theory. This is the first English edition to provide extensive editorial notes on the different published versions of these works.

Arthur Schopenhauer made the momentous decision to become a philosopher when he was approximately 22 years old. Prior to that decision, he had been studying medicine at the university in Goettingen. By that age, however, he had concluded that life was a troublesome affair. So he resolved to spend his life reflecting upon it. Schopenhauer was doggedly determined to persevere in what he considered his mission in life, to reflect on the "ever-disquieting puzzle of existence," to ascertain the meaning of living in a world steeped in suffering and death. He was confident that eventually his work would be recognized, a confidence that enabled him to weather laboring in relative philosophical obscurity for some forty years. What initiated the dawn of Schopenhauer's fame was a review of his philosophy that appeared in a British journal in 1853, and ever since that time, Schopenhauer drew a readership, one broader than most Western philosophers. He is read not simply and solely by professional philosophers, but also by the wider learned world. Indeed, some have claimed that he is the most widely read Western philosopher. This second edition of Historical Dictionary of Schopenhauer's Philosophy contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on all of Schopenhauer's books, significant philosophical ideas and concepts, as well as entries covering significant figures in his life and those influenced by this thinking.. This book is an excellent access point for students, researchers, and anyone wanting to know more about Arthur Schopenhauer.

The A to Z of Schopenhauer's Philosophy presents a narrative that weaves the significant events of Arthur Schopenhauer's life within the greater fabric of his existence. The chronology lists these events, the introductory essay provides an overview of his philosophical thought and his belief that philosophy was the purpose of his life, and the more than 200 dictionary entries review the key ideas, concepts, doctrines, and philosophical figures related to his thought. A comprehensive bibliography provides a list of the most frequently cited German collections of Schopenhauer's work, noteworthy German primary source materials, English translations of Schopenhauer's books, and English-language collections of essays drawn from Schopenhauer's Oeuvre. This engaging work opens the door to a better understanding of Schopenhauer's philosophy for readers of all levels.

In his quest to solve 'the ever-disquieting riddle of existence', Schopenhauer explored almost every dimension of human existence, developing a darkly compelling worldview that found deep resonance in contemporary literature, music, philosophy, and psychology. This is the first comprehensive biography of Schopenhauer written in English. Placing him in his historical and philosophical contexts, David E. Cartwright tells the story of Schopenhauer's life to convey the full range of his philosophy. He offers a fully documented portrait in which he explores Schopenhauer's fractured family life, his early formative influences, his critical loyalty to Kant, his personal interactions with Fichte and Goethe, his ambivalent relationship with Schelling, his contempt for Hegel, his struggle to make his philosophy known, and his reaction to his late-arriving fame.

Arthur Schopenhauer (1788 1860) was one of the most original and provocative thinkers of the nineteenth century. He spent a lifetime striving to understand the meaning of living in a world where suffering and death are ubiquitous. In his quest to solve the ever-disquieting riddle of existence, Schopenhauer explored almost every dimension of human existence, developing a darkly compelling worldview that found deep resonance in contemporary literature, music, philosophy, and psychology. This is the first comprehensive biography of Schopenhauer written in English. Placing him in his historical and philosophical contexts, David E. Cartwright tells the story of Schopenhauer s life to convey the full range of his philosophy. He offers a fully documented portrait in which he explores Schopenhauer s fractured family life, his early formative influences, his critical loyalty to Kant, his personal interactions with Fichte and Goethe, his ambivalent relationship with Schelling, his contempt for Hegel, his struggle to make his philosophy known, and his reaction to his late-arriving fame. The Schopenhauer who emerges in this biography is the complex author of a philosophy that had a significant influence on figures as diverse as Samuel Beckett, Jorge Luis Borges, Emile Durkheim, Sigmund Freud, Thomas Hardy, Thomas Mann, Friedrich Nietzsche, and Ludwig Wittgenstein."

This edition originally published by Berghahn Books. Schopenhauer's treatise on ethics is presented here in E. F. J. Payne's definitive translation, based on the Hubscher edition (Wiesbaden, 1946-1950). This edition includes an Introduction by David Cartwright, a translator's preface, biographical note, selected bibliography, and an index. For convenient reference to passages in Kant's work discussed by Schopenhauer, Academy edition numbers have been added.

This volume of translations unites three shorter works by Arthur Schopenhauer that expand on themes from his book The World as Will and Representation. In On the Fourfold Root he takes the principle of sufficient reason, which states that nothing is without a reason why it is, and shows how it covers different forms of explanation or ground that previous philosophers have tended to confuse. Schopenhauer regarded this study, which he first wrote as his doctoral dissertation, as an essential preliminary to The World as Will. On Will in Nature examines contemporary scientific findings in search of corroboration of his thesis that processes in nature are all a species of striving towards ends; and On Vision and Colours defends an anti-Newtonian account of colour perception influenced by Goethe's famous colour theory. This is the first English edition to provide extensive editorial notes on the different published versions of these works.

Interest in Schopenhauer has increased noticeably in recent years. Published here is one of his key works, which has been out of print for a long time, in the form of Payne's definitive translation. This work is one of the most significant nineteenth century treatises on ethics. It is also Schopenhauer's most extended discussion of traditional themes in ethics and presents a descriptive ethics radically at odds with rationally based, prescriptive ethical theories. Schopenhauer begins this book with a wide-ranging critique of Kant's ethics, one that anticipates the work of contemporary critics of modern moral philosophy like that of G E M Anscombe, Philippa Foot, and Richard Taylor. Schopenhauer argues that compassion is the basis of morality, and in so doing presents a virtue ethics in which passion and desire are viewed as the keys for explaining different moral characters, behaviours, and world views. In the concluding part of his essay, Schopenhauer sketches his metaphysics of morals, using Kant's transcendental idealism as a ground for stressing both the interconnectiveness of being and the affinity of his ethics to Eastern thought.