This collection presents twenty-seven new essays in Japanese aesthetics by leading experts in the field. Beginning with an extended foreword by the renowned scholar and artist Stephen Addiss and a comprehensive introduction that surveys the history of Japanese aesthetics and the ways in which it is similar to and different from Western aesthetics, this groundbreaking work brings together a large variety of disciplinary perspectives-including philosophy, literature, and cultural politics-to shed light on the artistic and aesthetic traditions of Japan and the central themes in Japanese art and aesthetics. Contributors explore topics from the philosophical groundings for Japanese aesthetics and the Japanese aesthetics of imperfection and insufficiency to the Japanese love of and respect for nature and the paradoxical ability of Japanese art and culture to absorb enormous amounts of foreign influence and yet maintain its own unique identity. New Essays in Japanese Aesthetics will appeal not only to a wide range of humanities scholars but also to graduate and undergraduate students of Japanese aesthetics, art, philosophy, literature, culture, and civilization. Masterfully articulating the contributors' Japanese-aesthetical concerns and their application to Japanese arts (including literature, theater, film, drawing, painting, calligraphy, ceramics, crafts, music, fashion, comics, cooking, packaging, gardening, landscape architecture, flower arrangement, the martial arts, and the tea ceremony), these engaging and penetrating essays will also appeal to nonacademic professionals and general audiences. This seminal work will be essential reading for anyone interested in gaining a deeper understanding of Japanese aesthetics.

Key Thinkers on the Environment is a unique guide to environmental thinking through the ages. Joy A. Palmer Cooper and David E. Cooper, themselves distinguished authors on environmental matters, have assembled a team of expert contributors to summarize and analyse the thinking of diverse and stimulating figures from around the world and from ancient times to the present day. Among those included are: philosophers such as Rousseau, Kant, Spinoza and Heidegger activists such as Chico Mendes and Wangari Maathai literary giants such as Virgil, Goethe and Wordsworth major religious and spiritual figures such as Buddha and St Francis of Assissi eminent scientists such as Darwin, Lovelock and E.O. Wilson. Lucid, scholarly and informative, the essays contained within this volume offer a fascinating overview of humankind's view and understanding of the natural world.

Key Thinkers on the Environment is a unique guide to environmental thinking through the ages. Joy A. Palmer Cooper and David E. Cooper, themselves distinguished authors on environmental matters, have assembled a team of expert contributors to summarize and analyse the thinking of diverse and stimulating figures from around the world and from ancient times to the present day. Among those included are: philosophers such as Rousseau, Kant, Spinoza and Heidegger activists such as Chico Mendes and Wangari Maathai literary giants such as Virgil, Goethe and Wordsworth major religious and spiritual figures such as Buddha and St Francis of Assissi eminent scientists such as Darwin, Lovelock and E.O. Wilson. Lucid, scholarly and informative, the essays contained within this volume offer a fascinating overview of humankind's view and understanding of the natural world.

Fifty Key Thinkers on the Environment is a unique guide to environmental thinking through the ages. Joy A. Palmer, herself an important and prolific author on environmental matters, has assembled a team of thirty-five expert contributors to summarize and analyse the thinking of fifty diverse and stimulating figures - from all over the world and from ancient times to the present day. Among those included are:
* philosophers such as Rousseau, Spinoza and Heidegger
* activists such as Chico Mendes
* literary giants such as Virgil, Goethe and Wordsworth
* major religious and spiritual figures such as Gotama (the Buddha) and St Francis of Assissi.
Lucid, scholarly and informative, these fifty essays offer a fascinating overview of mankind's view and understanding of the physical world.

Spirit of the Environment brings spiritual and religious concerns to environmental issues. Providing a much needed alternative to exploring human beings' relationship to the natural world through the restrictive lenses of 'science', 'ecology', or even 'morality', this book offers a fresh perspective to the field.
Spirit of the Enironment addresses:
* the environmental attitudes of the major religions;
* the relationship between art and nature;
* the Gaia hypothesis;
* the non-instrumental values which have inspired environmental concern.
Contributors range from a variety of disciplines including philosophy, comparative religion, education and social anthropology, providing students with an intriguing survey on the role that spirituality and religion play in nature.
This is a vital collection for those eager to examine the relationship between the spiritual and the environment.

By addressing specific global problems and placing them within an ethical context, "The Environment in Question" provides the reader with both a theoretical and practical understanding of environmental issues. The contributors are internationally known figures drawn from the various disciplines which bear upon these issues, such as geography, psychology, social policy, and philosophy. The contributions range from those tackling individual concrete issues (such as nuclear waste and the threat to the rain forest) to those addressing matters of policy, principle and attitude (such as our obligations to future generations and the nature of technological risk).
"The Environment in Question" is designed as a text for students of philosophy, environmental science, environmental education, ecology, and teacher education. It can be used as an inter-disciplinary, self-contained course book or in conjunction with relevant material. In addition, as the essays directly and controversially address current environmental debates in a non-technical manner, it is of great interest both to professionals in those areas and to readers who care about the planet's future. The substantial cross-section of concerns and approaches will enable all readers to develop the necessary level of understanding required to initiate and sustain debate on environmental issues.
Contributors: Robert Allsion, David E. Cooper, Barry S. Gower, F. G. T. Holliday, C. A. Hooker, Mary Midgley, Philip Neal, Joy A. Palmer, Robert Prosser, Holmes Rolston III, Mark Sagoff, Vandana Shiva, Stephen Sterling, Rosemary J. Stevenson, Jennifer Trusted.

This book discusses both the philosophy of language and linguistic philosophy.

David Cooper explores and defends the view that a reality independent of human perspectives is necessarily indescribable, a 'mystery'. Other views are shown to be hubristic. Humanists, for whom 'man is the measure' of reality, exaggerate our capacity to live without the sense of an independent measure. Absolutists, who proclaim our capacity to know an independent reality, exaggerate our cognitive powers. In this highly original book Cooper restores to philosophy a proper appreciation of mystery - that is what provides a measure of our beliefs and conduct.

Buddhism, one increasingly hears, is an 'eco-friendly' religion. It is often said that this is because it promotes an 'ecological' view of things, one stressing the essential unity of human beings and the natural world. Buddhism, Virtue and Environment presents a different view. While agreeing that Buddhism is, in many important respects, in tune with environmental concerns, Cooper and James argue that what makes it 'green' is its view of human life. The true connection between the religion and environmental thought is to be found in Buddhist accounts of the virtues - those traits, such as compassion, equanimity and humility, that characterise the life of a spiritually enlightened individual. Central chapters of this book examine these virtues and their implications for environmental attitudes and practice. Buddhism, Virtue and Environment will be of interest not only to students and teachers of Buddhism and environmental ethics, but to those more generally engaged with moral philosophy. Written in a clear and accessible style, this book presents an original conception of Buddhist environmental thought. The authors also contribute to the wider debate on the place of ethics in Buddhist teachings and practices, and to debates within 'virtue ethics' on the relations between human well-being and environmental concern.

Meaning is one of our most central and most ubiquitous concepts. Anything at all may, in suitable contexts, have meaning ascribed to it. In this wide-ranging book, David Cooper departs from the usual focus on linguistic meaning to discuss how works of art, ceremony, social action, bodily gesture, and the purpose of life can all be meaningful. He argues that the notion of meaning is best approached by considering what we accept as explanations of meaning in everyday practice and shows that in these situations we are explaining the appropriate fit of an item - whether a word or an artwork - with something larger than or outside of itself. This fuller account of meaning explores questions of the meaning of meaning and tackles issues such as whether meaning is just a misleading 'folk' term for something more basic, whether there really is meaning at all, and whether we should strive for meaning or let our lives 'just be' rather than mean. By taking the problem of meaning out of the technical philosophy of language and providing a more general account, Cooper is able to offer new insights into the import, function, and status of meaning that will be of interest not only to philosophers of language but to students and philosophers working in areas such as epistemology and metaphysics.

Meaning is one of our most central and most ubiquitous concepts. Anything at all may, in suitable contexts, have meaning ascribed to it. In this wide-ranging book, David Cooper departs from the usual focus on linguistic meaning to discuss how works of art, ceremony, social action, bodily gesture, and the purpose of life can all be meaningful. He argues that the notion of meaning is best approached by considering what we accept as explanations of meaning in everyday practice and shows that in these situations we are explaining the appropriate fit of an item - whether a word or an artwork - with something larger than or outside of itself. This fuller account of meaning explores questions of the meaning of meaning and tackles issues such as whether meaning is just a misleading 'folk' term for something more basic, whether there really is meaning at all, and whether we should strive for meaning or let our lives 'just be' rather than mean. By taking the problem of meaning out of the technical philosophy of language and providing a more general account, Cooper is able to offer new insights into the import, function, and status of meaning that will be of interest not only to philosophers of language but to students and philosophers working in areas such as epistemology and metaphysics.

In this beautifully written book, David E. Cooper uses a gentle walk through a tropical garden - the view of the fields and hills beyond it, the sound of birds, voices and flutes, the reflection of light in water, the play of shadows among the trees and the presence of strange animals - as an opportunity to reflect on experiences of nature and the mystery of existence. Covering an extensive range of topics, from Daoism to dogs, from gardening to walking, from Zen to Debussy, Cooper succeeds in conveying some deep and difficult philosophical ideas about the meaning of life in an engaging manner, showing how those ideas bear upon the practical question of how we should relate to our world and live our lives. A thought-provoking and compelling book, Senses of Mystery is a triumph of both storytelling and philosophy.

This collection presents twenty-seven new essays in Japanese aesthetics by leading experts in the field. Beginning with an extended foreword by the renowned scholar and artist Stephen Addiss and a comprehensive introduction that surveys the history of Japanese aesthetics and the ways in which it is similar to and different from Western aesthetics, this groundbreaking work brings together a large variety of disciplinary perspectives—including philosophy, literature, and cultural politics—to shed light on the artistic and aesthetic traditions of Japan and the central themes in Japanese art and aesthetics. Contributors explore topics from the philosophical groundings for Japanese aesthetics and the Japanese aesthetics of imperfection and insufficiency to the Japanese love of and respect for nature and the paradoxical ability of Japanese art and culture to absorb enormous amounts of foreign influence and yet maintain its own unique identity. New Essays in Japanese Aesthetics will appeal not only to a wide range of humanities scholars but also to graduate and undergraduate students of Japanese aesthetics, art, philosophy, literature, culture, and civilization. Masterfully articulating the contributors’ Japanese-aesthetical concerns and their application to Japanese arts (including literature, theater, film, drawing, painting, calligraphy, ceramics, crafts, music, fashion, comics, cooking, packaging, gardening, landscape architecture, flower arrangement, the martial arts, and the tea ceremony), these engaging and penetrating essays will also appeal to nonacademic professionals and general audiences. This seminal work will be essential reading for anyone interested in gaining a deeper understanding of Japanese aesthetics.

In this beautifully written book, David E. Cooper uses a gentle walk through a tropical garden - the view of the fields and hills beyond it, the sound of birds, voices and flutes, the reflection of light in water, the play of shadows among the trees and the presence of strange animals - as an opportunity to reflect on experiences of nature and the mystery of existence. Covering an extensive range of topics, from Daoism to dogs, from gardening to walking, from Zen to Debussy, Cooper succeeds in conveying some deep and difficult philosophical ideas about the meaning of life in an engaging manner, showing how those ideas bear upon the practical question of how we should relate to our world and live our lives. A thought-provoking and compelling book, Senses of Mystery is a triumph of both storytelling and philosophy.

Why do gardens matter so much and mean so much to people? That is the intriguing question to which David Cooper seeks an answer in this book. Given the enthusiasm for gardens in human civilization ancient and modern, Eastern and Western, it is surprising that the question has been so long neglected by modern philosophy. Now at last there is a philosophy of gardens. Not only is this a fascinating subject in its own right, it also provides a reminder that the subject-matter of aesthetics is broader than the fine arts; that ethics is not just about moral issues but about 'the good life'; and that environmental philosophy should not focus only on 'wilderness' to the exclusion of the humanly shaped environment.
David Cooper identifies garden appreciation as a special human phenomenon distinct from both from the appreciation of art and the appreciation of nature. He explores the importance of various 'garden-practices' and shows how not only gardening itself, but activities to which the garden especially lends itself, including social and meditative activities, contribute to the good life. And he distinguishes the many kinds of meanings that gardens may have, from representation of nature to emotional expression, from historical significance to symbolization of a spiritual relationship to the world. Building on the familiar observation that, among human beings' creations, the garden is peculiarly dependent on the co-operation of nature, Cooper argues that the garden matters as an epiphany of an intimate co-dependence between human creative activity in the world and the 'mystery' that allows there to be a world for them at all.
A Philosophy of Gardens will open up this subject tostudents and scholars of aesthetics, ethics, and cultural and environmental studies, and to anyone with a reflective interest in things horticultural.

Philosophers, both western and eastern, have long been divided between "humanists," for whom "man is the measure of things," and their opponents, who claim that there is a way, in principle knowable and describable, that the world anyway is, independent of human perspectives and interests.
The early chapters of The Measure of Things chart the development of humanism from medieval times, through the Renaissance, Enlightenment and Romantic periods, to its most sophisticated, twentieth-century form, "existential humanism." Cooper does not identify this final position with that of any particular philosopher, though it is closely related to those of Heidegger, Merleau-Ponty and the later Wittgenstein. Among the earlier figures discussed are William of Ockham, Kant, Herder, Nietzsche and William James.
Having rejected attempts by contemporary advocates of modest or non-metaphysical realism to dissolve the opposition between humanism and its "absolutist" rival, Cooper moves on to an adjudication of that rivality. Prompted by the pervasive rhetoric of hubris that the rivals direct against one another, he argues, in an original manner, that the rival positions are indeed guilty of lack of humility. Absolutists - whether defenders of "The Given" or scientific realists - exaggerate our capacity to ascend out of our "engaged" perspectives to an objective account of the world. Humanists, conversely, exaggerate our capacity to live without a sense of our subjection to a measure independent of our own perspectives.
The only escape, Cooper maintains, from the impasse reached when humanism and absolutism are both rejected, lies in a doctrine of mystery. There is a reality independent of"the human contribution," but it is necessarily ineffable. Drawing in a novel way upon the Buddhist conception of "emptiness" and Heidegger's later writings, the final chapters defend the notion of mystery, distinguish the doctrine advanced from that of transcendental idealism, and propose that it is only through appreciation of mystery that measure and warrant may be provided for our beliefs and conduct.

Why do gardens matter so much and mean so much to people? That is the intriguing question to which David Cooper seeks an answer in this book. Given the enthusiasm for gardens in human civilization ancient and modern, Eastern and Western, it is surprising that the question has been so long neglected by modern philosophy. Now at last there is a philosophy of gardens. Not only is this a fascinating subject in its own right, it also provides a reminder that the subject-matter of aesthetics is broader than the fine arts; that ethics is not just about moral issues but about 'the good life'; and that environmental philosophy should not focus only on 'wilderness' to the exclusion of the humanly shaped environment. David Cooper identifies garden appreciation as a special human phenomenon distinct from both from the appreciation of art and the appreciation of nature. He explores the importance of various 'garden-practices' and shows how not only gardening itself, but activities to which the garden especially lends itself, including social and meditative activities, contribute to the good life. And he distinguishes the many kinds of meanings that gardens may have, from representation of nature to emotional expression, from historical significance to symbolization of a spiritual relationship to the world. Building on the familiar observation that, among human beings' creations, the garden is peculiarly dependent on the co-operation of nature, Cooper argues that the garden matters as an epiphany of an intimate co-dependence between human creative activity in the world and the 'mystery' that allows there to be a world for them at all. A Philosophy of Gardens will open up this subject to students and scholars of aesthetics, ethics, and cultural and environmental studies, and to anyone with a reflective interest in things horticultural.

Myth and religion, poetry and prose, painting and music attest to the fascination of reflections of the sun on the surface of the sea. For D.H. Lawrence, Henri Matisse and many others, the experience of sunlight on the sea gives vigour and vitality to our lives. This short book is one philosopher's enquiry into the significance of this experience, an attempt to articulate the meaning of an experience that many people both need and cherish. The starting point is the undeniable beauty of glittering reflections on the sea, the most perfect of all beauties, according to Arthur Schopenhauer. Inspiration is then drawn from ancient traditions of thought - Chinese, Greek, Indian - that emphasised the unity of beauty, goodness and truth. The question addressed is what the beauty we find in sunlight on water shows about our understanding of the good life and of the way of things. In some chapters, a parallel question is asked, by way of counterpoint, about the significance of a contrasting kind of beauty - the shadowy and subdued beauty that has been especially appreciated in Japanese culture. In the glistening surface of a sunlit sea, the author argues, there is a metaphor for and an expression of aspects of the good life - happiness, spontaneity and intimacy with nature. In looking at this surface, we have a glimpse of how we would want our relationship to the world to be. But reflections of the sun in water are also a metaphor for or an epiphany of reality. This is the world as it is prior to being subjected to human conceptual schemes and purposes. It is the world as an integrated whole of experience - a quicksilver, soft-edged, ephemeral realm whose source is a mystery. In the swirling, ever-changing and ever-merging reflections on the surface of a sea whose depths are invisible to us, there is a symbol of the way of things, of what Chinese thinkers called the Dao. This book is an exercise in phenomenology: its aim is to expose the meaning of a familiar experience of beauty. The author shows how this experience, as expressive of the good and the true, is - in a sense deeper, perhaps, than Lawrence and Matisse intended - life-enhancing. Whether or not the book succeeds in its aim will be judged by people who, in the words of one travel writer, can find 'no escape from the mirror-like expanse' of a gleaming sea: it is an experience that follows them about like an 'all-pervading, inevitable melody'.

Fifty Key Thinkers on the Environment is a unique guide to environmental thinking through the ages. Joy A. Palmer, herself an important and prolific author on environmental matters, has assembled a team of thirty-five expert contributors to summarize and analyse the thinking of fifty diverse and stimulating figures - from all over the world and from ancient times to the present day. Among those included are:
* philosophers such as Rousseau, Spinoza and Heidegger
* activists such as Chico Mendes
* literary giants such as Virgil, Goethe and Wordsworth
* major religious and spiritual figures such as Gotama (the Buddha) and St Francis of Assissi
Lucid, scholarly and informative, these fifty essays offer a fascinating overview of mankind's view and understanding of the physical world.