Larry Poons (b. 1937) shot to fame while still in his twenties, on the strength of his “dot paintings,” in which dots or ellipses were meticulously arranged on brightly coloured fields, creating a rhythmic, pulsating effect. But within a few years, Poons first loosened the hard-edged precision of the dot paintings and then abandoned them entirely for an organic mode of abstraction based on vertical drips of flung paint. This marked the beginning of an uncompromising five-decade evolution that has finally led the artist back to a more intimate mode of painting with brushes — and his own hands. At every stage, Poons's career has compelled the attention of critics and, in particular, other artists. This handsome volume, the first full-length biocritical monograph on Poons, reproduces more than 140 of his most important works in full colour, some as spectacular gatefolds. The incisive text — a collaboration between four leading critics and historians — traces the development of the artist’s extraordinary career. Larry Poons is a necessary addition to the library of anyone with an interest in American art.

The first major retrospective of the preeminent Greek-born American artist, who was a pioneer in the use of neon in the realm of fine art. Prolific multimedia artist Stephen Antonakos (1926 2013) is best known for his resplendent abstract neon sculptures instantly recognizable for their vibrant colors and crisp geometry. Along with well-known artists Lucio Fontana, Bruce Nauman, Keith Sonnier, and his compatriot Chryssa, Antonakos brought new perceptual and formal possibilities to the medium of neon. This comprehensive book comprises Antonakos s diverse output of neon, canvases, drawings, travel collages, chapels, and gold works, all of which reflect an abiding concern with illumination, incomplete geometric shapes, and an almost mystical spirituality that is manifest throughout his oeuvre, from his overtly religious pieces to his playful assembled collages from his trips to Greece. His later pieces feature neon lights placed behind painted or gold-leaf panels, often bathing the surfaces and the surrounding space in gold halos like Byzantine icons, a tradition that has long fascinated this extraordinary artist. Author David Ebony provides research on Antonakos as a central figure in the international avant-garde of the 1960s and 70s. He also discusses the artist s Greek heritage and legacy, as well as the spiritual and mystical aspects of his later works.