If we could only put aside our civil pose and say what we really thought, the world would be a lot like the one alluded to in The Unabridged Devil's Dictionary. There, a bore is ""a person who talks when you wish him to listen,"" and happiness is ""an agreeable sensation arising from contemplating the misery of another."" This is the most comprehensive, authoritative edition ever of Ambrose Bierce's satiric masterpiece. It renders obsolete all other versions that have appeared in the book's ninety-year history. A virtual onslaught of acerbic, confrontational wordplay, The Unabridged Devil's Dictionary offers some 1,600 wickedly clever definitions to the vocabulary of everyday life. Little is sacred and few are safe, for Bierce targets just about any pursuit, from matrimony to immortality, that allows our willful failings and excesses to shine forth. This new edition is based on David E. Schultz and S. T. Joshi's exhaustive investigation into the book's writing and publishing history. All of Bierce's known satiric definitions are here, including previously uncollected, unpublished, and alternative entries. Definitions dropped from previous editions have been restored while nearly two hundred wrongly attributed to Bierce have been excised. For dedicated Bierce readers, an introduction and notes are also included. Ambrose Bierce's Devil's Dictionary is a classic that stands alongside the best work of satirists such as Twain, Mencken, and Thurber. This unabridged edition will be celebrated by humor fans and word lovers everywhere.

Ambrose Bierce is well known to readers as the author of "The Devil's Dictionary" (1906) and numerous short stories, such as the Civil War tales gathered in "Tales of Soldiers and Civilians" (1891) and the horror stories collected in "Can Such Things Be?" (1893). But, in his own day, he was best known as a prolific and fearless jounalist, and in the 40 years of his literary career he wrote thousands of articles for newspapers and magazines in San Francisco, London, and elsewhere. Most of the articles and poems that Bierce published in his own 12-volume "Collected Works" (1909-12) first appeared in his newspaper columns, as did his celebrated tales. With the growing scholarly interest in Bierce, these contributions are eliciting more attention.

This bibliography is the first to attempt an exhaustive catalog of Bierce's entire body of published work. While the volume includes a chapter of separate publications by Bierce, such as individual books, its most important feature is a chapter listing entries for his contributions to books and periodicals. These entries identify the first appearances of his stories, articles, and poems. An additional chapter lists reprints of his works, and the volume also provides information about manuscript holdings. Joshi and Schultz demonstrate that in addition to being a master short story writer, fabulist, and epigrammatist, Bierce may also have been the leading American journalist of the 19th century.

H. P. Lovecraft (1890-1937) is commonly regarded as the leading author of supernatural fiction in the 20th century. He is distinctive among writers in having a tremendous popular following as well as a considerable and increasing academic reputation as a writer of substance and significance. This encyclopedia is an exhaustive guide to many aspects of Lovecraft's life and work, codifying the detailed research on Lovecraft conducted by many scholars over the past three decades. It includes hundreds of alphabetically arranged entries on Lovecraft and presents extensive bibliographical information.

The volume draws upon rare documents, including thousands of unpublished letters, in presenting plot synopses of Lovecraft's major works, descriptions of characters in his tales, capsule biographies of his major colleagues and family members, and entries on little known features in his stories, such as his imaginary book of occult lore, the "Necronomicon." The volume refers to current scholarship on the issues in question and also supplies the literary, topographical, and biographical sources for key elements in Lovecraft's work. As Lovecraft's renown continues to ascend in the 21st century, this encyclopedia will be essential to an understanding of his life and writings.

H. P. Lovecraft did not have a great many female correspondents, but among the most notable was Elizabeth Toldridge, a poet living in Washington, D.C., who began corresponding with Lovecraft in the late 1920s. Over their decade-long exchange of letters, Lovecraft discussed at length the aesthetic basis of poetry and the methods by which poetic expression could be made relevant in an age of science. He came to recognize that his earlier attempts at writing eighteenth-century-style verse were aesthetic failures, and he attempted to put his new poetic theories into practice with "Fungi from Yuggoth" (1929-30) and other poems. Lovecraft also extensively discussed the current political and economic situation, recognizing that the onset of the Great Depression necessitated a political shift-one that ultimately led him to moderate socialism.
Anne Tillery Renshaw was a colleague of long standing, having known Lovecraft during his amateur journalism period in the 1910s. Late in life she commissioned Lovecraft to work on her treatise on English usage, "Well-Bred Speech" (1936). This edition publishes for the first time several chapters that Lovecraft wrote for that book that were dropped before publication.
Exhaustively annotated by leading Lovecraft scholars David E. Schultz and S. T. Joshi, this volume illuminates one of the great literary personalities of his time-and in his own words. The letters are presented in unabridged form and with detailed notes and commentary.

This second volume of Clark Ashton Smith's complete original poetry contains the poems he wrote in the decades following the death in 1926 of his early mentor, George Sterling. Although much affected by Sterling's passing, Smith carried on in his poetic work, seeking new modes of expression and expanding his range beyond the cosmic and lyrical verse that had dominated his early career. Having taught himself French in the mid-1920's Smith began composing original poems in French. After focusing primarily on the writing of fantastic fiction from 1925-35, he resumed his poetic output with such masterworks as The Hill of Dionysus. In the late 1940's he experimented with haiku, and in the 1950's having taught himself Spanish, he wrote numerous original poems in Spanish. Also among his later output are a number of witty satires on the vagaries of modern poetry. In its entirety, Clark Ashton Smith's work stands as one of the great literary contributions to twentieth-century poetry. All poems have been textually corrected by consultation with manuscripts and early appearances, and have been extensively annotated by editors S. T. Joshi and David E. Schultz. This volume also contains an exhaustive commentary on all the poems and a complete title and first line index.

Clark Ashton Smith was one of the most remarkable and distinctive American poets of the twentieth century. His tremendous output of poetry, totaling nearly 1000 original poems written over a span of more than fifty years, is of the highest craftsmanship and runs the gamut of subject matter from breathtaking "cosmic" verse about the stars and galaxies to plangent love poetry to pungent satire to delicate imitations of Japanese haiku. This edition prints, for the first time, Smith's entire poetic work, including hundreds of uncollected and unpublished poems. The poems have been arranged chronologically by date of writing, so far as can be ascertained. This first volume includes poetry from the first two to three decades of Smith's career, when he published such noteworthy volumes as The Star-Treader (1912), Ebony and Crystal (1922), and Sandalwood (1925). Smith's early work was written under the tutelage of the celebrated California poet George Sterling, but Smith quickly surpassed his mentor in the writing of cosmic and lyric verse. Smith's greatest poetic triumph, perhaps, was The Hashish-Eater, a poem of nearly 600 lines that strikingly evokes the myriad suns of unbounded space and the baleful monsters that may lurk therein. But Smith could also write such touching elegies as "Requiescat in Pace," a dirge for a woman whose death affected him deeply. All poems have been textually corrected by consultation with manuscripts and early appearances, and have been extensively annotated by editors S. T. Joshi and David E. Schultz.